104 research outputs found
Uporaba elementov sistemizacije dela v slovenskih podjetjih : diplomsko delo univerzitetnega študija
No full textThe story
Get PDFKratka, topla, često bolna, od srca ispričana ljudska priča iz pera Dunje Frankental (rođene Kovačević). Njena životna sudbina, vjerovatno i nenadano, nekim sudbonosnim nitima i vezama, dovodi je u Izrael. U toj priči jednostavnoj i po naslovu, a naizgled i realno nevelikog i obima, ispričana je životna sudbina njene porodice, tako lako prepoznatljiva i u mogućim životnim okolnostima mnogih od nas! Da li se porodični ’životni krug’ opisanih sudbina i događaja ’zatvorio’ ... ili ne ... neka o tome sude oni koje je pročitaju, a vjerujem da ni sama autorka ne može i neće na ovo dati ’konačni odgovor’.A short, warm, often painful, heartfelt human story from the pen of Dunja Frankental (née Kovačević). Her fate in life, probably unexpectedly, by some fateful threads and connections, brings her to Israel. In that story, which is simple in its title, and seemingly realistically small in scope, the life fate of her family is told, so easily recognizable even in the possible life circumstances of many of us! Whether the family 'circle of life' of the described destinies and events has 'closed' ... or not ... let those who read it judge that, and I believe that even the author herself cannot and will not give a 'final answer' to this
April fool
No full textCatalogue essay by Dunja Rmandic.
"Presenting photography, mixed media, video and installation."
Published to accompany the exhibition held at C3 Contemporary Art Space, Abbotsford, Vic., in 2009
Systemization of work as a process
Get PDFSistemizacija delovnih mest je močan vir podatkov za upravljanje organizacij. Je osnovno orodje za upravljanje procesov dela in človeškega kapitala. Pri razporeditvi delovnih obremenitev in vrednotenju učinkov dela zagotavlja načelo enakopravnosti in poštenosti. Vzporedno z razvojem družbe in s tem organizacij se razvija tudi sistemizacija delovnih mest in vse bolj pridobiva na pomenu, vendar klasična sistemizacija dela postaja neuporabna v organizacijah, kjer se delo hitro spreminja in prerašča količinska in rutinska obeležja. S tem organizacija izgublja ključno organizacijsko in managersko orodje, s katerim je mogoče uravnavati delovne in poslovne procese ter človeške vire.
Če sodobno organizacijo vidimo kot dinamično, hitro prilagodljivo, usmerjeno k napredku in razvoju, neustrašno in odločno, mora biti temu prilagojena tudi sistemizacija dela, ki bo sposobna slediti vsakemu koraku spreminjanja. Spreminjanje oz. posodabljanje sistemizacije zavira predvsem pomanjkanje strokovnega znanja o (sodobnem) sistemiziranju delovnih mest, zato številne slovenske organizacije zaostajajo na tem področju. S spreminjanjem organizacije se mora nujno spremeniti tudi sistemizacija in njeni nameni.
V magistrskem delu smo po opravljeni predhodni analizi na 202 zaposlenih, v kateri smo raziskovali njihovo zaznavanje problemskega stanja, opravili analizo mnenj kadrovskih ekspertov v slovenskih podjetjih, ki uporabljajo sistemizacijo dela in ugotavljali ustreznost zdajšnje sistemizacije dela pri določanju osnovne plače ter organizaciji dela. Naša ključna zamisel je, da mora tudi sistemizacija postati proces, tako kot organizacijski procesi, ki jih spremlja. To zamisel smo preverili pri kadrovskih strokovnjakih v podjetjih in dobili naslednje ključne rezultate:
- sodobna sistemizacija dela bi morala izhajati iz lastnosti zaposlenega namesto iz sistema,
- vsakdo je lahko sam kreator svoje sistemizacije dela (pod nadzorom vodje),
- sistemizacija dela mora postati proces namesto statičen dokument, ki zapoznelo sledi spremembam v strukturi in vsebini dela,
- plača zaposlenega je lahko oblikovana na podlagi zmnožka med efektivnimi urami dela in faktorjem zahtevnosti aktivnosti ob zagotovilu plače po pogodbi.
Na tej osnovi smo izdelali model sistemizacije dela kot procesa, s katerim lahko oblikujemo plačo zaposlenega na podlagi efektivnega dela, zahtevnosti in kakovosti opravljenega dela in organiziramo delo na podlagi kompetenc zaposlenih.Systematization of work is a powerful source of information used for managing organizations. We see it as an essential tool for managing work processes and HCM (human capital management). It provides us with principle of equality and fairness at workload deployment and at evaluation of work effect. Parallel to the development of society and therefore organizations systematization of work is gaining its importance. Classical systemization of work is becoming useless in organizations where work is changing rapidly and overgrowing quantitative and routine determination. Organizations that use it can expect loss of main organizational and management tool which provides us to regulate work and business processes as well as HR (human resources).
