1,721,054 research outputs found
51. Lechner (K.). Hellenen und Barbaren im Weltbild der Byzantiner. Die alten Bezeichnungen als Ausdruck eines neuen Kulturbewustseins. Diss. München, 1954
No full textGuilland Rodolphe. 51. Lechner (K.). Hellenen und Barbaren im Weltbild der Byzantiner. Die alten Bezeichnungen als Ausdruck eines neuen Kulturbewustseins. Diss. München, 1954. In: Revue des Études Grecques, tome 69, fascicule 324-325, Janvier-juin 1956. pp. 257-258
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
ModMax meets Susy
Full text linkWe give a prescription for N = 1 supersymmetrization of any (four-dimensional) nonlinear electrodynamics theory with a Lagrangian density satisfying a convexity condition that we relate to semi-classical unitarity. We apply it to the one-parameter ModMax extension of Maxwell electrodynamics that preserves both electromagnetic duality and conformal invariance, and its Born-Infeld-like generalization, proving that duality invariance is preserved. We also establish superconformal invariance of the superModMax theory by showing that its coupling to supergravity is super-Weyl invariant. The higher-derivative photino-field interactions that appear in any supersymmetric nonlinear electrodynamics theory are removed by an invertible nonlinear superfield redefinition
On p-form gauge theories and their conformal limits
Full text linkRelations between the various formulations of nonlinear p-form electrodynamics with conformal-invariant weak-field and strong-field limits are clarified, with a focus on duality invariant (2n − 1)-form electrodynamics and chiral 2n-form electrodynamics in Minkowski spacetime of dimension D = 4n and D = 4n + 2, respectively. We exhibit a new family of chiral 2-form electrodynamics in D = 6 for which these limits exhaust the possibilities for conformal invariance; the weak-field limit is related by dimensional reduction to the recently discovered ModMax generalisation of Maxwell’s equations. For n > 1 we show that the chiral ‘strong-field’ 2n-form electrodynamics is related by dimensional reduction to a new Sl(2; R)-duality invariant theory of (2n − 1)-form electrodynamics
Nonlinear duality-invariant conformal extension of Maxwell's equations
Full text linkAll nonlinear extensions of the source-free Maxwell equations preserving both SO(2) electromagnetic duality invariance and conformal invariance are found, and shown to be limits of a one-parameter generalization of Born-Infeld electrodynamics. The strong-field limit is the same as that found by Bialynicki-Birula from Born-Infeld theory but the weak-field limit is a new one-parameter extension of Maxwell electrodynamics, which is interacting but admits exact light-velocity plane-wave solutions of arbitrary polarization. Small-amplitude waves on a constant uniform electromagnetic background exhibit birefringence, but one polarization mode remains lightlike
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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