947 research outputs found
Jose Maria Alvarez Biographical Sketch and Commentary - Accession 171 - M76 (92-94)
No full textThe Jose Maria Alvarez Papers consist of a paper titled “Conversaciones con Jose Maria Alvarez” by Juan Miguel Margalef in collaboration with Jesus Munarriz and Csaba Csuday. Alvarez is a Spanish author and historian who has written articles, books, movie scripts and poetry. The paper contains biographical information concerning Alvarez as well as comments on his writing. The paper is written in Spanish.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1304/thumbnail.jp
Maria José ao encontro de Tchekov
No full text“A Carta da Corcunda para o Serralheiro” (“Letter from the Hunchback Girl to the Metalworker”), signed by Maria José, was first performed in a theatre show in 1988 (by actress-director Maria do Céu Guerra), two years before the typescript was published in book form for the first time by Teresa Rita Lopes. The evidence upon which this article is built is that it was the theatre that revealed the dramatic destination of this singular epistle of the only female heteronym that Fernando Pessoa invented, which was also the last heteronym to be created by the author. The dramatic construction of Maria José can be approximated to the character-building strategies in Anton Chekhov’s realist dramaturgy, in a way that differs from Pessoa’s other dramaturgical experiences. The analysis of Chekhov’s ascendancy over Stanislavski’s research, as well as the importance of Schopenhauer’s conception of the tragicomic, which is simultaneously projected onto Chekhov’s theatre and Maria José’s profile, are favourable lines of reading for this rapprochement between Pessoa and the Russian fiction writer and playwright. Pessoa’s readings of Chekhov’s texts (such as the play Uncle Vania and the short story “Vanka”) provide relevant data for assessing the magnitude of this encounter.“A Carta da Corcunda para o Serralheiro”, assinada por Maria José, começou por ser difundida num espectáculo de teatro em 1988 (pela actriz-encenadora Maria do Céu Guerra) dois anos antes de o dactiloscrito se ver publicado em livro, pela primeira vez, por Teresa Rita Lopes. Parte-se da evidência de ter sido o teatro a revelar a destinação dramática da epístola singular do único heterónimo mulher que Fernando Pessoa inventou, que terá sido também o último a ser criado pelo autor. A construção dramática de Maria José pode ser aproximada às estratégias de construção de personagem na dramaturgia realista de Anton Tchekov, de um modo que se distingue de outras experiências dramatúrgicas de Pessoa. A análise do ascendente de Tchekov sobre as pesquisas de Stanislavski, bem como a importância da concepção de tragicómico em Schopenhauer, que se projecta em simultâneo sobre o teatro de Tchekov e sobre o perfil de Maria José, são linhas de leitura propícias para esta aproximação entre Pessoa e o ficcionista e dramaturgo russo. As leituras de textos de Tchekov por parte de Pessoa (como o caso da peça Tio Vânia e o conto “Vanka”) fornecem dados relevantes para avaliar a magnitude deste encontro
Mutations inSETBP1are recurrent in myelodysplastic syndromes and often coexist with cytogenetic markers associated with disease progression
No full textWhole exome sequencing was performed in a patient with myelodysplastic syndrome before and after progression to acute myeloid leukaemia. Mutations in several genes, including SETBP1, were identified following leukaemic transformation. Screening of 328 patients with myeloid disorders revealed SETBP1 mutations in 14 patients (4·3%), 7 of whom had -7/del(7q) and 3 had i(17)(q10), cytogenetic markers associated with shortened overall survival and increased risk of leukaemic evolution. SETBP1 mutations were frequently acquired at the time of leukaemic evolution, coinciding with increase of leukaemic blasts. These data suggest that SETBP1 mutations may play a role in MDS and chronic myelomonocytic leukaemia disease progression
Why do coastal seeds fail? Evidence of local adaptation of northern red oak ( Quercus rubra ) in Minnesota coastal forests - Genomics and Geospatial Data
No full textThere are two gzipped VCF (Variant Calling Format) files with variants from ipyRAD and Freebayes. For the ipyRAD pipeline, a total of 412 individuals and 225,954 loci were identified, the dataset consisted of 358 northern red oak and 45 northern pin oak samples. For the Freebayes pipeline, a total of 412 individuals and 140,785 loci were identified, the dataset consisted of 358 northern red oak and 45 northern pin oak samples. No Filtering has been applied to any of these VCF files. A file containing sample IDs is also available
