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Exploration on the thoughts of the novels by Lu-yin
No full text碩士五四女作家群的先鋒──廬隱(1899~1934)，在新舊變遷的過渡年代吸收紛複的氣息後，托出社會潛隱的問題，她認為「女性覺醒」是作為「個人發現」的重要向度，同時包含為「女」與為「人」的雙重自覺。因此，身為女性作家，廬隱的小說主題多半蘊涵當下社會中女性婚戀問題及人生歸程的探求，內容明顯地留下她的思想印跡。然而，目前關於廬隱小說的研究視角有不甚公允及全面的情況，因此本論有以下三大新方向：
首先，廬隱筆下的女性形象及其情感可謂真切細膩，具有濃厚的自傳性質，時代標籤也極為鮮明，是以唯有深入瞭解其不同於流俗的思想，對其思想進行探源，才能充分掌握作者與作品對時代的價值。
其次，筆者注意到目前關於廬隱小說的研究正面臨失衡的情況，研究或批評導向以「女性人物形象」、「女性意識」為主，而文本中男性的存在意義則受到刻意地忽略或模糊化。過去評論普遍認為女性創作中男性人物形象因為代表性不如女性人物，而研究價值低微，也認為男性人物形象在作品中受到邊緣化，甚至文本中的男性人物只是兩性對列下的反襯而已。然而，從文本中我們可以看到廬隱並未偏廢營造男性形象這一區塊，甚至不乏以男主人公為主述者的易性創作，並藉由不同類型的男性形象來凸顯女性在時代變遷中的真實處境。因此，筆者認為過去的一元論述只能看出個別性別的絕對位置，若將其同置一個時代語境才能還原相對位置，並進行性別意識的反思，對當代文化的精神建構將更為有利。
最後，隨著五四運動低潮的來臨，廬隱的思想也陷入了矛盾與退怯中，這種迷茫徘徊伴隨著她文學作品的終結。這些作品中暗示了父權社會中充斥虛假的真實，而有著覺醒姿態的女性如何在這種混沌的狀態中步履蹣跚地行走？對女性於身心靈的層層束縛是多麼難以解開？甚至連女性覺醒的先鋒者廬隱本身也不經意陷入父權再製的陷阱，這些過往研究中所疏略的內容皆是本論聚焦之處。The vanguard of the May Fourth female writers—Lu-yin (1899~1934), who discovered the hidden problems in Chinese society during and after the period of transition. Lu-yin thought that is the essence of "personal awakening" comes from "female awakening". In other words, she pointed out emphatically that a woman is not only a woman but a person. Therefore, as a female writer, most of Lu-yin’s novels contain those two topics: the awakening of female consciousness in the gender relations and marriage problems. To us the thoughts of Lu-yin’s novels are still enlightening as before. However, many researches on Lu-yin’s novels are not fair and all-round. Consequently, this research of new points includes following three main directions:
First, female images and emotions of Lu-yin’s novels are pretty realistic and touching. In the meantime, that also reflected the true life of this author. We have to go deep into her novels to differ from prevailing opinions and carry on exploring sources to our thoughts. So we could understand the value of Lu-yin and her novels through time.
Secondly, I observed that many researches on the novels by Lu-yin are biased or narrow-minded. Most critics gave importance to "female images" or "female consciousness" but ignored the male is in existence. Generally speaking, the male images in the female writers’ works were not worthy to analyze because they were dull. However, from the text we can see Lu-yin had never been to discard to construct the male images, and by the different types of male we can recognize the true circumstances at that time. Consequently, I think the monism to research the gender relations is not enough. If the research cover two sides between males and females, it will be beneficial to the contemporary cultural construction.
Lastly, Lu-yin was sinking into antinomy and fear after the end of the May Fourth movement. Confusion is filled with her literature works. She implied the deceitful reality in the unfair society and exposed the new female problems in these works. Even as a "new woman", we couldn’t omit to Lu-yin also paid no attention to fall into the trap of patriarchy. Above-mentioned points are this essay’s focuses.第一章 緒論………………………………………………1
第一節 研究動機………………………………………………1
第二節 前人研究回顧…………………………………………4
第三節 研究範圍與論文架構…………………………………14
第二章 作者思想探源……………………………………16
第一節 五四風潮的影響………………………………………17
第二節 成長背景造就灰色的眼睛……………………………21
第三節 中外哲學的影響………………………………………26
第四節 小結……………………………………………………31
第三章 男性形象書寫……………………………………32
第一節 父權制度的繼承者……………………………………33
第二節 父權制度的受害者……………………………………48
第三節 理想新式男性形象……………………………………62
第四節 小結……………………………………………………76
第四章 女性的勇進與退怯………………………………81
第一節 衝破婚姻藩籬…………………………………………82
第二節 反傳統戀愛模式………………………………………90
第三節 女性的退怯……………………………………………95
第四節 小結……………………………………………………98
第五章 結論………………………………………………100
參考書目……………………………………………………103學號: 692000309, 學年度: 9
Lu Yin Qingzhu Lake
No full textNella Cina centrale, alle porte di Changsha, Lu Yin Qingzhu Lake emerge come nuovo comparto urbano immerso in un paesaggio topograficamente accidentato, solcato da corsi d’acqua e ricco di foreste. Lo spazio aperto della nuova espansione, progettato dallo studio Weimar Group, si pone discretamente in dialogo con il contesto circostante. Costruendo atmosfere e configurazioni spaziali variabili, i progettisti hanno integrato diversi episodi ricreativi, ludici e di socialità, immersi in una vegetazione lussureggiante dall’aspetto naturalistico ma adatti alle necessità funzionali del pubblico contemporaneo
[[alternative]]The Analysis of Three-Stage Skill Used by Taiwan’s Wheelchair Table Tennis Man Players
No full text[[abstract]]The Analysis of Three-Stage Skill Used by Taiwan’s Wheelchair Table Tennis Man Players
Researcher: Lu, Yin-chin
Advisor: Huang, Kou-yi
Abstract
The purpose of the study was to analyze Three-Stage Skill used by Taiwan’s male wheelchair table tennis national players in class five and then to investigate the possibility if Three-Stage Skill could predict the scores they would get.