If we see modern organization as dynamic, flexible, led towards the progress and development, fearless and determined then systemization of work must be adjusted to be able to follow each step of change. Lack of expertise in (modern) systematization of work inhibits it to be changed or modified. Therefore many Slovenian organizations are lagging behind in this area. By modifying the organizations systemization of work and all of its intentions must be modified along.
In this thesis, after a preliminary analysis of the 202 employees’ staff, we studied their perception of the problem state. We conducted an analysis based on HR experts opinions located in Slovenian companies which use systemization of work and determined the adequacy of the current classification of work in establishing the basic wage as well as at work organization. Our key idea is that the systemization of work must also become a process just as other organizational processes which are monitored by it. This idea was verified among HR specialists in their companies with following key results:
- modern systematization of work should be derived from the properties of an employee instead of a system,
- anyone can be a creator of its own systemization of work (under the supervision of the manager),
- systematization of work must become a process rather than a static document, followed by late changes in structure and content of the work,
- employee’s pay can be shaped on the basis of the product of effective work and complexity factor of activity while securing contractual salary.
On this basis, we designed a model of systemization of work as a process by which we can shape an employee’s pay on the basis of effective work, difficulty and quality of done work as well as to organize work based on the competences of employees
Rituals of the enchanted world: Noh theater and religion in medieval Japan
Get PDFThis study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan.
Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure.
Chapters Two through Five are analyses of four Noh plays, Kanawa, Dōjōji, Yamamba, and Hyakuman. This selection reflects my argument that a particularly efficacious form of Noh ritual is one that best responds to the liminal quality of the medieval worldview, and this is expressed through a specific way in which the main protagonist of each play is constructed as a ritualist and an object of ritual, and symbolically embodied in various incarnations of the character of demon - oni.Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2018-12-01The student, Dunja Jelesijevic, accepted the attached license on 2016-08-11 at 12:00.The student, Dunja Jelesijevic, submitted this Dissertation for approval on 2016-08-11 at 12:13.This Dissertation was approved for publication on 2016-08-11 at 16:02.DSpace SAF Submission Ingestion Package generated from Vireo submission #10109 on 2017-02-28 at 14:40:43Made available in DSpace on 2017-03-01T17:00:49Z (GMT). No. of bitstreams: 2
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Organizacijska antropologija - nova organizacijska veda
Get PDFKo znanstvena disciplina ali veda dozori, se nujno sooči s svojo antropološko razsežnostjo. Organizacijske vede so že na
začetku vključevale tudi splošno antropologijo, medtem ko se potreba po organizacijski antropologiji pojavi, ko postane človeški kapital najpomembnejši produkcijski in razvojni dejavnik organizacije. Pregledovanje najpomembnejših akademskih informacijskih baz in univerzitetnih programov najvidnejših svetovnih univerz daje malo zadetkov, kar pomeni, da je organizacijska antropologija pionirski projekt. V tem prispevku želimo predstaviti organizacijsko antropologijo kot novo organizacijsko vedo z utemeljitvijo njenega predmeta in metod
Traduire en transparence : génétique d’une version du poème Dunja de Giuseppe Ungaretti
No full textEn 1969, Philippe Jaccottet traduit pour la revue Aquila le poème Dunja de Giuseppe Ungaretti. L’étude tente de relever la singularité de cette traduction, en jetant de la lumière sur la génétique de sa rédaction : autrement dit, de pénétrer le côté invisible du processus traductif auquel collaborent l’auteur et le traducteur. À partir de la clarification terminologique de la notion de transparence, elle s’applique à élucider les stratégies du traducteur, en mettant en relief la dialectique de l’hermétique et de l’herméneutique. La juxtaposition des versions jaccottiennes du poème, élaborées au cours du « work in progress », renseigne sur les étapes de la traduction transparente, à commencer par le travail sur le lexique qui concerne la recherche d’équivalence. Elle révèle en outre les hésitations et les doutes d’un traducteur averti, conscient de l’impossibilité de comprendre l’énoncé poétique, en négligeant ses aspects affectif, imaginal et prosodique. Pour aboutir à la conclusion qu’il s’agit bien d’une traduction « relevante », résultat d’un travail minutieux sur les potentialités de la langue cible, qui n’hésite pas à transgresser les normes grammaticales de celle-ci afin de préserver l’étrangeté du texte source.In 1969 Philippe Jaccottet translated for the magazine Aquila the poem Dunja by Giuseppe Ungaretti. The study aims to highlight the singularity of this translation, shedding light on the genetics of its writing: that is to say to penetrate the invisible side of translating in which both the author and the translator participate. Starting from the terminological clarification of the notion of transparency, it applies itself to elucidate