11,516 research outputs found
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Patrick Chamoiseau Recovering Memory
No full textThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
C++ const and Immutability: An Empirical Study of Writes-Through-const
No full textThe ability to specify immutability in a programming language is a
powerful tool for developers, enabling them to better understand and
more safely transform their code without fearing unintended changes to program state. The C++ programming language allows developers to
specify a form of immutability using the const keyword. In this work, we characterize the meaning of the C++ const qualifier and present the ConstSanitizer tool, which dynamically verifies a stricter form of immutability than that defined in C++: it identifies const uses that are either not consistent with transitive immutability, that write to mutable fields, or that write to formerly-const objects whose const-ness has been cast away.
We evaluate a set of 7 C++ benchmark programs to find writes-through-const, establish root causes for how they fail to respect our stricter definition of immutability, and assign attributes
to each write (namely: synchronized, not visible, buffer/cache,
delayed initialization, and incorrect). ConstSanitizer finds 17
archetypes for writes in these programs which do not respect our
version of immutability. Over half of these seem unnecessary to us.
Our classification and observations of behaviour in practice
contribute to the understanding of a widely-used C++ language feature
Replication Data for: Computer-Assisted Keyword and Document Set Discovery from Unstructured Text
No full textThe (unheralded) first step in many applications of automated text analysis involves selecting keywords to choose documents from a large text corpus for further study. Although all substantive results depend on this choice, researchers usually pick keywords in ad hoc ways that are far from optimal and usually biased. Most seem to think that keyword selection is easy, since they do Google searches every day, but we demonstrate that humans perform exceedingly poorly at this basic task. We offer a better approach, one that also can help with following conversations where participants rapidly innovate language to evade authorities, seek political advantage, or express creativity; generic web searching; eDiscovery; look-alike modeling; industry and intelligence analysis; and sentiment and topic analysis. We develop a computer-assisted (as opposed to fully automated or human-only) statistical approach that suggests keywords from available text without needing structured data as inputs. This framing poses the statistical problem in a new way, which leads to a widely applicable algorithm. Our specific approach is based on training classifiers, extracting information from (rather than correcting) their mistakes, and summarizing results with easy-to-understand Boolean search strings. We illustrate how the technique works with analyses of English texts about the Boston Marathon Bombings, Chinese social media posts designed to evade censorship, and others
Replication Data for: Computer-Assisted Keyword and Document Set Discovery from Unstructured Text
No full textThe (unheralded) first step in many applications of automated text analysis involves selecting keywords to choose documents from a large text corpus for further study. Although all substantive results depend on this choice, researchers usually pick keywords in ad hoc ways that are far from optimal and usually biased. Most seem to think that keyword selection is easy, since they do Google searches every day, but we demonstrate that humans perform exceedingly poorly at this basic task. We offer a better approach, one that also can help with following conversations where participants rapidly innovate language to evade authorities, seek political advantage, or express creativity; generic web searching; eDiscovery; look-alike modeling; industry and intelligence analysis; and sentiment and topic analysis. We develop a computer-assisted (as opposed to fully automated or human-only) statistical approach that suggests keywords from available text without needing structured data as inputs. This framing poses the statistical problem in a new way, which leads to a widely applicable algorithm. Our specific approach is based on training classifiers, extracting information from (rather than correcting) their mistakes, and summarizing results with easy-to-understand Boolean search strings. We illustrate how the technique works with analyses of English texts about the Boston Marathon Bombings, Chinese social media posts designed to evade censorship, and others
Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market
No full textThe do-file contains the code to replicate "Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market", published in the International Journal of Industrial Organization, vol. 40(C), pages 32-48, by Patrick Andreoli-Versbach and Jens-Uwe Franck.
Contact author is Patrick Andreoli-Versbach. E-Mail: [email protected]
Replication Data for: Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market
No full textThe do-file contains the code to replicate "Endogenous Price Commitment, Sticky and Leadership Pricing: Evidence from the Italian Petrol Market", published in the International Journal of Industrial Organization, vol. 40(C), pages 32-48, by Patrick Andreoli-Versbach and Jens-Uwe Franck.
Contact author is Patrick Andreoli-Versbach. E-Mail: [email protected]
The investigation in "Dora Bruder" of Patrick Modiano
No full textreservedIl presente lavoro si propone di affrontare il tema dell’indagine, dell’inchiesta investigativa nel romanzo “Dora Bruder” dello scrittore francese Patrick Modiano, pubblicato nel 1997. Si tratta del più noto successo editoriale dell’autore, il quale, in una narrazione al contempo biografica ed autobiografica, si mette sulle tracce di Dora Bruder, una giovane ragazza ebrea scomparsa nel 1941, di cui si sono perse definitivamente le tracce. La presente tesi si compone di tre capitoli. Nel primo, si analizzeranno i motivi che spingono l’autore ad occuparsi della vicenda della giovane ragazza scomparsa proprio durante la seconda guerra mondiale. Successivamente, nel secondo capitolo, si passerà ad affrontare come l’autore compie la propria indagine per comprendere che cosa le sia accaduto, diventando una sorta di investigatore su un vecchio caso di scomparsa. Ed infine, nell’ultimo capitolo, si analizzerà quale sarà l’esito della sua indagine.This work proposes to deal with the subject of investigation in the novel "Dora Bruder" by French writer Patrick Modiano, published in 1997. It’s the most known publishing success of the author, which, in a narrative in the meantime biographical and autobiographical, goes on the trail of Dora Bruder, a young Jewish girl disappeared in 1941, of whom all traces have been definitively lost. This thesis is composed by three chapters. In the first, we will analyse the reasons why the author deal with the story of the young girl vanished during the Second World War. Then, in the second chapter, we will approach how the author does his own investigation to understand what happened to her, becoming sort of a detective on an old case of disappearence. Finally, in the last chapter, we focus on which it’ll be the outcome of his investigation
William Patrick, 15th Annual ODU Literary Festival
No full textWilliam Patrick has published a collection of poetry, Letter to the Ghosts, and a novel in poetry and prose, Roxa, which won the 1990 Great Lakes Colleges Association New Writers Award for the best first work of fiction. He has also written an original teleplay, Rachel\u27s Dinner , which aired in 1991, and starred Olympia Dukakis and Peter Gerety. Mr. Patrick\u27s most recent screenplay, Brand New Me , has been optioned by Force Ten Productions in Hollywood, and he is the author of Who All Killed Cock Robin?, the play which was adapted from The Death of Cock Robin by W.D. Snodgrass and DeLoss McGraw, and whose premiere opens this year\u27s Literary Arts Festival. He is the Coordinator of the Creative Writing Program at Old Dominion University, and Director of this year\u27s Literary Arts Festival
Translating Patrick Kavanagh
No full textThe following concerns the translation I did of a selection of the poetry of Patrick Kavanagh into Spanish, the first translation of this important Irish poet into the Spanish language. It recounts the motives which impelled me to try this daunting task as well as the guidelines I followed, the help I received and the pitfalls I encountered and, hopefully, survived. It looks at some of the images and expressions used by the author and which need to be explained to students and it essays a comparison with the poetry of Antonio Machado, another much loved poet
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