1,721,858 research outputs found
Research on the May Fourth spirit and its influence in Lin Hai-yin\ue2s novel.
No full textThe thesis is a study of the May Fourth Spirit in Lin Hai-yin\ue2s novel. Her acceptance of the May Fourth literature thoughts and May Fourth women\ue2s novel had affect her writing. The first chapter is the research history of Lin Hai-yin\ue2s novel and theory of this thesis: Aesthetics of reception, narratology and Feminist Literary Criticism.
In the second chapter we research Lin Hai-yin\ue2s personal history during the time of May Fourth. The May Fourth Spirit had affect her vision, but because her marginal perspective, which made her novel more objective and unique. The third chapter is the influence of May Fourth women\ue2s novel in Lin\ue2s. On the theme, subject matter, writing strategy, she followed these writer\ue2s strategy, but present more profound thoughts which different from them.
In the fourth chapter we discuss the plot and characters of Lin\ue2s novel. The narrator in Lin\ue2s novel is usually a woman. Through these women\ue2s eyes, we saw a women\ue2s world that has solid sisterhood. We also saw the faces of men in her novel which are weak and escape from making decision are not the same with the traditional men\ue2s character kinds. And there also shows her concern of society through these characters.
The last chapter is discussing Lin\ue2s novel\ue2s acceptation and influences in Taiwan. In past criticism, her novel\ue2s theme had been seen like homesick. But the writing strategy of women during the anti-commu period is selected themes that considered not important, like love, marriage\ue2\ua6etc. to show they concerned society by these characters\ue2 fate. In conclusion we affirmed Lin Hai-yin\ue2s novel has great value, and she is one of the most important novelists in the 1950\ue2s age
QMMM Colorado Version
No full text<p>QMMM local version developed by Lin's group at Denver, Colorado. The code, test runs, user's manual, and developer's guide are included. Versions 2.6.0 (more extensively tested) and 2.6.1 (newer but less extensively tested) are slightly different in the proton indicator implementation. </p>
XIAO-LONG LIN, HAI-JUN YU, RUI-LEI ZHANG & XIN-HUA WANG (2019) Polypedilum (Cerobregma) heberti sp. n. (Diptera: Chironomidae) from Gaoligong Mountains, Yunnan, China Zootaxa, 4571: 255-262.
No full textLin, Xiao-Long, Yu, Hai-Jun, Zhang, Rui-Lei, Wang, Xin-Hua (2020): XIAO-LONG LIN, HAI-JUN YU, RUI-LEI ZHANG & XIN-HUA WANG (2019) Polypedilum (Cerobregma) heberti sp. n. (Diptera: Chironomidae) from Gaoligong Mountains, Yunnan, China Zootaxa, 4571: 255-262. Zootaxa 4852 (4): 500-500, DOI: 10.11646/zootaxa.4852.4.
Motion Regularization for matting motion blurred objects
No full textThis paper addresses the problem of matting motion blurred objects from a single image. Existing single image matting methods are designed to extract static objects that have fractional pixel occupancy. This arises because the physical scene object has a finer resolution than the discrete image pixel and therefore only occupies a fraction of the pixel. For a motion blurred object, however, fractional pixel occupancy is attributed to the object's motion over the exposure period. While conventional matting techniques can be used to matte motion blurred objects, they are not formulated in a manner that considers the object's motion and tend to work only when the object is on a homogeneous background. We show how to obtain better alpha mattes by introducing a regularization term in the matting formulation to account for the object's motion. In addition, we outline a method for estimating local object motion based on local gradient statistics from the original image. For the sake of completeness, we also discuss how user markup can be used to denote the local direction in lieu of motion estimation. Improvements to alpha mattes computed with our regularization are demonstrated on a variety of examples
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[[alternative]]遙想童年的烏托邦：林海音《城南舊事》中的反成長論述
No full text[[abstract]]Lin Hai-Yin is the founder of Taiwanese Children’s Literature with immense
contribution in areas of composition, editing, and publication. In regarding composition,
Memories of Peking: South Side Stories (1960) is undoubtedly her representative work.
