8,799 research outputs found
J.C. Painter letter to Benjamin Lundy
No full textLetter from J.E. Painter to (presumably) Benjamin Lundy, answering a request for information about the history and operations of the Underground Railroad. Letter includes details of a story of an ex-slave transported on the Underground Railroad through Ohio and stories of the plight of other fugitive slaves crossing the Ohio River.
Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His "Genius of Universal Emancipation" was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
Mexican land grant contract to Benjamin Lundy, March 10, 1835 (English)
No full textLegal document from an unsigned officer to Benjamin Lundy, authorizing him rights as empresario to a tract of land in then-Mexico. The document extends a previous treaty made to Lundy by the government of Mexico from November 17, 1823 -- presumably, this land is to be the site of Lundy's freed slave colony. Original Spanish-language document is also a part of this collection. Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His Genius of Universal Emancipation was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
Eli Nichols letter to Benjamin Lundy, March 17th, 1839
No full textFriendly note from Eli Nichols to Benjamin Lundy covering topics in contemporary abolition, ranging from the social status of abolitionists to the oppression of the poor. Much of the letter concerns a review of contemporary social movements in equality-based education, including Shaker and Quaker communities. The letter concludes in discussion of Nichols' and Lundy's interest in forming a freed slave colony or community in then-Mexico, and describes the climate and culture of those regions in detail. Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His Genius of Universal Emancipation was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
Mexican land grant contract to Benjamin Lundy, March 10, 1835 (Spanish)
No full textLegal document in Spanish from the government of Tamaulipas, Mexico, to Benjamin Lundy, which appears to grant Lundy the rights of empresario for his proposed colony for freed slaves in Tamaulipas. This document appears to be truncated; it ends abruptly after 2 pages. Collection also includes a period translation of this contract with Lundy in English, which appears to contain the full text of the agreement. Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His Genius of Universal Emancipation was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
General Benjamin Butler Letter Regarding the naming of Newport News, Virginia
No full textDigital images of an original letter written by Former Union Major-General Benjamin Butler in reply to a query by author, Edwin Everett Hale on how Newport News, Virginia had received it's name. both sides of the original letter are included along with a typed transcription of the letter
La première sé@nce ? Nouveaux en-jeux de la médiation cinématographique, à travers l'exemple d'œuvres participant de l'esthétique de l'imprévisible
No full textInternational audienceThrough the analysis of Timecode (Mike Figgis, 2000) and of The Last Call (Jung Von Matt, 2008), we are working on a link between film aesthetics and the notion of unpredictability. These two examples challenge the device of projection and reception so as to modify the traditional way in which a spectator relates to a movie. These films invite their spectators to rediscover what produces a viewing experience : the first one explores the connection between movie and spectators and the second one investigates the connection between audience and protagonists. The two films partly update the theories of film aesthetics and underline certain principles of film viewing that Walter Benjamin and Stanley Cavell worked out. The purpose of this paper is to present these works in the context of the New Information and Communication Technologies.A partir de l'analyse de Timecode (Mike Figgis, 2000) et de The Last Call (Jung Von Matt, 2008), nous envisageons une relation entre l'esthétique du cinéma et la notion d'imprévisibilité. Ces deux exemples exploitent le dispositif de projection et de réception de telle sorte que cela modifie la relation traditionnellement établie du spectateur au film. Ils invitent leurs spectateurs à redécouvrir ce qui constitue une expérience spectatorielle au cinéma : le premier problématise le rapport film / spectateurs et le second le rapport public / protagonistes. Ils réactualisent une partie des théories de l'esthétique du cinéma : ils soulignent certains principes du spectacle cinématographique, tels que Walter Benjamin et Stanley Cavell les ont repérés. Cela nous permet de poursuivre leurs travaux sur la médiation cinématographique en l'inscrivant dans le contexte des Nouvelles Technologies de l'Information et de la Communication. A travers leurs contenus et leurs processus, nos deux exemples engagent la place du cinéma dans l'économie symbolique des médias et offrent au spectateur une compréhension nouvelle de son statut. Ils montrent de nouveaux enjeux, dans l'économie symbolique des NTIC
Cinq années de voyage en Orient 1846-1851 par Israel-Joseph Benjamin II, voyageur et auteur, demeurant à Faltischan (Moldavie). Paris en vente chez Michel Levy Frères, rue Vivienne, 2 bis 1856 L' auteur se réserve le droit de traduction et de reproduction
No full textPreface: by Benjamin, J.Dedication: by the author to M.J. Altaras aîné de Marseille et M. Albert Cohn.Content description: Detailed contentsPagination: PP28+240PVolumes: 1Text Genre:Pros
The description and use of an orrery of a new construction : representing in the various parts of its machinery all the motions and phoenomena [i.e phenomena] of the planetary system ...
No full textby Benjamin Marti
The description and use of an universal sliding rule : which ... is adapted to answer all questions in arithmetic, mixt-mathematics, and philosophy, in the most easy and expeditious manner, as shewn in sixty examples of principal utility in the practical parts of science
No full textby Benjamin MartinErscheinungsdatum nach EST
R. Williams letter to Mrs. Susan M.Weirman, July 21, 1896
No full textResponse letter from R. Williams to Susan M. Wierman [sometimes spelled Weirman] following up on a visit from photographer M. Wooley, presumably to snap photographs of Susan and the Lundy home to accompany Williams' biographical essay on Lundy. Williams sends along Wooley's letters and requests additional information from Ms. Wierman about the life and times of some meeting houses significant in the life and times of her father, anti-slavery activist and abolitionist periodical publisher Benjamin Lundy. Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His Genius of Universal Emancipation was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
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