1,722,942 research outputs found
Lewis Carroll e il linguaggio della mente
Commento stilistico sulla lingua di Lewis Carroll nei tre racconti
Surrealism’s Curiosity: Lewis Carroll and the Femme-Enfant
This paper concerns surrealist artists' and writers' appropriation of Lewis Carroll. Predominantly focusing on the work of Dorothea Tanning and Max Ernst, it suggests that Carroll's work appealed to the surrealists' fascination with their childhood selves, and their wish to identify with the curious character of Alice as femme-enfant as a way of subverting their bourgeois family backgrounds. Whether stepping Through the Looking Glass or breaking the rules in Wonderland, Alice can be read as a transgressive character apt for surrealist appropriation. The paper traces Carroll's reception in the surrealist movement, and articulates the curious character of the surrealist femme-enfant in order to reinscribe her epistemophilia in line with surrealism's orientation towards research
Lewis Carroll et les mythologies de l'enfance
L’enfance est au cœur de l’œuvre carrollienne – mais comment cerner cette problématique ? Le thème des « mythologies de l’enfance » a pour but de l’approcher, en évoquant non seulement l’enfance comme mythe, mais également la question de l’enfance comme fonctionnement mythique dans l’œuvre de Carroll. Rassemblées à l’issue d’un colloque international, les études de ce recueil se donnent pour objectif d’interroger le statut ambigu de l’enfance dans l’œuvre de Lewis Carroll, fasciné par cette saison de la vie dont il n’eut de cesse de célébrer l’exceptionnelle sensibilité, dans ses textes comme dans ses photographies. La mythologie de l’enfance dans cette œuvre multiforme ne peut se comprendre qu’en mettant d’abord en perspective les différentes étapes par lesquelles le mythe s’est constitué, afin de saisir comment l’œuvre carrollienne élucide et élude par le même mouvement la problématique de l’enfance, puis comment la réception de l’œuvre s’est appuyée sur le thème de l’enfance, quitte parfois à le subvertir ou à en abuser. La question de la légitimité du mythe se pose ensuite : faut-il (et peut-on) démythifier le mythe ? Comment questionner sa portée pour comprendre ce qui se joue dans l’œuvre ? C’est dans le prolongement de cette interrogation que se pose enfin la question de la représentation de l’enfance dans l’œuvre carrollienne et dans les œuvres d’autres créateurs inspirés par l’imaginaire et l’univers carrolliens
Lewis Carroll: Author, Mathematician, and Christian
Although a Christian, an author, and a mathematician, Charles Letwidge Dodgson (better known as Lewis Carroll) wrote very few works in which these three aspects of his person was present. The only examples of him merging these interests are in Sylvie and Bruno and Sylvie and Bruno Concluded. This paper will explore what motivated him to make these works and whether or not they were successful
Lewis Carroll: Author, Mathematician, and Christian
Although a Christian, an author, and a mathematician, Charles Letwidge Dodgson (better known as Lewis Carroll) wrote very few works in which these three aspects of his person was present. The only examples of him merging these interests are in Sylvie and Bruno and Sylvie and Bruno Concluded. This paper will explore what motivated him to make these works and whether or not they were successful
Les métamorphoses d'Alice par Salvador Dalí
Dans le cadre du catalogue de l'exposition "SurréAlice. Lewis Carroll et les surréalistes", ce chapitre explore l'impact de la figure d'Alice dans l'oeuvre et l'imaginaire de Salvador Dali.
L'auteure met d'abord en lumière la façon dont Dali appréhende l'univers de Lewis Carroll durant les années 1930, dans le cadre du surréalisme et en collaboration avec Eluard. Elle se penche ensuite sur les illustrations de Dali d' "Alice au pays des merveilles" de 1969, en soulignant l'évolution des leitmotivs et les différences d'approche
O nonsense de Lewis Carroll
O presente trabalho apresenta uma noção de nonsense própria às obras de Lewis Carroll e elaborada com base em seu próprio arcabouço teórico, seguida de uma análise das relações entre as noções de nonsense de Lewis Carroll e Wittgenstein, concluindo que ambos tiveram atitudes análogas em relação ao nonsense, usando-o como um meio para induzir ideias instrutivas nos seus leitores
The language of Lewis Carroll: fantasy or fact?
The author intends to show in this paper that Lewis Carroll's use of language reflects agreement with some assumptions underlying the Romantic theory of language and with other assumptions implicit in the Utilitarian theory of language. In creating his fantasy worlds, Lewis Carroll used language to explore the limits of these assumptions, and he thereby arrived at his own conclusions about its potential for representing both fantasy and fact. The author intends to delineate the linguistic relations between fantasy and fact as they occur throughout his fiction, demonstrating which assumptions from each school are embraced and which are rejected by Lewis Carroll
Lewis Carroll\u27S Contributions To Artificial Intelligence
Lewis Carroll, author of Alice in Wonderland , wrote about Symbolic Logic , which is equivalent to Propositional or Predicate Logic used in Artificial Intelligence today. He used logical symbols such as negation, conjunction, implication plus logical charts to solve problems. This study will present his contributions to Artificial Intelligence today. © 1992
Lewis Carroll, Il Nuovo Campanile di Oxford
Il volume propone la prima traduzione italiana, da me effettuata, di tre racconti di Lewis Carroll: Wilhelm von Schmitz; The New Belfry of Christ Church, Oxford; Feeding the Mind.
La traduzione è introdotta da un mio commento critico: "Lewis Carroll e il linguaggio della mente." (pp.5-23
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