1,720,971 research outputs found
L’islam dans l’école de la République : les labyrinthes de la reconnaissance
No full textInternational audienc
The evolution of Islam in France and its repercussions in school and society : from the March for Equality to the affirmation of identity and religious claims : a problem of recognition : theoretical and empirical investigation
No full textDepuis une trentaine d’années les revendications identitaires et religieuses se développent dans la société française et frappent aux portes de l’école. Cette recherche tente d’en comprendre les raisons et les enjeux en croisant, dans le cadre d’une problématique de la reconnaissance empruntée à la philosophie d’Axel Honneth, l’enquête théorique et l’enquête empirique. Son premier volet, en appui sur les travaux en sciences politiques et en sociologie, étudie, sur la période qui s’étend des années 1970 à nos jours, les principales phases de ce processus. Le second volet est consacré à une enquête menée sur le terrain de la ville de Vénissieux, au moyen d’entretiens au sein de l’institution scolaire (enseignants et responsables) et auprès des parents de familles musulmanes. Le troisième volet enfin est consacré à quelques-uns des concepts et notions philosophiques qu’interroge particulièrement ce développement des revendications identitaires et religieuses : l’identité, l’universalité, la laïcité.For about thirty years the claims of identity and religion develop in the French society and knock on the doors of the school. This research tries to understand the reasons and the challenges by crossing, in the framework of a problematic of the recognition borrowed from the philosophy of Axel Honneth, the theoretical inquiry and the empirical investigation. Its first component, based on the works in political science and sociology, examines the main phases of this process from the 1970s to the present day. The second part is devoted to a survey conducted in the field of the city of Vénissieux, through interviews within the school institution (teachers and officials) and with parents of Muslim families. Finally, the third part is devoted to some of the notions and philosophical concepts that are particularly questioned by this development of identity and religious claims : identity, universality, secularism
L’islam dans l’école de la République : les labyrinthes de la reconnaissance
No full textInternational audienc
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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