1,721,014 research outputs found
L’area del cd. Pozzo sacro di Elea-Velia
No full textIl contributo riprende in esame il contesto topografico e la documentazione archeologica ed epigrafica del cd. Pozzo sacro del Quartiere meridionale di Velia
An Algorithm for Real Time Estimation of the Flexible UAV Structural Motions Using a Video-based System
No full textThis paper focuses on the application of a vision based system coupled with an Inertial Measurement Unit (IMU) and several accelerometers, distributed along the aircraft structure, for estimating the structural displacements for flexible aircrafts. This sensor suite, associated with the proposed data fusion algorithm, represents an innovative approach to solve the problem of structural displacements determination for flexible aircrafts. The knowledge of the aircraft actual shape allows implementing active control techniques, Structural Health Monitoring (SHM) and moreover to determine the true position and attitude of sensors, installed on board. The effectiveness of the proposed approach is demonstrated through numerical simulations
Supervised segmentation of remote-sensing multitemporal images based on the tree-structured Markov random field model
No full textArchaeometric analysis of ceramic and bronze artifacts from the sanctuary of Hera at river Sele mouth: new results
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Fratte: the research project
No full textNell'articolo è presentato il progetto di ricerca che coniuga analisi filologica e analisi archeometrica sulle ceramiche e le terrecotte architettoniche di Fratte
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Il cratere attico del pittore di Talos da Serra di Vaglio e il problema delle " special commissions"
No full textil saggio analizza attraverso l'iconografia di un bellissimo cratere attico del pittore di Talos rinvenuto in un contesto indigeno significativo del centro di Serra di Vaglio, il problema della scelta e dell'uso dei vasi figurati attici nelle colonie e nei centri indigeni dell'Italia meridionale ed il rapporto tra produzione e committenze aristocratiche italiche che scellgono e utilizzano intenzionalmente soggetti mitologici rari pienamente funzionali alla loro legittimazione
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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