1,112 research outputs found

    The Material and the Imaginary

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    What could be more distant than the world of fantasy and dream and the world of material necessity without which we cannot survive? The emphasis that many currents of contemporary thought have placed on language has often risked obscuring any extralinguistic reality that might possibly constitute the place of their possible sense that goes beyond the infinite game of interpretations. Basically, a “sociology of the imaginary” wishing to ponder the issue of “depth” can only try to leave the world of images and set these in relation with the emotional sense of a historical human subject. Here, it is not a question of deciding whether “material” life is “true” with respect to the “imaginary” life; it is more a question of trying to relate the represented with the representing, the concept with the thing

    MADBAR. Madrid e Barcellona: progetti, teorie, immaginari

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    Il volume presenta il lavoro di trentadue studi di architettura attivi nelle due principali città spagnole, Madrid e Barcellona, secondo otto diverse traiettorie. Ciascuna di queste è introdotta da una relazione critico-tematica: Contesto (Renato Bocchi), Effimero (Luca Molinari), Frammento (Francisco Arques), Infrastruttura (Valerio Paolo Mosco), Paradigma (Damiano Di Mele), Ricerca (Ilia Celiento), Scala (Orazio Carpenzano), Tradizione (Sara Marini); a seguire, ogni traiettoria presenta le opere di quattro giovani studi, aprendo un dialogo tra loro e con la cultura architettonica più in generale. Infine, in un atlante di opere (realizzate e idealizzate), i giovani architetti qui selezionati svelano il loro volto nascosto: una costellazione di progetti orchestrati attraverso montaggi, trascrizioni e disegni inediti. Ne emerge una visione, a tratti frammentata, delle due città dove si sono sviluppate storicamente le due scuole iberiche di architettura più importanti (Univerdad Politécnica de Madrid e Escuela Técnica Superior de Arquitectura de Barcelona), entrambe fondate sul modello dell’École des beaux-arts e con un’attenzione comune verso l’architettura italiana

    Francesca Mele, Le regie beckettiane di Andrea Adriatico

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    I MODULO: Gruppo di studio su Samuel Beckett (Francesca Mele, Luca Salmi, Federica Sanfelici, Eliana Vetro

    Luca Salmi, La marginalità nei personaggi di Samuel Beckett

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    I MODULO: Gruppo di studio su Samuel Beckett(Francesca Mele, Luca Salmi, Federica Sanfelici,Eliana Vetro

    Catalogo analitico

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    This essay investigates the liturgical-musical codes of the Cathedral, the St. Francis Convent and the Monastery of St. Clare in Oristano (XI-XVII centuries), on the basis of an international critical approach and a new interdisciplinary and descriptive model. The manuscripts considered form part of the only collection of liturgy books illuminated with neums in Sardinia. The majority of codes and the iconography – 18 manuscripts and numerous fragments, c.a. 3,400 parchments, 159 illuminations – were unpublished, with the only exception of a inventory with wrong datations (Lucca, 1911). All of the liturgical and musical formularies, and the biblical references have been traced and collated with the main repertoires. This study also shows cross references with a historical analysis and a critical Glossary by the author, published in the same volume and edited by the author himself (a CDRom is included). Among the codes is the corpus ACO P. III-VIII, a monumental Antiphonary in 6 volumes produced in the Tuscan-Emilian area in the XIII4/4 century. This is one of the most important sources of the Roman-Franciscan ritual after the reformations of Haymo of Faversham (1244) and Nicholas III (1277-1280). Hundreds of its facsimiles, in colour, have been considered. A bibliography of 274 references provides the primary research tools in the area of liturgical-musical code analysis
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