the translator’s strategies by highlighting the dialectic of hermetics and hermeneutics. The juxtaposition of the poem’s versions, elaborated by Jaccottet during the work in progress, provides information on the stages of transparent translation starting with the lexical work which concerns the search for equivalence. It reveals furthermore the hesitations and doubts of a wise translator, aware of the impossibility of understanding the poetic statement by neglecting its emotional, imaginal and prosodic aspects. In order to reach the conclusion that this is indeed a “relevant” translation, resulting from a meticulous work on the potentialities of the target language, which does not hesitate to transgress its grammatical norms with the purpose of preserving the foreignness of the source text.En 1969, Philippe Jaccottet tradujo para la revista Aquila el poema Dunja de Giuseppe Ungaretti. El estudio tiene como objetivo destacar la singularidad de esta traducción, arrojar luz sobre la genética de su escritura: es decir, penetrar el lado invisible del proceso de traducción en el que participan el autor y el traductor. A partir de la aclaración terminológica de la noción de transparencia, se aplica para dilucidar las estrategias del traductor, destacando la dialéctica de la hermética y de la hermenéutica. La yuxtaposición de las versiones del poema, elaboradas por Jaccottet durante el trabajo en curso, proporciona información sobre los pasos de la traducción transparente, comenzando por el trabajo sobre el léxico que se refiere a la búsqueda de la equivalencia. Revela, además, las indecisiones y las dudas de un traductor advertido, consciente de la imposibilidad de comprender el enunciado poético, descuidando sus aspectos emocional, imaginal y prosódico. Para llegar a la conclusión de que se trata de una traducción “relevante”, resultado de un trabajo meticuloso sobre las potencialidades de la lengua meta, que no duda en transgredir sus normas gramaticales para preservar la extrañeza del texto fuente
Marko Marulić, Pisni razlike (Various Poems)
Get PDFIn her survey of the book printed as an edition of the Complete Works of Marko Marulić, the author informs the reader that the Pisni razlike (Various Poems) contains all Marulić‚s Croatian verses for which his authorship has been proved, with exception of the poem Judita (printed as a separate volume) and his dialogic and dramatic verse, which will be accommodated in another volume of the same series. The present edition, edited by professor Josip Vončina, sticks to the oldest extant manuscript. In his work, the editor proceeds with great scrupulosity, checking every single attribution of his predecessors. Also, he never relies on linguistic and stylistic features of the allegedly authentic works of the poet, but only on Marulić‚s own annotations in, or accompanying, the text, in which the poet openly states his authorship. In this way he establishes a reliable canon of Marulić‚s Croatian poems. In his preface professor J. Vončina sets forth his methodological principles and explains the reasons for his choice in every single case.
The author of the other preface to the same book is Tonko Maroević, who points out the literary-historical and cultural significance of Marulić‚s Croatian poems. The complete vocabulary of Marulić‚s texts in the book was compiled by Milan Moguš.
The author of the survey points to the prevalently medieval character of Marulić‚s verse, drawing the conclusion that the author of the present poems is hardly Marulić we know from the Judita. Yet, this should not be seen as a drawback. On the contrary, the fact adds new quality to his personality, showing him not only as a Renaissance Humanist, but also as a writer who amply drew his ideals from the poetics and rich spiritual culture of the Croatian Middle Ages
Influence of the Dubrovnik classicism on the epic Poem Ljepos duše (Pulchritude of the soul) by Ivan Dražić
Get PDFU radu se analizira spjev Ljepos duše splitskog pjesnika Ivana Dražića (1655 – 1739), djelo koje je nastalo u slijedu dubrovačkih baroknih poema s jedne strane, a s druge pod utjecajem dubrovačkog akademskog klasicizma. Propituju se poetička obilježja djela te se s tim u vezi problematiziraju neka specifična obilježja hrvatskog klasicizma i njegova suodnosa prema baroku.This paper analyses the epic Ljepos duše written by Ivan Dražić, a poet from Split (1655 - 1739). The epic was written amidst baroque epics of Dubrovnik, on the one hand and academic classicism of Dubrovnik, on the other hand. It was also influenced by certain new innovative religious and theological streams in Western Europe of the time. After describing the epic poem, its themes and viewpoints, the author determines some general characteristics of style and periodisation of classicism in European and Croatian literature, and discusses its poetic framework.
Since Dražić`s epic synthesises elements of baroque Dubrovnik (religious epic) and academic classicism (rationally founded and systematically elaborated discussion on human soul), the author raises a question of possible coexistence of baroque and classicism in a single epic, since these two styles are usually deemed as antagonistic. The author also emphasises that Dražić was the first poet to wilfully implement the literary culture of Dubrovnik in his work, hence starting the process of establishing that literature as supraregional and canonical at the same time for all future literary works
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