1,721,460 research outputs found
Lamidi Olonade, Fakeye & Haight, Bruce M., with Curl, David H. - Lamidi Olonade Fakeye. A Retrospective Exhibition and Autobiography
No full textJoubert Hélène. Lamidi Olonade, Fakeye & Haight, Bruce M., with Curl, David H. - Lamidi Olonade Fakeye. A Retrospective Exhibition and Autobiography. In: Cahiers d'études africaines, vol. 39, n°155-156, 1999. Prélever, exhiber. La mise en musées. pp. 1011-1014
Lamidi Olonade, Fakeye & Haight, Bruce M., with Curl, David H. - Lamidi Olonade Fakeye. A Retrospective Exhibition and Autobiography
No full textJoubert Hélène. Lamidi Olonade, Fakeye & Haight, Bruce M., with Curl, David H. - Lamidi Olonade Fakeye. A Retrospective Exhibition and Autobiography. In: Cahiers d'études africaines, vol. 39, n°155-156, 1999. Prélever, exhiber. La mise en musées. pp. 1011-1014
Developing African art : innovation and tradition seen through the work of two artists; Lamidi Fakeye and Ahmed Shibrain
No full textThe dissertation explores the work of two African artists: Lamidi O.
Fakeye a Yoruba wood carver, and Ahmed M. Shibrain a Sudanese painter, as
an exemplary development within African art during the second half of the 20th
century. It examines their works through the sense of "tradition" as it is seen
within the context of their cultures and their histories. It considers their works to
be a reflection of their time, a hybrid art and a new tradition emerging within
their respective cultures as a result of change in their societies. It argues against
the notion that separates their art from their traditions and their histories based
on the artificial barriers of "authenticity" in the literature on African art and the
various categories that are related to it. It ponders on the contradictions and
complexity that this situation has created and demonstrated that these categories
negate historical realities.
The dissertation is in two parts. The first part describes and analyses
some of Lamidi's Christian and secular carvings. His work is placed in its
appropriate historical perspective by revealing its close relationship to the
carvings of his predecessors in terms of themes, design, content and clients.
Innovation and change in his work through time and space is revealed.
In the second part, the dissertation defines the connectivity of Shibrain's
work to his tradition and its history, and that of his fellow artists who
contributed to the development of a new trend in Sudanese art. It discusses their
work on the basis of the 'idea' of art in Islam, their training and their heritage of
decorative art and Arabic calligraphy. It argues that innovation, influence,
borrowing and adaptation, are part of progress in art through the ages
Host restriction factors against human retrovirus: the role of CIITA and TRIM22.
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The woodcarving genre of Lamidi Olonade Fakeye: A synthesis of multiple artworlds
Full text linkLamidi Olonade Fakeye’s (1928-2009) woodcarving practice from 1938-2009, bestrides different Artworlds that span from the colonial to the modern art practice periods in Nigeria. A number of studies on Lamidi exist, the trailblazer being Kevin Carroll’s (1967) book on Yoruba Religious Carvings. This paper analyses a trajectory of his practice within longstanding Yoruba woodcarvingand modern art traditions, by interrogating his training, formal repertoire, theme and patronage pattern. Adopting the biographical and formalistic methods of art historical writing, library sources, interviews and participant observation have been employed as instruments for data collection, validation, and analysis. Conclusively, the paper advances a categorization paradigm in Lamidi’s practice. This is aimed at situating him within the matrix of Nigerian art history and development.Key Words: Artworlds, Longstanding Traditions, Igbomina/ Ekiti, Periodization, Categorizatio
PENGUKURAN PERUBAHAN SUHU PADA PHANTOM JARINGAN TUBUH AKIBAT SHORT WAVE DIATHERMY PADA KONDISI HYPOTHERMIA DAN HYPERTHERMIA
Full text linkMenggunakan metode yang sama dengan penelitian pengukuran perubahan suhu pada phantom jaringan tubuh akibat short wave diathermy , Lamidi, 2014, dengan mengubah setting suhu pengkondisi phantom menjadi tiga kondisi, yaitu normal, hypothermia, dan hypertermia. Tujuan penelitian ini adalah untuk mengetahui pola pemanasan yang diberikanoleh SWD pada tiga kondisi tersebut terhadap phantom lengan. Phantom Lengan yang dikondisikan pada suhu Hypothermia 32oC, Normal 37oC dan Hyperthermia 39oC menunjukkan sebaran suhu yang berbeda beda setelah dipapar dengan shortwave dhiathermy. Dengan suhu tertinggi pada kondisi Hyperthermia.Pada kondisi Hypothermia pada sebaran suhu selama 15 menit didapatkan nilai rata rata 32,61oC. Pada Suhu Normal didapatkan nilai 36,7oC. Pada kondisi Hyperthermia terdapat kenaikan suhu menjadi rata rata sebaran suhu pada 39,14oC. Kedalaman peletakan sensor mempengaruhi suhu yang dihasilkan pada masing masing sensor. Rata rata dengan empat sensor suhu yang diletakkan pada kedalaman yang berbeda didapat nilai 32,65oC pada kondisi Hypothermia. Pada Suhu normal rata rata nilainya sebesar 37,1oC.Pada peletakan sensor yang dikondisikan Hypertermia didapatkan rata rata suhu 39,1oC. Kata kunci: Diathermy, Phantom, Hypothermia, Hyperthermi
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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