1,720,975 research outputs found
Stima delle perdite idriche proposta dal D.M. 99/97 e da IWA con monitoraggio in telelettura
Simulazione della rete fognaria della città di Bologna e dimensionamento di invasi per la mitigazione dell’impatto degli scaricatori di piena
Use of a Raspberry-Pi Video Camera for Coastal Flooding Vulnerability Assessment: The Case of Riccione (Italy)
Coastal monitoring is strategic for the correct assessment of nearshore morphodynamics, to verify the effects of anthropogenic interventions for the purpose of coastal protection and for the rapid assessment of flooding vulnerability due to severe events. Remote sensing and field surveys are among the main approaches that have been developed to meet these necessities. Key parameters in the assessment and prevision of coastal flooding extensions, beside meteomarine characteristics, are the topography and slope of beaches, which can be extremely dynamic. The use of continuous monitoring through orthorectified video images allows for the rapid detection of the intertidal bathymetry and flooding threshold during severe events. The aim of this work was to present a comparison of different monitoring strategies and methodologies that have been integrated into repeated surveys in order to evaluate the performance of a new camera system. We used a low-cost camera based on Raspberry Pi called VISTAE (Video monitoring Intelligent STAtion for Environmental applications) for long-term remote observations and GNSS-laser tools for field measurements. The case study was a coastal tract in Riccione, Italy (Northern Adriatic Sea), which is the seat of nourishment interventions and of different types of underwater protection structures to combat coastal erosion. We performed data acquisition and analysis of the emerged beach and of the swash zone in terms of the intertidal bathymetry and shoreline. The results show a generally good agreement between the field and remote measurements through image processing, with a small discrepancy of the order of ≈0.05 m in the vertical and ≈1.5 m in the horizontal in terms of the root mean square error (RMSE). These values are comparable with that of current video monitoring instruments, but the VISTAE has the advantages of its low-cost, programmability and automatized analyses. This result, together with the possibility of continuous monitoring during daylight hours, supports the advantages of a combined approach in coastal flooding vulnerability assessment through integrated and complementary techniques
Analisi sperimentale e simulazioni numeriche effettuate su una vasca di prima pioggia in area industriale sita ad Anzola dell’Emilia (BO)
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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