There is also a .csv file containing the geospatial data of the visited populations in Minnesota. Populations were identified using the Minnesota Department of Natural Resources releve data. Coastal populations were located between 0-10 miles from the coast of Lake Superior, inland populations were located between 11-50 miles from the shore, and interior populations between 51-100 miles from the shore of Lake Superior.Genomic and Geospatial data for 30 northern red oak (Quercus rubra) used in a study to identify population structure and investigate poor performance of coastal seeds. We used restriction site associated DNA sequencing (RADseq) of 358 northern red oak (Quercus rubra) leaf tissue samples from trees across the state of Minnesota and 45 northern pin oak (Quercus ellipsoidalis) leaf tissue samples used as outgroups. We used the Minnesota Department of Natural Resources releve data, to identify populations across the state of Minnesota that had presence of Q. rubra trees.This data share was prepared by Maria Jose Gomez Quijano, Briana L. Gross and Julie R. Etterson using Federal funds under award NA17NOS4190062 from the Coastal Zone Management Act of 1972, as amended, administered by the Office for Coastal Management, National Oceanic and Atmospheric Administration (NOAA), U.S. Department of Commerce provided to the Minnesota Department of Natural Resources (DNR) for Minnesota’s Lake Superior Coastal Program. The statements, findings, conclusions, and recommendations are those of the author(s) and do not necessarily reflect the views of NOAA’s Office of Coastal Management, the U.S. Department of Commerce, or the Minnesota DNR.Gomez Quijano, Maria Jose; Gross, Briana, L.; Etterson, Julie, R.. (2020). Why do coastal seeds fail? Evidence of local adaptation of northern red oak ( Quercus rubra ) in Minnesota coastal forests - Genomics and Geospatial Data. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/dqet-h494
Singularidades de José María Arguedas como escritor
No full textJose Maria Arguedas is one of the most singular writers of Peruvian narrative and, by extension, of Latin-America. The originality of his writings is born of a series of aspects that we will try to analyze in these pages and that would be the blending of life and literature, the incorporation of anthropology and ethnology in his fiction and the search for a singular language. All these combinations contribute to the creation of novels and statements in which the author starts from the point of a marked duality between Quechua and Spanish in his first writings later to plead for cultural miscegenation. In his last novels, on the other hand, he will reflect on the rapid process of acculturation that according to the author his country was suffering from.José María Arguedas es uno de los escritores más singulares de la narrativa peruana y, por extensión, de la latinoamericana. La originalidad de sus escritos nace de una serie de aspectos que trataremos de analizar en estas páginas y que serían la fusión de vida y literatura, la inclusión de la antropología y la etnología en sus ficciones y la búsqueda de un lenguaje singular. Todos estos vértices contribuyen a la creación de novelas y relatos en los que el autor parte una marcada dualidad entre lo quechua y lo español en sus primeros escritos para posteriormente abogar por el mestizaje cultural. En sus últimas novelas, en cambio, reflejará el galopante proceso de aculturación que según el autor estaba sufriendo su país
Data analyzed in the Palgrave Communications article, “The Argentine Portion of the Soybean Commodity Chain”
No full textData analyzed in the Palgrave Communications article, “The Argentine Portion of the Soybean Commodity Chain”.The datasets analysed during the current study. All data were originally obtained from publicly accessible websites. These datasets were derived from the following public domain resources: Argentine National Statistic Institute INDEC. http://www.indec.gov.ar National Agricultural CENSUS. http://www.indec.gov.ar/nivel4_default.asp?id_tema_1=3&id_tema_2=8&id_tema_3=87 USDA United States Department of Agriculture Foreign Agricultural Service https://apps.fas.usda.gov/psdonline/app/index.html#/app/advQuery Argentine Ministry of Finance http://www.economia.gob.ar TELAM, Argentine National Press Agency, 2014. http://www.telam.com.ar Worldbank http://databank.worldbank.org/ddp/home.do?Step=2&id=4 Publication Date: 07/05/2017 Author: Maria Jose Haro Sly Contact: Federal University of Santa Catarina – [email protected]
The political instrumentalization of professional football in Francoist Spain 1939-1975
No full textPhDThe objective of this thesis is to be the first systematic study of the
political instrumentalization of football in Francoist Spain from 1939
to 1975.