This autobiographic novel takes readers back to Lin Hai-Yin’s childhood memory in
Peking. It describes the course of Ying-Zi, a little girl who lived in the south side of
Peking during the age of 5 to 13. According to this, many scholars view the Memories of
Peking: South Side Stories as a positive novel on growing up written for the purpose of
describing female’s maturation process. A closer examination would further reveal that,
while Ying-Zi is physically maturing, readers can also sense the author’s dream of going
back to childhood’s utopia and rendering the novel a taste of anti-maturing. Through the
novel, the discussion will attempt to depict the relationship between anti-maturing and
childhood’s utopia. It will also uncover the subtle self reflection of the author in this
novel, demonstrating children’s unwillingness leave their utopia and to enter and accept
the rules of the adult world
The study of Lin Hai-yin's stort story
No full text碩士林海音從1955年出版第一本小說《冬青樹》，直到1965年共出版了包含《綠藻與鹹蛋》、《城南舊事》、《婚姻的故事》、《金鯉魚的百襉裙》等五本短篇小說集，總計六十三個短篇。
其小說作品多以家庭為背景，描寫婚姻愛情悲劇。主題除了眷戀鄉土外，也因自身的童年經歷，寫出多篇以孤女為題材的篇章。林海音十分關注婦女的命運，以女性的立場寫出舊社會被壓迫的妻與妾不同身分地位，共同的哀怨。又寫出五四新思潮的影響，及抗戰前後的女性處境，與婚姻家庭的諸多問題。
林海音見證了一個大時代的離亂，傳統社會的驟變，以及兩岸的鄉土人情。故於小說作品中，可隨其女性觀點看到那一時代弱勢族群的生活樣貌，也可以感受到傳統社會文化與現代價值觀的衝突。作品中透露出女性在面臨時代的轉型，已能自我覺醒，憑藉自我的觀念及能力，去爭取原本屬於自已的權利。而林海音以淡淡的筆觸來表現她對女性疾苦的關懷，並輕輕點出人生百態。
小說中女性意識的自覺和認同，表現在對女性問題和婚姻生活的關注，從她所揭露的女性經驗中，我們見到了在性別壓迫中掙扎且無法翻身的傳統女性，還有新女性在愛情與婚姻所面對的桎拮與困境等，在女性意識的覺醒和自我實現上，則透過婚姻與工作及家庭的兼顧，兩性關係的探討等題材表現，呈現女性掌握自我的新形象。
綜觀林海音的小說，多元地呈現了父權體制規範下的婚姻家庭，給予現代女性挫敗與難堪，同時在舊式婚姻與新式自由戀愛的矛盾過程中，為其注入了女性情誼等內涵。
本論文於緒論上說明了研究動機與目的、文獻資料的探討，以章節安排勾勒論文的組織架構。在林海音生平經歷與小說作品精神之關係上，探析林海音對婚姻家庭女性問題的處理，以及對女性意識的省思。From the first book “Ilex”, Lin Hai-yin published five collections of short stories from 1955 to 1965, which are "Green Seaweed and Salted Eggs," "My Memories of OldBeijing, " "the Story of Marriage," and "Gold Corp''s Pleated Shirt.", altogether 63 short stories.
In addition to a nostalgic theme, Lin writes a few articles of orphan girls due to her own experiences of childhood. Lin is also concerned about women and their lives so she writes plaintive wives and concubines with varied social statuses oppressed in the old society. Lin further writes down the impact of the new ideological trend of the May Fourth Movement, and the situation of women before and after the war against Japan, and numerous problems of families in marriage.
Lin witnessed a chaotic era, sudden changing societies and friendship and kindness of both sides of the Straits. Therefore, in her novels from the female perspective, readers can see that the lives of disadvantaged groups, and feel the conflicts between traditional culture and modern values. In her works, Lin reveals that women facing the transition of the times have been able to be self-awakening to seek their own right by the help of self idea and ability. Lin with her light touch shows her concern for the sufferings of women, and she gently points out the attitudes of life.
In Lin’s novels, the awakening and identity of women’s consciousness manifests the concerns for the questions of women and their marriage lives. From Lin’s experience over women, we can see gender oppression and struggle that women can not set free from their traditional role. Lin further states that the new generation of women faces the difficulties and the predicaments in their love and marriage.
In the aspect of awakening of women consciousness and self-realization, through the coordination of marriage, work and family, the exploration of gender relations and other topics, Lin presents the new self-image that women can grasp.
Taking a broad view of Lin’s novels, readers can diversely find out the marriage families under a patriarchal system may result in frustration and embarrassment for modern women; however, in the process of the contradictions of customary marriage and new-type freedom to choose one''s spouse, Lin’s novels have injected such elements as women''s affection.
This paper has stated research motive and purpose in an introduction, giving a further exploration of literature documents and materials and structuring this paper with chapters. The paper centers on Lin’s life and the essence of her creative literary works, exploring the issues of marriage, family and women; from Lin’s perspective, we may ponder over women''s consciousness.第一章 緒論……………………………………………………1
第一節 研究動機與目的………………………………………1
第二節 文獻探討………………………………………………5
第三節 章節安排………………………………………………10
第二章 林海音生平經歷與寫作歷程的關係…………………11
第一節 林海音的生平介紹……………………………………11
第二節 林海音的寫作歷程……………………………………15
第三節 故鄉的呼喚與眷戀……………………………………22
一、追憶北京城南………………………………………………22
二、回到故鄉台灣………………………………………………26
第四節 孤女的美麗與哀愁……………………………………29
一、無怨無悔的愛………………………………………………30
二、總有悲歡離合………………………………………………32
第三章 林海音作品的時代精神………………………………47
第一節 顛沛流離的時代………………………………………47
第二節 傳統女性的枷鎖………………………………………53
第三節 社會制度的反思………………………………………62
第四章 對女性問題的「挖掘」與處理………………………68
第一節 婚姻家庭的變奏曲……………………………………68
一、舊社會的婚姻………………………………………………68
二、婚姻愛恨情愁………………………………………………77
三、婚姻關係危機………………………………………………81
四、大時代的婚姻………………………………………………86
五、婚姻家庭失常………………………………………………92
六、第二次的春天………………………………………………95
第二節 對女性意識的省思……………………………………103
一、發展自我……………………………………………………103
二、走出禁錮……………………………………………………104
三、寄予同情……………………………………………………108
四、不平之鳴……………………………………………………110
第五章 小說中的角色類型……………………………………114
第一節 女性角色的類型………………………………………114
一、妻妾…………………………………………………………114
二、寡母孤兒……………………………………………………116
三、姊妹…………………………………………………………117
四、自我覺醒……………………………………………………119
第二節 男性角色的功能………………………………………123
一、丈夫…………………………………………………………123
二、兒子…………………………………………………………126
三、情人…………………………………………………………127 四、缺席的父親…………………………………………………128
第六章 結論……………………………………………………131
參考書目…………………………………………………………133學號: 792000209, 學年度: 9
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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