1,722,237 research outputs found
Ameroseius hainanensis Ma, Lin & Fu 2019
Ameroseius hainanensis Ma, Lin & Fu, 2019, Acta Arachnologica Sinica, 28 (2): 139. Holotype female from rubber tree in Hainan (Danzhou), types in CIPPFAAS. Holotype female now deposited in IZAS.Published as part of Lin, Jian-Zhen, 2022, Researcher Li-Ming MA: Contributions to systematic acarology and entomology, pp. 64-102 in Zootaxa 5159 (1) on page 66, DOI: 10.11646/zootaxa.5159.1.3, http://zenodo.org/record/677078
Karte von Ost-China, Sheet 20, Kwei lin fu, 1907
Scale 1:1,000,000 (E 106°00ʹ00ʺ--E 136°00ʹ00ʺ/N 46°00ʹ00ʺ--N 22°00ʹ00ʺ). 22 maps : color ; 47 x 50 cm. Set covers eastern China, Korea and adjacent parts of Mongolia. Some sheets in German and Chinese. Various issues of some sheets. Relief shown by shading. Geographic coverage complete in 22 sheets. Contents: 1. Saïrussu -- 2. Dolon nor -- 3. Tiě ling hsiën 鐵嶺縣 -- 4. Kirin 吉林 -- 5. Wladiwostok 海参崴 -- 6. Yü lin fu [missing] -- 7. Peking 北京 -- 8. Mukden 奉天府 -- 9. Pyöng yang 平壌 -- 10. Hsi ngan fu -- 11. Tsi nan fu 湾南府 -- 12. Tsingtau 青島 -- 13. Söul 京城 -- 14. Yi tschang fu 宜昌府 -- 15. Hankau 漢口 -- 16. Nanking 南京 -- 17. Tschung king fu -- 18. Nan tschang fu -- 19. Futschau -- 20. Kwëi lin fu -- 21. Canton -- 22. Amoy
Lin-Fu Circuit 麟府路 during the Northern Song Period
Lin-Fu circuit was a military circuit composed of three prefectures, Linzhou 麟州, Fuzhou 府州, and Fengzhou 豐州 situated on the Northern Song border. It was a strategic point at the juncture of the borders of the Song, the Liao and the XiXia, inhabited by a mixture of various non-Han peoples. The political leaders in Lin-Fu circuit, like the Tangut Zhe 折 clansmen of Fuzhou and the Wang 王 of Fengzhou, were given positions of hereditary officials because of their local influence and their powerful clans. Furthermore, they had a hold upon many of the local tribes and pursued trade relations with them both inside and outside of the border areas. Local administration in Lin-Fu circuit was based on the initiative of these native men of influence. As extraordinary as this may seem when viewed in the context of the circuits located in the hinterland, it was actually fairly typical of the military circuits located along borders of the Northern Song
Structure identification and optimal design of large-scale networks of dynamical systems
University of Minnesota Ph.D. dissertation. December 2012. Major: Electrical Engineering. Advisor: Professor Mihailo R. Jovanovic. 1 computer file (PDF); viii, 214 pages, appendix p. 185-196.Lin, Fu. (2012). Structure identification and optimal design of large-scale networks of dynamical systems. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/144251
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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