1,721,924 research outputs found
Political Metaphors in the Dramaturgy Written by Héctor Levy-Daniel. A Study on the Trilogy “Las mujeres de los nazis”
Dramaturg, żydowsko-argentyńskiego pochodzenia, Héctor Levy-Daniel zawsze koncentrował swój teatr na kwestii politycznej. Levy-Daniel skłania się ku twierdzeniu, że teatralność zakłada, warunek sine qua non, „dryf polityczny”. Prowadzi nas to do innej formy zmierzenia się z tym tematem, z innej perspektywy, odmiennej od tej jaką tradycyjnie pokazywał teatr latynoamerykański, bowiem polityczność u Levy’ego- Daniela zakorzeniona jest w teorii politycznej Hannah Arendt. Z tej dominanty jego twórczości powstała właśnie trylogia teatralna Kobiety nazistów (Las mujeres de los nazis), której głównymi bohaterkami są: Magda Goebbels, żona nazistowskiego ministra propagandy, Josepha Goebbelsa; Irma Gresse, młoda Niemka, która podzieliła smutny los wielu milionów więźniów Auschwitz oraz Geli Raubal, siostrzenica Hitlera, z którym połączył ją związek miłosny, który prawdopodobnie doprowadził ją do samobójstwa. Autor napisał ten tekst, nie po to by mówić o nazizmie i kobietach, które towarzyszyły najwyższym hierarchom; wręcz przeciwnie, by wyrazić poprzez tę polityczną metaforę, surową wizję rozwoju faszystowskiego myślenia w Argentynie. Możemy uznać Levy’ego-Daniela za pisarza postdyktatury, co wzmacnia krytyczną wartość jego twórczości. W rezultacie staramy się przeanalizować kształtowanie się nowego teatru politycznego w Ameryce Łacińskiej, biorąc pod uwagę studium przypadku, utwór Levy’ego-Daniela Las mujeres de los nazis.The playwright, Jewish-Argentine Héctor Levy-Daniel has always been focused his theater on the political issue. Levy-Daniel adheres to the premise that theatricality implies, a condition sine qua non, the "political drift"; which leads us to another form of facing the issue, and facing it from a different perspective of what traditionally Latin American theater has shown, because the politics of Levy-Daniel are rooted in the political theory of Hannah Arendt. From there arose theater trilogy The Women of the Nazis (Las mujeres de los nazis), whose main heroines are: Magda Goebbels, wife of the Nazi propaganda minister, Joseph Goebbels; Irma Gresse, a young German woman who shared the sad fate of many millions of Auschwitz prisoners and Geli Raubal, the niece of Hitler, with whom she was linked by a love relationship that pro-bably led her to suicide. The author wrote the text, not for the precise purpose of talking about Nazism and the women who accompanied his highest hierarchs; but on the contrary, to express through this political metaphor a crude cosmovision of the development of fascist thinking in Argentina. We can consider Levy- Daniel, like a writer of post-dictatorship, which reinforces the critical value of his work. As a result, we try to delve into the modeling of a new political theater in Latin America, taking as a case study the work of Levy-Daniel, Las mujeres de los nazis
Economía digital y mujeres : una perspectiva desde Argentina
Fil: Aguerre, Carolina. Universidad de San Andrés. Centro de Estudios en Tecnología y Sociedad; Argentina.Fil: Levy Daniel, Maia. Universidad de San Andrés. Centro de Estudios en Tecnología y Sociedad; Argentina
Intermediarios de Internet : consideraciones para reflexionar en el contexto de Argentina
Fil: Levy Daniel, Maia. Universidad de San Andrés. Centro de Estudios en Tecnología y Sociedad; Argentina.Fil: Aguerre, Carolina. Universidad de San Andrés. Centro de Estudios en Tecnología y Sociedad; Argentina
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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