Seven separate and contrasting aspects of this political
instrumentalization may be isolated, and, accordingly, this thesis will
consist of a chapter examining each one of these seven aspects in turn.
After a first introductory chapter, Chapter Two will examine the
application of Fascist concepts to Spanish football. In the third
chapter, the questions of whether and to what extent football was used
by the Franco regime as a political soporific will be discussed. The
theme of Chapter Four is the lack of democracy within the structures of
the game, a situation that is alleged to have been deliberately imposed
by the regime in order to not create an uncomfortable comparison for
itself with the lack of national and local political democracy. The
poor working conditions of the footballers, which mirrored those of the
great majority of Spanish workers during the Franco period, are the
subject of Chapter Five. In the sixth Chapter, the political
significance of the presence in Francoist Spain of a group of refugee
players and coaches from Europe will be examined. The diplomatic
and ambassadorial significance of football, in particular of the
spectacular international triumphs of the Real Madrid club, will be
discussed in Chapter Seven. The political significance of football as a
focus for Basque and Catalan nationalist sentiment, in opposition to the
centralist Madrid regime, is the subject of Chapter Eight
Possible dialogues between Maria Gabriela Llansol and Clarice Lispector: ways to rethink the child-being
No full textO objetivo deste trabalho é estudar uma criança nova e potencializada, que cresce na escrita, tanto na obra da escritora Maria Gabriela Llansol quanto na de Clarice Lispector. Tratamos essa criança como uma metáfora de um ser-vivo, que se arrisca em novas compreensões sobre a escrita, transformando seu olhar diante da leitura. Investiga-se a escrita como um lugar fecundo, onde haja o desenvolvimento do ato criativo pelos seres, denominado entre-lugar. Nele, ocorre a continuidade do ser, que aprende sobre si a partir do outro, num movimento de persistência. Utilizam-se alguns títulos, como Um beijo dado mais tarde e Amar um cão, de Llansol, e Quase de verdade, Mistério do coelho pensante, A mulher que matou os peixes e A vida íntima de Laura, de Lispector, para mostrar a relação entre o ser e a leitura através da sua mudança de olhar. Discutem-se várias noções, como as de criança, aprendizagem, leitura, textualidade, liberdade, representação, autor, pensamento, percepção e tempo. Fundamenta-se a teoria através das obras de Clarice e de Maria Gabriela, acima citadas, além da crítica especializada, como Maria dos Prazeres Santos Mendes, Nádia Gotlib, Olga de Sá, Maria de Lourdes Soares, Jorge Fernandes da Silveira, João Barrento, Eduardo Prado Coelho, Eduardo Lourenço, Lúcia Castelo Branco, João Barrento e Maria Etelvina Santos.The objective of this work is to study a new and potentialized child, growing in understanding, both in the work of the writer Maria Gabriela Llansol and in Clarice Lispector. The child is treated as a metaphor of a ser-vivo, who ventures into new possibilities of understanding, turning your gaze while reading. We try to understand the text as a place that allows the development of the creative act by readers, named in this work as entre-lugar. Among the most important aspects of this place, we see the persistence in the continuity of being, learning about itself, from the other readers and from the changes in their outlook on the world. Some books are used, such as Um beijo dado mais tarde and Amar um cão by Llansol, and Quase de verdade, Mistério do coelho pensante, A mulher que matou os peixes and A vida íntima de Laura by Lispector, to show the relationship between being and reading through its change of look. Several concepts are discussed, such as child, learning, reading, textuality, freedom, representation, author, thought, perception and time. Supporting the theory of this research through the work of Clarice and Maria Gabriela and by specialized critique, such as Maria dos Prazeres Santos Mendes, Nádia Gotlib, Olga de Sá, Maria de Lourdes Soares, Jorge Fernandes da Silveira, João Barrento, Eduardo Prado Coelho, Eduardo Lourenço, Lúcia Castelo Branco, João Barrento and Maria Etelvina Santos
Poética y memoria: Entreguerras o De la naturaleza de las cosas, de José Manuel Caballero Bonald
No full textEn 2012, cumplidos ya los 86 años y tras una riquísima y variada trayectoria literaria, José Manuel Caballero Bonald publica Entreguerras o De la naturaleza de las cosas, un extenso e intenso poema lírico, épico, narrativo y dramático, compuesto por un prefacio y catorce capítulos en versículos libres y en los que se ha eliminado la mayor parte de los signos de puntuación, de gran originalidad estilística y complejidad estructural.
