30,429 research outputs found
case di via Campana. Cristofani Lelli Architetti
No full textL'articolo analizza il rapporto fra pubblico e privato nel tessuto urbano della città in un esempio di residenze a schiera a Faenza
Fëdor Dostoevskij interpretato da Tat’jana Rozental’. Un’anticipazione di Freud
No full textTat’jana Rozental’s essay on Dostoevsky’s creativity, shows how strong the interplay between art, literature and psychoanalysis was in Russia at the beginning of the xx century. The rapid diffusion of Freudian method is not only due to the peculiarities of Russian culture, which was ready to embrace the new psychoanalytic discourse, but also to the fact that Russian psychoanalysts turn to literature to spread their ideas. Rozental’s article (likewise many other works of early Russian psy-choanalysts) suggests that the literary centrism of Russian culture may have served as a vehicle for the rapid spread of Freud’s new discipline in Russia. Besides, Rozental’s essay suggests a possible influence that she may have exercised on Freud’s Dostoevsky and Parricide. Studying the interplay between Dostoevsky’s literary work and his own disease she attempts to classify the writer’s illness as “hystero-epilepsy” (and not organic epilepsy), thereby anticipating Freud’s own hypothesis
Fëdor Dostoevskij v interpretacii Tat’jany Rozental’: pred-voschiščenie Frejda
No full textПубликуемая статья Иларии Лелли и Марии Заламбани была представлена на III Международной научной конференции «Фрейд и русские: забытые судьбы и открытия» в октябре 2015 года.
На заре ХХ века психоаналитический дискурс вторгается в Россию и через литературу проникает во все круги русской интеллигенции, получив значительно более широкое распространение, нежели во многих европейских странах. Русские психоаналитики иллюстрируют основные положения новой дисциплины посредством образов и суждений таких отечественных классиков, как Толстой и Достоевский. Таким образом, литературный и психоаналитический дискурсы переплетаются и умножаются в постоянном обмене, который в России приобретает своеобразную окраску. Это хорошо иллюстрирует сопоставление исследования Татьяны Розенталь «Страдание и творчество Достоевского» и статьи Зигмунда Фрейда «Достоевский и отцеубийство». Если первое представляет собой чисто психоаналитический очерк, развивающийся в рамках филологического подхода, то второе использует литературу для изложения исключительно психоаналитической тематики. Для Розенталь психоанализ выступает критическим инструментом для анализа литературного текста, для Фрейда же литература — неисчерпаемый источник, к которому он обращается для подтверждения своих теорий
Nikolaj Osipov e Le memorie di un folle di Tolstoj
No full textFra le figure di spicco della prima generazione russa di seguaci di Freud si annovera lo psichiatra Nikolaj Evgrafovič Osipov, considerato un autentico pioniere della psicoanalisi in Russia . Egli, come molti intellettuali russi del tempo, si forma in Occidente; nel 1910 incontra personalmente il padre della psicoanalisi e instaura con lui un rapporto personale e professionale che porterà avanti per tutta la vita, come dimostra la loro corrispondenza. Rientrato in patria diventa il primo pioniere della psicoanalisi in Russia, una terra molto propensa all'accogliemento del discorso psicoanalitico che ivi attecchisce molto più rapidamente che nella maggior parte dei paesi europei. L'articolo dimostra come in Russia il rapporto tra psicoanalisi e letteratura sia molto stretto, infatti Osipov per diffondere la nuova disciplina ricorre all'autorevole parola di Lev Tolstoj, servendosi delle sue opere per fare riflessioni di tipo psicoanalitico.L'autorevolezza della parola di Tolstoj aiuterà la diffusione del discorso psicoanalitico in Russia
Maria Pia Balboni, Gli Ebrei del Finale
No full textRecensione di un'opera in cui si descrivono le vicende di una comunità ebraica, quella del Finale, dal Cinquecento a oggi sulla base di un'ampia documentazione archivistic
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
A comparative study of models for the incident duration prediction
No full textPurpose: This study is intended to investigate the reliability of different incident duration prediction models for real time application with a view to contribute to the development of a decision aid tool within the incident management process context where rough incident duration estimates are currently provided by traffic operators or police on the basis of their skill and past experience. Methods: Five predictive models, ranging from parametric models, to non-parametric and neural network models, have been considered and compared evaluating their capacity of predicting incident duration. The data set used in this study for developing and testing the prediction models includes 237 incident events and contains information about the incident characteristics, the personnel and equipment involved to clear the incident and the related response times, including the beginning and ending time of the incident. Results: Testing results have demonstrated that the proposed models are able to achieve good performance in terms of prediction accuracy especially for incidents with duration less than 90 min. This finding is partly due to the fact that the dataset has a relatively small number of severe incidents. Furthermore a linear combination of predictions from models was applied with negligible gain in accuracy. Conclusions: A deeper investigation is suggested for a future work to evaluate potential improvements from the application of other combination methods. Moreover each proposed model is able to reach best performance for incidents within a particular duration range. Thus a preliminary incident classification scheme could be more convenient in order to select the more appropriate prediction model. © The Author(s) 2010
Literatura i psichoanaliz v Rossii. Nikolaj Osipov i “Zapiski sumasšedšego" L’va Tolstogo.
No full textТворчество Осипова является прекрасным материалом для изучения зарождения русского психоанализа и выявления его связей с художественной литературой. Из его работ явствует, что с самого своего появления в России психоанализ использует литературу не только в качестве архива, из которого можно черпать клинические случаи для исследования, но и в качестве способа популяризации и распространения новой теории. В самом деле, Осипов иллюстрирует положения психотерапии при помощи литературных образов и текстов, позаимствованных у Толстого, Достоевского, Гоголя, Гончарова; тем самым, литературный и психоаналитический дискурсы тесно переплетаются между собой, постоянно взаимодействуя друг с другом: сначала психоанализ прибегает к литературе, чтобы проиллюстрировать свои гипотезы и приобрести больше авторитета, а затем и литература начинает пользоваться теорией психоанализа, на которой вырастут некоторые писатели следующего поколения
Trophic biology of Merlangius merlangus (Linneo, 1800) (Osteichthyes, Gadidae) in the North Adriatic Sea.
No full textIt has been studied the diet’s composition of Merlangius merlangus (Osteichthyes, Gadidae). The specimens have been captured in the north Adriatic sea all year long. This is a nekto-benthic species and it prefers Crustacea and Teleostea, with fluctuations related to seasons and the reproductive period. There are less important diet constituent like Policheta and Cephalopoda
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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