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    Crocodiles, Masks and Madonnas : Catholic Mission Museums in German-Speaking Europe

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    This dissertation examines mission museums established by Catholic mission congregations in Germany, Austria, and Switzerland from the 1890s onwards. The aim is to provide the first extensive study on these museums in a way that contributes to current blind spots in mission history, and the history of anthropology and museology. In this study I use Angela Jannelli’s concept of small-scale and amateurish museums to create a framework in order to characterise the museums. The dissertation focuses on the missionaries and their global networks, their “collecting” in the mission fields overseas, and the “collected” objects, by looking at primary sources from mission congregations’ archives. In the middle section of the dissertation the findings of an analysis of the compiled list of thirty-one mission museums are presented. This presentation focuses on their characteristics (for example, the museum surroundings, the opening and closing dates, the role of the curators, and type of objects). From this list of thirty-one museums three case studies were selected for in-depth analysis: (1) three “Africa museums” of the Missionary Sisters of St. Peter Claver (SSPC) in Salzburg, Maria Sorg and Zug, (2) an ethnographically oriented mission museum of the Society of the Divine Word (SVD) in the mission house St. Gabriel near Vienna, and (3) a mission museum of the Sacred Heart Missionaries (MSC) in Hiltrup-Münster. This study reveals the reasons for opening mission museums by presenting a list of ten intentions. Then I propose a conclusive definition of a European Catholic mission museum. Finally, short descriptions (“portraits”) in the appendix present and analyse all thirty-one mission museums. In presenting the broad diversity of these museums, the thesis contributes to the understanding of missionary congregations’ development in the late 19th and 20th century and their impact on the material and immaterial exchange between German-speaking Catholic Europe and overseas

    The "Missions-ethnographische Museum" of St Gabriel as an Example for European Mission Museums

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    Using the example of the "Missions-ethnographische Museum" in St Gabriel (Modling, today Maria Enzersdorf, near Vienna) as a case study, this article looks at the phenomenon of European mission museums and argues that the museum in St Gabriel was seen dominantly from a scholarly perspective. This was itself a part of the scholarly orientation of the SVD (Societas Verbi Divini) congregation (Frs. Schmidt, Koppers, Schebesta, etc.). The article thus places its main focus on the network that included the mission museum, the Museum of Ethnology Vienna, and the University of Vienna.</p

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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