77,157 research outputs found
Plastic deformation of a perforated sheet with non-uniform circular holes along the thickness direction
No full textYield criterion for a perforated sheet with a uniform triangular pattern of round holes and a low ligament ratio
No full text
[Book review] Christina Yi : Colonizing Language : Cultural Production and Language Politics in Modern Japan and Korea
No full textA book review for the Christina Yi : Colonizing Language : Cultural Production and Language Politics in Modern Japan and Korea
The origin, functions, and nature of the tributary system in the Chou times
Full text linkIn this dissertation, the author, Ch’un-sik Yi, used the English version of his name, Choon S. Lee
sj-pdf-1-tmj-10.1177_03008916211039018 – Supplemental material for Delta-volume radiomics of induction chemotherapy to predict outcome of subsequent chemoradiotherapy for locally advanced hypopharyngeal cancer
No full textSupplemental material, sj-pdf-1-tmj-10.1177_03008916211039018 for Delta-volume radiomics of induction chemotherapy to predict outcome of subsequent chemoradiotherapy for locally advanced hypopharyngeal cancer by Che-Wei Su, Jehn-Chuan Lee, Yi-Fang Chang, Nai-Wen Su, Pei-Hsuan Lee, Kun-Yao Dai, Hung-Chi Tai, Yi-Shing Leu and Yu-Jen Chen in Tumori Journal</p
Phoebus 9: Myriad Points of View
No full texttableOfContents: Preface p.9
Collecting Chinese Art p.13
Catalog p.15
The Daoist Symbolism of Immortality in Shen Zhou's Watching the Mid-Autumn Moon at Bamboo Villa by Chun-yi Lee p. 49
Wu Shi'en's Liang Hong and Meng Guang: A Misreading by XiaopIng Lin p.79
From the Profound to the Mundane: Depictions of Lohans in Late Ming China by Janet Baker p. 101
Glimpses of the Duanwu Festival by Fang Xun (1736-1799): Commemorative Painting or Private Souvenir? by Anne Kerlan-Stephens p. 117
Pleasure and Pain by Marion S. Lee p. 143
From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu by Chen Liu p. 167
Glossary of Chinese Names and Terms p. 18
A Periodization Study on the Allusions of Jia Yi Used by Poets in the Tang Dynasty
No full textIn this paper, the allusions related to Jia Yi used by poets of the Tang Dynasty were organized. The representative poets who used these allusions, the mainstream emotions conveyed by the allusions, and the writing methods when being used were discussed according to the four stages of "Early Tang Dynasty - Flourishing Tang Dynasty - Middle Tang Dynasty - Late Tang Dynasty". On this basis, the development and changes in the use of allusions related to Jia Yi in poetry of the Tang Dynasty were presented through the interconnection between various chapters.
In the first part of the text, the use of allusions related to Jia Yi in the early Tang Dynasty was introduced: the first section focuses on introducing the representative poet Song Zhiwen of this stage, and discussing the diversion of the use of allusions related to Jia Yi in his works; the second section focuses on introducing the mainstream emotions reflected in allusions related to Jia Yi at this stage - his talent of spiritual singing; the third section focuses on introducing the foil techniques used in using allusions at this stage.
In the second part, the use of allusions related to Jia Yi in the flourishing Tang Dynasty was introduced: the first section focuses on introducing the representative poets of this stage: Zhang Shuo, Zhang Jiuling, Li Bai and Du Fu, and discussing the characteristics of the use of allusions related to Jia Yi in their respective works; the second section focuses on discussing the two types of mainstream emotions and their flow reflected in allusions related to Jia Yi at this stage, that is, from "one's own ups and downs" to "thoughts of family and country".
In the third part, the use of allusions related to Jia Yi in the middle Tang Dynasty was introduced: the first section focuses on introducing the representative poets of this stage: Liu Changqing, Liu Zongyuan, Liu Yuxi and Bai Juyi, and discussing the characteristics of the use of allusions related to Jia Yi in their respective works; the second section focuses on discussing the techniques used in the use of allusions in this stage, including contradictory techniques and double allusions.
In the fourth part, the use of allusions related to Jia Yi in the later Tang Dynasty was introduced: the first section focuses on the use of allusions related to Jia Yi to describe the injustice suffered by direct ministers; the second section focuses on discussing the diversion of the use of allusions such as "Xuanshi" and "Moving the Seat Forward"; the third section focuses on the integration of Buddhist and Taoist ideas with allusions related to Jia Yi; the fourth section focuses on the formation of poems related to Jiayi
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