87,605 research outputs found

    Personal Papers (MS 80-0002)

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    Letter from I. H. Kempner to Lewis Historical Publishing Company providing his information for the Texas Gulf Coast history project's advisory file

    Personal Papers (MS 80-0002)

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    Letter from Lewis Historical Publishing Company to I. H. Kempner inviting him to join the advisory board for the Texas Gulf Coast history project

    Author Rights and Scholarly Publishing

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    Originally posted at http://blog.library.gsu.edu/2014/10/24/author-rights-and-scholarly-publishing/</p

    Huddersfield Open Access Publishing

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    This paper presents the findings of the Huddersfield Open Access Publishing Project, a JISC funded project to develop a low cost, sustainable Open Access (OA) journal publishing platform using EPrints Institutional Repository software

    Author, publisher and bookseller : a tripartite synergy in Nigerian book industry

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    This work is about the roles of Author, Publisher and Bookseller in Book development in Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after which it proceeded by defining who an author, a publisher, and a bookseller is and expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in the emerging Information Society. Furthermore, the various constraints to book development were identified while the paper advised on how the Book Industry can be further promoted in Nigeria. However, the paper concluded and made recommendations on how the Book sector can help in enhancing scholarship in the country

    The agential fork : the hidden consequences of agency for plenitude in David Lewis' thesis of genuine modal realism

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    In this dissertation, I argue that David Lewis' abductive argument for Genuine Modal Realism (GMR) has the unwelcome, and hidden, implication of being unable to accommodate agent causation theories of free will. This is because of his formulation of plenitude, which basically says that every way that a world or a part of a world could be is the way that some world, or part of some world is. This formulation tacitly assumes that chance and nomological principles are sufficient to account for everything that happens at worlds. However, agent causation theories argue that free will is neither reducible to chance nor determined by physics. My argument recasts a fork argument made by Andrew Beedle. I proceed by arguing that chance-based principles evince an ontologically distinct kind of modality than agent causation principles. However, plenitude only accounts for the physics/chance-based kind of modality. There is no similar principle of plenitude that can be given for agential modality that does not collapse into the chance-based principle. But even if such a principle could be found, it would violate the doctrine in GMR that claims worlds are causally isolated. If no agential plenitude principle can be found and there is agential modality, then plenitude fails. If there is no agency at our world, and Lewis’ original formulation of plenitude is correct, then GMR implies no agency at any world. This is the fork: If there is agency and GMR holds, then either plenitude fails, or isolation fails. But if there is no agency, and GMR holds, then there is no agency at any possible world. The latter prong is too strong a claim for an abductive argument like GMR. The former proves that GMR cannot accommodate agent-causation theories. GMR loses its neutrality either way, to its detriment

    South African responses to Open Access publishing: a survey of the research community

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    Open access publishing offers wide benefits to the scholarly community and may also afford relief to financially embattled academic libraries. The progress of the open access model rests upon the acceptance and validation of open access journals and open archives or institutional repositories by the academic mainstream, particularly by publishing researchers. To what extent are the key actors in the South African research system aware of the advantages of open access? This article reports on the findings of a recent survey undertaken to assess the current awareness, concerns and depth of support for open access amongst local researchers, research managers and policy makers in South Africa. The study focuses on issues of quality, article or author charges and the established academic reward system. It concludes that within the prevailing framework, there is little prospect that academics would choose to publish within open access journals. Recommendations for advocacy by the library community are proposed

    Electronic Publishing, ETD’s and Institutional Repositories

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    abstract: An early draft of a book chapter regarding electronic publishing and opportunities for digital archives. Produced during the author's sabbatical in 2004.Published under the title "Electronic Publishing and Institutional Memory" in Prom, Chris and Ellen Swain, College and University Archives: Readings in Theory and Practice, Chicago: Society of American Archivists, 2008

    Personal Papers (MS 80-0002)

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    Invoice prepared for I. H. Kempner from Lewis Historical Publishing Company. Invoice includes total price and is stamped "paid"

    The Thursday Murder Club: Launching a megabrand author - a publishing case study

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    In 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
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