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René Specht, Recherches sur Nicolas de Vérone, 1982. [« Publications Universitaires Européennes », série XIII, vol. 78]
No full textLimentani Alberto. René Specht, Recherches sur Nicolas de Vérone, 1982. [« Publications Universitaires Européennes », série XIII, vol. 78]. In: Romania, tome 104 n°414, 1983. pp. 261-265
Chronique
No full textSemmler Josef, Limentani Alberto, Eygun François, Conti Pier Maria, Labande-Mailfert Yvonne. Chronique. In: Cahiers de civilisation médiévale, 10e année (n°38), Avril-juin 1967. pp. 253-263
Chronique
No full textSemmler Josef, Limentani Alberto, Eygun François, Conti Pier Maria, Labande-Mailfert Yvonne. Chronique. In: Cahiers de civilisation médiévale, 10e année (n°38), Avril-juin 1967. pp. 253-263
Limentani, Alberto
No full textAlberto Limentani (Trieste 1935 – Padova 1986). Si è formato a Padova alla scuola di Vittore Branca e di Gianfranco Folena. Libero docente dal 1968, ha insegnato Filologia Romanza nelle Università di Cagliari, di Venezia e infine di Padova (1975-1986).
Dopo la laurea con una tesi sul “Teseida” di Boccaccio, si è occupato di letterature romanze medievali, specialmente francese (epica e romanzo, Chretien de Troyes, Jean Renarti), provenzale (poesia lirica e narrativa) e spagnola (epica, “Cantar de Mio Quid”), franco-italiana (Martin da Canal, “Entrée d’Espagne”), coltivando anche un vivo interesse per la letteratura contemporanea (Moravia, Bassani). Fu attento studioso della storia della disciplina, dei maestri della Filologia romanza (P. Meyer, F. Novati, U. A. Canello), dei problemi di metodo e di quelli traduttivi dei testi medievali romanzi.
Argomenti dei suoi corsi, incentrati sulle letterature francese e provenzale, sono stati: la poesia morale e politica di Provenza, il metodo formale e metodo storico-sociologico nello studio della lirica trobadorica, Chretien de Troyes e la creazione del romanzo lettura di “Ere et Eneide”, il “Guillaume de Dole” di Jean Renarti, l’allegoria nella cultura medievale, la cultura francese in Italia dalla prima espansione al XIV secolo con particolare riguardo al Veneto, l’ “Entrée d’Espagne”, la “Chanson de Roland”, il “Cantar de mio Quid”.
Fu Visiting Professor alla McGill University di Montréal, vicepresidente della Société Rencesvals, segretario dell’Accademia Patavina di Scienze Lettere ed Arti (ora Accademia Galileiana).
Tra le sue opere: “Alberto Moravia tra esistenza e realtà” (1962); “Dal ‘Roman de Palamedés’ ai ‘Cantari di Febus-el-forte’. Testi francesi e italiani del Due e Trecento” (1962); G. Boccaccio, “Teseida delle nozze d’Emilia”, in Id., “Tutte le opere”, a cura di V. Branca, vol. II (1964); “Las novas de Guillem de Nivers (Flamenca)” (1965); Jean Renart, “L’immagine riflessa”. Introduzione, traduzione e commento (1970, 1994); Martin da Canal, “Les Estoires de Venise. Cronaca veneziana in lingua francese dalle origini al 1275” (1973); “L’eccezione narrativa. La Provenza medievale e l’arte del racconto” (1977); “Alle origini della Filologia romanza”, a cura di M. Mancini (1991); [con M. Infurna] “L’epica” (1986); “L’ ‘Entrée d’Espagne’ e i Signori d’Italia”, a cura di M. Infurna e F. Zambon (1992); “Per Jean Renart e altri studi di letteratura medievale”, a cura di A. Barbieri, G. Peron e F. Sangiovanni (2020).
[Gianfelice Peron]
Fonti bibliografiche:
“Bibliografia degli scritti di A. L.” [a cura di G. Peron e F. Zambon], «Medioevo Romanzo», XII (1987), pp. 3-12; R. Brusegan, “Alberto Limentani (1935-1986)”, «Cahiers de Civilisation Médiévale», 29 (1986), pp. 401-402; A. Daniele, “Ricordo di Alberto Limentani”, «Atti dell’Accademia Patavina di Scienze Lettere ed Arti», CIV, 1991-92; “Studi medievali e romanzi in memoria di Alberto Limentani”, Roma 1991; “Generi, testi, filologia. Atti del convegno di studi in memoria di Alberto Limentani a vent’anni dalla morte, Padova, 28-29 aprile 2006”, a cura di F. Brugnolo, «Medioevo romanzo», XXX, 2006
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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