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    Lelo

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    Sobre el canto del "Lelo

    ACCURACY OF 1908 HIGH TO MEDIUM SCALE CARTOGRAPHY OF ROME AND ITS SURROUNDINGS AND RELATED GEOREFERENCING PROBLEMS

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    Preliminary attempts to georeference maps of early twentieth century made by the Military Geographic Institute (IGM, the Italian geodetic agency) for the city of Rome and its surroundings, reported residual errors larger than errors observed on similar maps. Previous studies carried out on one or two century older maps of the same area, showed similar or even smaller errors (Baiocchi and Lelo 2005). Six sheets of the "City of Rome and its surroundings" map in scale 1:5 000 dated 1908 have been studied. The identified errors can be referred to the different system of geodetic projection and geodetic datum or to the derivation of some details from maps at smaller scale, but in this case historic documents seem to suggest a different explanation. Parameters useful to perform the transformation of the geodetic systems used in historical maps to modern systems are not known; for this reason until now the various attempts of georeferencing maps of this type were based on collimation of points recognizable on modern cartographies such as corners of historical buildings. This method has often given unsatisfactory results; therefore it was decided to proceed by determining the parameters for the transformation of geodetic datum. The history of geodetic systems used in Italy at the beginning of the 20th century is complex and, in the past, this has led some researcher to misinterpretations. For this reason a full explanation of geodetic systems used in Italy in this period is reported below. Since the parameters of the projection used for the maps in our case study are not known for sure, the reprojection was considered the only way for a correct georeferencing

    El HGIS del catastro urbano de Roma (Catastro Pio-Gregoriano, 1818-1824)

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    This contribution illustrates the methodology adopted for the construction of a historical GIS of the city of Rome in the nineteenth century, based on cadastral sources. The work integrates historical research based on archival documentation and geographical analysis and has as objective to produce new thematic information about the city. In this context, the informatization of the maps of the urban cadastre of 1819-24 and of the information contained in the cadastral registers has led to the development of an effective database management system based of the geographic location of the data, and the implementation of an analytical tool that allows the study of the physical structure and of the socioeconomic conditions of the city with a very high level of detail

    El "Lelo" en un estribillo portugués

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    El Canto del Lelo aparece en un estribillo que acompaña a las canciones populares portuguesas y por tanto cada vez parece más que el Lelo es un estribillo sin sentidoThe Song of "Lelo" appears in a refrain that accompanies Portuguese popular songs. The "Lelo" seems to be more and more a senseless refrai

    From Mexico City to the WTO : workers speak for themselves about the global economy

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    Speakers at the event include Ana Maria Guzman, Frank Reynolds, Lorina Serafico, Cenan Bagon, Kelly Palmer, Carlos Chavez, Cynthia Anderson. Further affiliation: North American and Caribbean Regional Workers Meeting. One 22 x 14 sheet of cardstock folded , inside which an 11 x 14 cm sheet of cardstock was inserted. Includes a handwritten note from Kristyn. Personalized invitation for Alan Rabinowitz to the LELO event at Seattle Vocational Institute.Before WTOEvent PublicityLaborNorth American and Caribbean Regional Worker

    La crónica Ibargüen-Cachopín y el Canto de Lelo

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    Se descubrió que la "Crónica de Ibargüen" no había sido escrita por éste, sino que solamente había sido el colaborador de Cachopín, quien se considera es el auténtico autor. A raíz de esto se plantea si son justos los juicios emitidos a la obra de Ibargüen. El Canto de Lelo o Canto de los Cántabros aparece en el cuaderno 71 de la Crónica y se hace un estudio de este canto, que el autor considera un estribillo sin sentidoThe "Chronicle of Ibargüen" was discovered not to have been written by Ibergüen, as he had only collaborated with Cachopín, who is considered to be the authentic author. This is why, at the moment, it is being considered whether the judgments made on the work of Ibargüen were fair. The Song of Lelo or Song of the Cántabros appears in issue 71 of the Chronicle together with a study of the song, that the author considers a senseless refrai

    La crónica Ibargüen-Cachopín y el Canto de Lelo

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    Se descubrió que la "Crónica de Ibargüen" no había sido escrita por éste, sino que solamente había sido el colaborador de Cachopín, quien se considera es el auténtico autor. A raíz de esto se plantea si son justos los juicios emitidos a la obra de Ibargüen. El Canto de Lelo o Canto de los Cántabros aparece en el cuaderno 71 de la Crónica y se hace un estudio de este canto, que el autor considera un estribillo sin sentidoThe "Chronicle of Ibargüen" was discovered not to have been written by Ibergüen, as he had only collaborated with Cachopín, who is considered to be the authentic author. This is why, at the moment, it is being considered whether the judgments made on the work of Ibargüen were fair. The Song of Lelo or Song of the Cántabros appears in issue 71 of the Chronicle together with a study of the song, that the author considers a senseless refrai
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