1,722,422 research outputs found
Louis I. Kahn and Richard Kelly: collaborative design in creation of the luminous environment
As one of the most prominent architects of the twentieth century, Louis I. Kahn aspired to use natural light to shape his architecture. The lighting designer Richard Kelly, one of his close collaborators, had significant influence on modern architectural lighting design in the twentieth century. Kahn and Kelly designed the luminous environments in three art-gallery and museum buildings, The Yale University Art Gallery, the Kimbell Art Museum and the Yale Center for British Art. Collaboration between the architect and the lighting designer resulted in well-resolved lighting solutions. This research investigated the collaboration between Louis I. Kahn and Richard Kelly from both theoretical and pragmatic perspectives. In terms of the theoretical perspective, a detailed overview of their collaborative work is provided through literature review. In terms of the pragmatic perspective, the background of their cooperation and the technical details are presented. In addition, daylighting performance analysis of these three buildings through digital modelling was undertaken. This study found that the lighting design solutions produced together by Louis I. Kahn and Richard Kelly, especially the way of using daylight, have had significant impact on architectural space and the luminous environment. More importantly, this kind of collaborative working method could provide a useful reference and guidance for contemporary architecture and lighting design
Louis I. Kahn, teacher
Louis I. Kahn was not only an architect of powerful buildings; he was also an unconventional teacher and a radical philosopher whose influence on his students was far-reaching. It is through his many former students, especially those in his Master\u27s Class at the University of Pennsylvania, 1960-74, that Kahn\u27s distinctive philosophy of education and unique pedagogy have continued to influence the teaching and making of architecture in the late modern era. Focusing on a neglected area of Kahn scholarship, the author argues that Kahn\u27s legacy as a teacher should be remembered as among his greatest accomplishments. The study examines Kahn\u27s philosophy of education, his unique pedagogy, and his motives for teaching. It draws upon the author\u27s experience as a student in the Master\u27s Class and extensive research at the Louis I. Kahn Collection housed in Penn\u27s Architectural Archives, the comprehensive repository of records relating to Kahn\u27s academic and professional career. It is the first study to be based upon interviews with numerous fellow Master\u27s Class alumni, reflecting the views expressed by Kahn\u27s students about their teacher and the lasting impact of his teaching on their professional lives. © 2013 Cambridge University Press
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Louis I. Kahn unbuilt masterworks
"Author Kent Larson has delved into Kahn's extensive archives to construct faithful computer models of a series of proposals the architect was not able to build: the U.S. Consulate in Luanda, Angola; the Meeting House of the Salk Institute in La Jolla; the Mikveh Israel Synagogue in Philadelphia; the Memorial to Six Million Jewish Martyrs in New York City; three proposals for the Hurva Synagogue in Jerusalem; and the Palazzo dei Congressi in VeniceThe resulting computer-generated images present striking views of "real" buildings in "real" sites.""Complementing the new computer images is extensive archival material - rough preliminary drawings, finely delineated plans, and beautiful travel sketches. Larson also presents documentation of each project, often including correspondence with the clients that shows not only the deep respect accorded the architect but the complicated circumstances that sometimes made it impossible to bring a design to fruitio
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Louis I. Kahn
Edizione francese del volume A. Trentin " Louis I. Kahn" pubblicato dalla casa editrice Motta / IlSole 24 Ore nell'anno 2008
Aleatoriedad y orden en la arquitectura de Louis I. Kahn = Randomness and order in Louis I. Kahn's architecture
Aleatoriedad y orden en la arquitectura de Louis I. Kahn = Randomness and order in Louis I. Kahn's architectur
- …