The subjects of the study were Taiwan’s national male wheelchair table tennis players in Paralympic World Table Tennis Championships in 2002. The researcher collected the data by evaluating the index of the scores won under the Three-Stage Skill and then used Stepwise Regression Method to predict the rate of getting points.
The results were as follows:
1. The index of getting points was “Good” when our national table tennis players in class five served, aggressed and got points during the game, and the index of the strategy (serving-aggressing-getting points) they used was “Qualified.”
2. The index of getting points was “Good” when our national players received, aggressed and got points during the game and the index of the strategy (receiving-aggressing-getting points) they used was “Qualified.”
3. The index was “Good” when our national table tennis players in class five rallied during the game, and the index of using the strategy was un-qualified.
4. Among the six variables of the Three-Stage Skill used by our national table tennis players in class five, the representative item was (X3) the index of getting scores which were earned when the players received, aggressed, and then got scores in the game.
5. The analysis of Three-Stage Skill could efficiently predict the rate of getting scores, and the formula of standardized regression was as followed.
?＝0.388Z1＋0.432Z3＋0.412Z5
Key words: Wheelchair table tennis, Men wheelchair table tennis national players in class five, Index evaluation of the Three-Stage Skill
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Ecriture vs. maladie - Le combat pour la vie de Shi Pingmei et Lu Yin
No full textInternational audienceLa maladie est traditionnellement considérée en Chine comme la conséquence d’un déséquilibre interne entre yin et yang, entre principe féminin et principe masculin. La guérison résulte donc du rééquilibrage de ces principes. Mais si elle est particulièrement présente dans l'écriture poétique féminine sous les Ming et les Qing, et dans la vie quotidienne des écrivaines au début du XXe siècle, souvent touchées par des affections comme la tuberculose, elle est peu évoquée dans les textes. Shi Pingmei 石评梅 (1902-1928) représente un cas particulier tant pour des raisons biographiques que littéraires : sa première nouvelle publiée s’intitule Bing 病 [Malade, 1923], son amant décède deux ans plus tard de maladie et elle-même succombe trois ans après des suites d’une encéphalite. Outre ce que Shi Pingmei dit elle-même de son rapport à la maladie, son amie, l’écrivaine Lu Yin 庐隐 (1898-1934), elle-même touchée par la maladie, l’évoque dans certains textes et relate la courte existence de Shi Pingmei sous forme romancée dans Xiangya jiezhi 象牙戒指 [Des anneaux d’ivoire, 1934]. Tant l’une que l’autre se sont battues pour faire entendre une voix qu’elles avaient conscience de savoir « féminine » et c’est dans leur rapport à la maladie que leur discours, volontairement genré, sera analysé ici
Ecriture vs. maladie - Le combat pour la vie de Shi Pingmei et Lu Yin
No full textInternational audienceLa maladie est traditionnellement considérée en Chine comme la conséquence d’un déséquilibre interne entre yin et yang, entre principe féminin et principe masculin. La guérison résulte donc du rééquilibrage de ces principes. Mais si elle est particulièrement présente dans l'écriture poétique féminine sous les Ming et les Qing, et dans la vie quotidienne des écrivaines au début du XXe siècle, souvent touchées par des affections comme la tuberculose, elle est peu évoquée dans les textes. Shi Pingmei 石评梅 (1902-1928) représente un cas particulier tant pour des raisons biographiques que littéraires : sa première nouvelle publiée s’intitule Bing 病 [Malade, 1923], son amant décède deux ans plus tard de maladie et elle-même succombe trois ans après des suites d’une encéphalite. Outre ce que Shi Pingmei dit elle-même de son rapport à la maladie, son amie, l’écrivaine Lu Yin 庐隐 (1898-1934), elle-même touchée par la maladie, l’évoque dans certains textes et relate la courte existence de Shi Pingmei sous forme romancée dans Xiangya jiezhi 象牙戒指 [Des anneaux d’ivoire, 1934]. Tant l’une que l’autre se sont battues pour faire entendre une voix qu’elles avaient conscience de savoir « féminine » et c’est dans leur rapport à la maladie que leur discours, volontairement genré, sera analysé ici
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