87,331 research outputs found

    Per una storia della stampa periodica per l'infanzia e la gioventù in Italia tra '800 e '900

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    Il saggio, di carattere storiografico, costituisce la presentazione della collana di storia della stampa periodica per l'infanzia e la gioventù "Nerbiniana", di cui J. Meda è direttore. Il volume di F. Loparco è il primo della collana

    A model-independent analysis of the Fermi Large Area Telescope gamma-ray data from the Milky Way dwarf galaxies and halo to constrain dark matter scenarios

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    We implemented a novel technique to perform the collective spectral analysis of sets of multiple gamma-ray point sources using the data collected by the Large Area Telescope onboard the Fermi satellite. The energy spectra of the sources are reconstructed starting from the photon counts and without assuming any spectral model for both the sources and the background. In case of faint sources, upper limits on their fluxes are evaluated with a Bayesian approach. This analysis technique is very useful when several sources with similar spectral features are studied, such as sources of gamma rays from annihilation of dark matter particles. We present the results obtained by applying this analysis to a sample of dwarf spheroidal galaxies and to the Milky Way dark matter halo. The analysis of dwarf spheroidal galaxies yields upper limits on the product of the dark matter pair annihilation cross section and the relative velocity of annihilating particles that are well below those predicted by the canonical thermal relic scenario in a mass range from a few GeV to a few tens of GeV for some annihilation channels. (C) 2012 Elsevier B.V. All rights reserved

    Production of secondary particles and nuclei in cosmic rays collisions with the interstellar gas using the FLUKA code

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    The measured fluxes of secondary particles produced by the interactions of Cosmic Rays (CRs) with the astronomical environment play a crucial role in understanding the physics of CR transport. In this work we present a comprehensive calculation of the secondary hadron, lepton, gamma-ray and neutrino yields produced by the inelastic interactions between several species of stable or long-lived cosmic rays projectiles (p, D, T, 3He, 4He, 6Li, 7Li, 9Be, 10Be, 10B, 11B, 12C, 13C, 14C, 14N, 15N, 16O, 17O, 18O, 20Ne, 24Mg and 28Si) and different target gas nuclei (p, 4He, 12C, 14N, 16O, 20Ne, 24Mg, 28Si and 40Ar). The yields are calculated using FLUKA, a simulation package designed to compute the energy distributions of secondary products with large accuracy in a wide energy range. The present results provide, for the first time, a complete and self-consistent set of all the relevant inclusive cross sections regarding the whole spectrum of secondary products in nuclear collisions. We cover, for the projectiles, a kinetic energy range extending from 0.1 GeV/n up to 100 TeV/n in the lab frame. In order to show the importance of our results for multi-messenger studies about the physics of CR propagation, we evaluate the propagated spectra of Galactic secondary nuclei, leptons, and gamma rays produced by the interactions of CRs with the interstellar gas, exploiting the numerical codes DRAGON and GammaSky. We show that, adopting our cross section database, we are able to provide a good fit of a complete sample of CR observables, including: leptonic and hadronic spectra measured at Earth, the local interstellar spectra measured by Voyager, and the gamma-ray emissivities from Fermi-LAT collaboration. We also show a set of gamma-ray and neutrino full-sky maps and spectra

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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