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ARTIKEL ALGORITMA PEMROGRAMAN LELI SETIANI
No full textAlgoritma mempunyai serangkaian langkah buat membongkar permasalahan. Langkah- langkahnya disusun secara sistematis. Algoritma merupakan langkah- langkah buat menyusunkan langkah- langkah terintegrasi, serta penggunaannya buat membongkar permasalahan mempunyai metode spesial buat menuntaskan permasalahan nyata( WebsterDictionary). Tujuan dari algoritme merupakan buat menolong Kamu jadi terbiasa mempraktikkan sistem perencanaan buat permasalahan tertentu. Perencanaan yang teliti bisa menanggulangi permasalahan ini sehingga Kamu bisa memaksimalkan pemecahan yang pas dikala menuntaskan permasalahan. Semacam yang Kamu amati, masalah tidak bisa dituntaskan tanpa rencana. Menekuni suatu programsangat berbeda dengan belajar bahasa pemrograman. Kala pemrograman merupakan tentang pendekatan strategis buat membongkar permasalahan, permasalahan diwakili oleh algoritma simpel yang gampang dimengerti serta dibaca buat masukan lebih lanjut ke dalam bahasa pemrograman. Pendidikan pemrograman berarti strategi pendidikan yang dinyatakan dalam wujud algoritma yang gampang dibaca serta dimengerti, membongkar permasalahan, serta menerjemahkannya ke dalam bahasa pemrograman. Hakikat dalam menekuni sesuatu program merupakan menguasai, menganalisis serta mengintegrasikan permasalahan.
Kata kunci: Algoritma, Program, Pemrograman, Bahasa, Langka
Leli setiani's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Leli setiani's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Leli setiani's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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