Se trata de una obra que por su decidido carácter introspectivo y autobiográfico puede considerarse como unas “memorias” en verso, como lo son, en prosa, las páginas de La novela de la memoria (2010, edición revisada), con las que el poema en examen está estrechamente relacionado, según se intenta demostrar en este ensayo. Pero no se trata, en ningún caso, de una “poetización” de La novela de la memoria, sino de una autobiografía vital, literaria y moral radicalmente novedosa, en la que biografía “externa” se subordina a la reflexión y al juicio, con una marcada voluntad hermeneútica, ética y testimonial.
En este sentido, Entreguerras nos ofrece una singular reconstrucción de las andanzas humanas y literarias de su autor, de sus anhelos y obsesiones, de sus sueños y terrores, y todo ello, con sus acostumbrados injertos de ficción y sin que la riqueza poliédrica del poemario se agote en su vertiente autobiográfica: estamos también ante una inquisitiva meditación sobre la memoria y el tiempo, sobre la verdad y el conocimiento, sobre los límites, las ambigüedades y los misterios de la escritura poética, y sobre la historia y sus errores, especialmente la de la España de la posguerra y la Transición. Aspectos todos pormenorizadamente analizados en este ensayo.
In 2012 In 2012, at the age of 86 and after a rich and varied literary career, José Manuel Caballero Bonald published Entreguerras o De la Naturaleza de las cosas, an extensive, intense, lyric, epic, narrative, and dramatic poem, composed of a preface and fourteen chapters in free verses, with very sparse punctuation marks, of great stylistic originality and structural complexity.
Due to its decided introspective and autobiographical nature, the work can be considered as “memories” in verse, as are, in prose, the pages of La novela de la memoria (2010, revised edition), with which Entreguerras is closely related, as this essay attempts to demonstrate. It is not, in any case, a “poeticization” of La novela de la memoria, but a radically new, vital, literary and moral autobiography, in which “external” biography is subordinated to reflection and judgment, with a marked hermeneutical, ethical, and testimonial will.
In this sense, Entreguerras offers us a unique reconstruction of the human and literary adventures of its author, of his yearnings and obsessions, of his dreams and terrors, and all this, with his customary fictional grafts and yet without sacrificing the polyhedral richness of the poems to the autobiographical aspect. We are also facing an inquisitive meditation on memory and time, on truth and knowledge, on the limits, ambiguities, and mysteries of poetic writing, and on history and its errors, especially that of postwar Spain and the Transition. The essay analyzes all of these aspects in detail
The Witness of Landscape : Annie Dillard and Jose Maria Arguedas in Accord with Nature
No full textThere is a striking similarity in the perception of nature in two very different authors: Annie Dillard, a U.S. nature writer, and Jose Maria Arguedas, a Peruvian neoindigenist author. Both seem extraordinarily sensitive to the possibility of nature as an agent and as inspirited. A survey of the presence of nature in literature in the Americas and of its place in both Native and European American religion forms the introduction. Dillard\u27s life and work are next reviewed and examined, followed by an exploration of critical approaches that may uncover the source of the similarity to Arguedas: her difference from Emerson and Thoreau, a feminist approach to epistemology, mysticism, and ecocriticism. A review of Arguedas\u27 life and work follows, including a word about the Quechua belief system. Next his place in the intellectual movement indigenismo, or Indigenism, is discussed, along with his status as a transcultured person. The conclusion finds that both authors work from positions outside rational thought or objective reality, that is, outside the realm of Euroscience
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