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El Teatro Infantil como Estrategia de Enseñanza, para elevar el nivel de Expresión Oral en los Niños de 5 años de la I. E. I. N° 282 de San Pablo de Occo, Lircay, Huancavelica 2018
Get PDFEn Perú, en la Región de Huancavelica, en el distrito de San Pablo de Occo es el reflejo de la realidad educativa en la cual, se evidencia la carencia de una debida y oportuna atención en el descubrimiento y superación de las potencialidades de los niños, específicamente en la expresión oral, el problema se agudiza en la quechua hablante donde las primeras enseñanzas se dan en el idioma castellano a niños que no acaban de aprender correctamente la verbalizar de su idioma nativo.
La investigación se planteó como objetivo determinar el efecto del uso del teatro infantil como estrategia de enseñanza, para elevar el nivel de expresión oral en los niños de 5 años de la Institución Educativa Inicial N° 282 de San Pablo de Occo. Como logro se mejoró la expresión oral y las competencias comunicativas de lenguaje y optimizo las relaciones interpersonales.
En cuanto a la metodología es de tipo pre-experimental, porque se trabajó con una sola medición y no hubo comparación de grupos, se trabajó con una maestra de 16 niños cuyas edades son de 5 años, para el recojo de información se utilizó la observación y la lista de cotejo. Para el análisis de la información se utilizó la estadística descriptiva y el software estadístico MS-Excel.ÍNDICE
Portada i
Dedicatoria v
Agradecimiento vi
Resumen vii
Summary viii
Chinti ix
Índice x
Índice de tablas xiii
Índice de figuras xiv
Introducción xv
CAPÍTULO I
MARCO TEÓRICO
1.1 Antecedentes 17
1.1.1 Internacional 17
1.1.2 Nacional 18
1.2. Bases teóricas 20
1.2.1 Teatro 20
1.2.2 El teatro infantil 21
1.2.3 Expresión oral 32
1.3 Objetivos e hipótesis 41
1.3.1 Objetivo general 41
xi
1.3.2 Objetivos específicos 41
1.4 Hipótesis de la investigación 41
1.4.1. Hipótesis General. 41
1.4.2. Hipótesis Específicos 41
1.5. Identificación y operacionalización de las variables 42
CAPÍTULO II
METODOLOGÍA
2.1. Tipo de investigación 45
2.2 Nivel de investigación 45
2.3 Diseño de la investigación 45
2.4 Población y muestra 46
2.4.1 Población 46
4.4.2 Muestra 46
2.5 Recolección de datos 47
2.5.1. Diseño de instrumentos 42
2.6 Aplicación de instrumentos o trabajos de campo 48
CAPÍTULO III
RESULTADOS DE LA INVESTIGACIÓN
3.1 Resultados Pre-test 50
3.2 Resultados de la Pos-test 53
xii
3.3 Discusión de los resultados 55
Conclusiones 57
Recomendaciones 61
CAPÍTULO IV
SECCIÓN FINAL
Referencias bibliografías. 62
Glosario 66
Anexos 67
A) Declaración jurada de autoría de la tesis 68
B) Cesión de Derecho de Autor para publicar en el Repositorio de la UDEA 69
C) Matriz de operacionalización de las variables 70
D) Matriz de consistencia 71
E) Lista de cotejo 72
F) Evidencias de la Validación del instrumento 75
G) Evidencias de la Validez del instrumento 77
H) Fotografías de evidencia 79
I) Constancias 84
J) Curriculum Vitae 85
xiii
INDICE DE TABLAS
Tabla 1
Variable Teatro Infantil
42
Tabla 2
Variable Expresión Oral
43
Tabla 3
Matriz de operacionalización de variables
44
Tabla 4
Diseño de investigación
46
Tabla 5
Descripción de la población
46
Tabla 6
Lista de cotejo.
48
xiv
INDICE DE FIGURAS
Figura 1
Nivel de logro en la expresión oral Pre – test
50
Figura 2
Nivel de logro en la dicción Pre – test
51
Figura 3
Nivel de logro en la pronunciación Pre – test
52
Figura 4
Nivel de logro en la semántica Pre – test
52
Figura 5
Nivel de logro en la expresión oral Post – test
53
Figura 6
Nivel de logro en la dicción Post – test
54
Figura 7
Nivel de logro en la pronunciación Post – test
54
Figura 8
Nivel de logro en la semántica Post – test
55
Figura 9
Nivel de logro en la expresión oral entre Pre y Post – test
57
Figura 10
Nivel de logro en la dicción entre el Pre y Post – test
58
Figura 11
Nivel de logro en la pronunciación oral según Pre y Post – test
59
Figura 12
Nivel de logro en la semántica según Pre y Post – test
6
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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