5,584 research outputs found
PARTING SHOTS : An Abacadarius from the 1983 Ohio State University Summer Writing Series
No full textPrint Edition: 200 copies.Print Pages: [32] p.Print Illustrations: ill. (reduction linoleum block)Printing: LetterpressBinding: Double-section saddle-stitch; Self-wrappedPaper: Mohawk LetterpressTypography: Handset CentaurPhysical Dimensions: 17 x 13.5 cmColophon: Parting Shots originated in the Children's Picture Book course of the third OSU Summer Writing Series From Concept to Production 1983. The abacadarius presented here represents a collaboration between the students who met in an intensive workshop setting under the guidance of Dr. Kenneth Marantz, Chairman of the Art Education Department, and apprentices at The Logan Elm Press and Paper Mill, the Arts-of-the-Book Laboratory of The Ohio State University College of the Arts, Department of Art Education. Two hundred copies of this volume were printed on Mohawk Letterpress paper off Centaur types and were bound in covers over board using a technique designed by Heidi Kyle
The Story of Wu-Kut & Pren-Ting / a true account gathered from contemporary sources
No full textPrint Edition: 75 copies.Print Pages: [8] p. : issued in slipcase.Print Illustrations: [3] ill. (woodcut).Printing: Letterpress.Binding: Concertina.Paper: Arches Wove; Handmade paper covers.Typography: Handset Caslon.Physical Dimensions: 16.8 x 13.3 cm.Print Image Size (Chinese Characters): 1 1/4 x 1 1/2 inches.Print Image Size (Temple): 4 3/4 x 3 5/8 inches.Print Image Size (Fish): 1 3/4 x 3 1/4 inches.Print Original Price: 15 U.S. dollars.Medium: Woodcut with letterpress.Ink(s): black (woodcut); black, red (letterpress).The first book that Sidney Chafetz illustrated for Logan Elm Press.Colophon: Seventy-five copies of this first Logan Elm Press title were printed off handset Caslon type on Arches text paper. The cover paper was specially made by Robert Tauber, the book designed by Renee Cossutta, and the composition and presswork were their joint effort. Chusak Prescott did the binding. Special thanks to Dr. Kenneth Marantz, Chairman of the department of Art Education at The Ohio State University, for his unwavering support and good advice
52
No full textPrint Pages: 1 broadsidePrinting: LetterpressPaper: Handmade paperTypography: Handset Goudy Oldstyle; photo-engraved blissymbolsPhysical Dimensions: 10 x 13.7 cmColophon: Fifty copies of E.E. Cummings' poem 52, from 73 poems, were printed at The Logan Elm Press & Paper Mill, the Arts-of-the-Book Laboratory of The Ohio State University College of the Arts, Department of Art Education, Columbus, Ohio, from type handset by Michael Drake and Franny Norris, students from the Franklin County Board of Mental Retardation, on the occasion of a journey by Dr. Kenneth & Sylvia Marantz (November 2, 1981) in the tradition of F. Magellan (1519) & Phileas Fodd (1872). The logographs used in this translation are Blissymbolics. Developed by Charles Bliss as an international symbol system, they can be used by some who cannot speak, and like Chinese characters, they reinforce the visual qualities of poetry
D-2503a: 160 West 600 North, Logan, Utah, Kenneth Bench residence. Lot 4 Block 38 Plat A
No full textD-2503a: 160 West 600 North, Logan, Utah, Kenneth Bench residence. Lot 4 Block 38 Plat
Come, O Messiah
No full textThis fresh Advent anthem by Kenneth Logan blends accessible choral parts with colorfully varied organ support for a memorable Advent experience. The composer’s original text sings expressively in successive stanzas of Hebrew hope for Messiah; then of the coming of Jesus who is Creator, Savior, and Helper; and finally of Jesus as coming radiant Lord. Choral parts use mostly simple strophic melody, aiding easy learnability
D-1010a: 120 East 500 North, Logan, Utah, Kenneth and Edith P. Poulsen residence. Lot 5 Block 48 Plat A
No full textD-1010a: 120 East 500 North, Logan, Utah, Kenneth and Edith P. Poulsen residence. Lot 5 Block 48 Plat
Polysemous Word Test
Get PDFThese documents include the materials for the Polysemous Word Test, designed by J. Kenneth Logan and Michael J. Kieffer. They are a revised versions of the materials used in Logan, J. K. & Kieffer, M. J., (in press). Evaluating the role of polysemous word knowledge in reading comprehension among bilingual adolescents. Reading & Writing: An Interdisciplinary Journal. DOI: 10.1007/s11145-017-9745-
D-2514a: 151 East 500 North, Logan, Utah, Kenneth Dale Astiton residence. Lot 1 Block 39 Plat A
No full textD-2514a: 151 East 500 North, Logan, Utah, Kenneth Dale Astiton residence. Lot 1 Block 39 Plat
Interview with Kenneth Sprunt
No full textKenneth Sprunt was born in Wilmington in 1920, the third son of James Lawrence Sprunt. The Sprunts have a long history in and around Wilimington. His grandfather was a cotton merchant in the area and his great-great Uncle is the man for whom James Sprunt Community College is named for as well as the author of Chronicles of the Lower Cape Fear. Mr. Kenneth Sprunt relates his family history both before his birth and after. He spent three years in the Coast Guard during WWII primarily working on anti-submarine warfare in small boats
[Review of] Kenneth Robert Janken. Rayford W. Logan and the Dilemma of the African-American Intellectual
Get PDFIn this superb reconstruction of the life of Rayford W. Logan, Kenneth Robert Janken, an assistant professor of African American studies at the University of North Carolina at Chapel Hill, draws on his protagonist\u27s somewhat tormented life to document the veracity of John Hope Franklin\u27s thesis that, it was the American Negro scholar\u27s dilemma to be obligated constantly to challenge the notion of black inferiority”. Put another way, despite Logan\u27s credentials -- he held a Ph.D. from Harvard University in history; wrote twelve books, including the classic, The Betrayal of the Negro; edited several others, among them, What the Negro Wants; and penned hundreds of scholarly articles -- his racial identity negated all of his assets. For a person who believed that he was different from most other African Americans, the snubs of the white establishment were extremely disconcerting. Yet time and again, Janken reminds us, Logan sought its [white academia\u27s] approval
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