1,721,017 research outputs found
Recensione di L. Bravi, "Gli epigrammi di Simonide e le vie della tradizione", Edizioni dell'Ateneo, Roma 2006
No full textRecensione di L. Bravi, "Gli epigrammi di Simonide e le vie della tradizione", Edizioni dell'Ateneo, Roma 200
La tradizione classica
No full textIl quinto centenario della fondazione dell’Università di Urbino è stato l’occasione per prendere in esame l’apporto di questo Ateneo alla comunità scientifica. Il contributo ripercorre sin dalla nascita le più significative tappe degli studi classici a Urbino, evidenziandone linee metodologiche, originalità di temi, singole personalità
VE-cadherin at a glance
No full textAlthough being a monolayer the vascular endothelium controls fundamental vessel functions such as permeability, leukocyte extravasation and angiogenesis. The endothelial selective transmembrane constituent of adherens junctions, Vascular Endothelial- (VE-) cadherin plays a crucial role in the regulation of such activities. The signaling pathways controlled by VE-cadherin as well as the ones that regulate VE-cadherin activity start to be elucidated. This delineates a complex network of molecular and functional interactions that can be altered in pathologies
Tra Lyra e Aulos. Tradizioni musicali e generi poetici
No full textCollection of 21 essays that focus on different aspects of vocal performances, lyre and aulos in ancient Greece. The first part touches on the theme of musical performance in relation to the various genres of literature; the second section deals with the lyre; the third deals with the aulos; the fourth on the different musical traditions; the fifth on the representation of music for lyra and aulos in philosophical speculation; the sixth, and last, on the representation of the lyra and dell'aulos in iconographic documentation. The premise is curated by Liana Lomiento and Angelo Meriani
«Questo lo dico con precisione» : osservazioni attorno a H.Herm. 380
No full textThe study analyzes the peculiar communicative function, clearly comic, of the expression τὸ δέ τ’ ἀτρεκέως ἀγορεύω (H. Herm. 380), pronounced by Hermes in his apology in front of Zeus,
comparing it to the Homeric (mainly Odyssiac) formulaic promises of verbal excteness
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Tra Retorica e Poetica: Eschilo Paratragico nel PERI HYPSOUS
No full textIl contributo analizza la sezione III. 1-2 del trattato Sul Sublime, successiva alla lacuna di due fogli del codice Parisinus Graecus 2036, in cui Dionigi Longino critica lo stile enfatico di Eschilo (Aesch. Oreithyia fr. 281 TrGF) utilizzando un lessico di evidente derivazione aristofanesca. Un termine chiave è l’attributo παρατράγῳδος/-ον con cui Longino definisce i versi eschilei, per dire che Eschilo, con le sue esagerazioni, non è più tragico ma paratragico. Prima di Longino questa idea è presente solo in forma verbale in testi comici, in particolare Stratt. Phoin. fr. 50 CGF (V-IV sec. B.C.), in Plaut. Pseud. 770 e in Aristoph. Schol. Vetera. La ricerca porta a concludere che la fonte di Longino critica nei confronti Eschilo che utilizza il termine paratragedia debba essere cercata nell’ambiente alessandrino, in Egitto o forse anche a Roma, dove pochi anni prima del verosimile arrivo di Longino da Alessandria d’Egitto operò il grammatico Didimo, anch’egli alessandrino, autore di opere sullo stile degli autori tragici e comici.The contribution analyzes On the Sublime III.1-2, a passage that follows the lacuna of two sheets of the Parisinus Graecus 2036, in which Dionysius Longinus criticizes Aeschylus’s emphatic style (Aesch. Oreithyia, fr. 281 TrGF) using a lexicon derived from Aristophanes’s literary cricism. A key term is the attribute παρατράγῳδος / -ον, by which Longino defines the effect of Aeschylus’s verses. Before Longinus the idea of ‘paratragedy’ is present only in comic texts, expressed by verbs: see Stratt. Phoin. fr. 50 CGF (V-IV century B.C.), Plaut. Pseud. 770 (191 B.C.) and Aristophanes’s Scholia vetera. The source of Longinus, who criticizes Aeschylus using a precise comic lexicon, should be sought in the Alexandrian environment, in Egypt or perhaps in Rome, in the first century BC, in connection with the works of Didymus, the Alexandrian grammar who was author -among other critical essays- also of several books on Tragic and Comic Style
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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