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Drummond-Hay, Lady Grace, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382727Surname: DRUMMOND-HAY. Given Name(s) or Initials: LADY GRACE. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 49418.222374
Item: [2016.0049.15020] "Drummond-Hay, Lady Grace, [No Service Number]
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Boynton: The Painter Lady: Grace Carpenter Hudson
Get PDFThe Painter Lady: Grace Carpenter Hudson.Searles R. Boynton. Eureka: Interface California Corp., 1978. 186 pp., including 64 pp. of black/white and color illustrations. $28.50
[Lady Grace chocolate milk shake bottle]
No full textFrom Sleeve: Lady Grace chocolate milk shakes. See - Mavis. No info attached. N861.Devoine Candy Co. in the Candler Building, Baltimore.Title supplied by cataloger.Positive digital file from original glass negative.Emulsion has golden specks on it
Sneak Preview: “My Lady Grace Castleton’s Booke of Receipts”
No full textBy Elaine Leong and Hillary Nunn In case you missed the news, on Wednesday, EMROC will be hosting our annual transcribathon at the Folger Shakespeare Library. At EMROC headquarters, we’re all super excited and looking forward to the big day. This year, the recipe book at the centre of our flurry of activity is a small leather-bound book created by Lady Grace Castleton (1635-1667). But who was Lady Castleton and what’s so interesting about her recipe collection? For answers to those questions,..
First Lady Grace Goodhue Coolidge Shakes Hands with Girl Scout, 1925-06-06
No full textA photographic print of United States First Lady Grace Goodhue Coolidge shaking hands with a Girl Scout, with other Girl Scouts administrators looking on, including Mary Rebecca (May) Mullan Flather. All individuals appear to be white. 1925 G. Scouts 3-col WED NLWOM 4colx handwritten on back.https://scholarscompass.vcu.edu/girl_scouts/1205/thumbnail.jp
Be unto me as a precious ointment : lady Grace Mildmay, sixteenth-century female practitioner
No full textLady Grace Mildmay's manuscripts represent an unusual presentation of three interrelated areas of family, devotion, and medicine. By examining her autobiography, meditations, and medical papers, I draw together literary analysis and discourses of female devotional and social practices with that of medical discourses to illustrate the ways in which women practitioners may have acquired and disseminated medical knowledge, and interacted with their patients, as well as how Lady Mildmay, and presumably other landed women practitioners, formed a textual community of women who administered medical treatment to lay people in late sixteenth-century England
Be unto me as a precious ointment : lady Grace Mildmay, sixteenth-century female practitioner
Get PDFLady Grace Mildmay's manuscripts represent an unusual presentation of three interrelated areas of family, devotion, and medicine. By examining her autobiography, meditations, and medical papers, I draw together literary analysis and discourses of female devotional and social practices with that of medical discourses to illustrate the ways in which women practitioners may have acquired and disseminated medical knowledge, and interacted with their patients, as well as how Lady Mildmay, and presumably other landed women practitioners, formed a textual community of women who administered medical treatment to lay people in late sixteenth-century England
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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