1,720,955 research outputs found
Penjungkirbalikan: Pascakolonialitas dan Hantu-hantu Nostalgia
This experimental essay unfolds as a journey through memory, ruins, and rituals, tracing the lingering presence of a colonial past in contemporary Indonesia. It explores the layered relationship between colonialism, postcolonial nation-building, and the enduring structures of imperial power that continue to shape cultural and political life. At its centre is a paradox: in pursuing national unity, the newly independent state often reproduced the very systems of control it aimed to dismantle. Colonial nostalgia, expressed through aesthetic revivals, architectural restoration, and performative rituals, emerges not only as a sentiment but as a structural force within collective memory. Through a weaving of critical reflection and poetic interludes, the essay invites readers to reflect on the shifting boundary between history and feeling. It lingers in what is remembered but also in what is imagined, suppressed, and restaged.Tulisan eksperimental ini mengungkapkan perjalanan melalui memori, reruntuhan, dan ritual-ritual; menelusuri kehadiran masa kolonial di Indonesia saat ini. Pun tulisan ini menggali hubungan yang berlapis-lapis antara kolonialisme, berdirinya bangsa pascakolonial, dan berlanjutnya struktur kekuasaan penjajahan yang terus membentuk kehidupan budaya dan politik. Pada pusatnya adalah sebuah paradoks: dalam rangka membangun persatuan nasional, negara yang baru merdeka ini kerap mereproduksi sistem-sistem kontrol yang justru semestinya dibongkar. Nostalgia kolonial terungkap melalui kebangkitan estetika, restorasi arsitektural, dan ritual-ritual performatif, yang muncul bukan hanya sebagai sebuah sentimen, tetapi justru menjadi kekuatan strutural di dalam memori kolektif. Melalui jalinan refleksi kritis dan selingan liris, tulisan ini mengajak pembaca merefleksikan terus bergesernya batas antara sejarah dan perasaan. Melekat bukan hanya pada apa yang diingat, melainkan juga apa yang dibayangkan, ditekan, dan dipentaskan ulang
Panggung Poskolonial Indonesia dalam Narasi "Memoar Tanah Rucuk"
Rezim otoritarian Orde Baru menggunakan “sejarah” sebagai perangkat ideologis yang memiliki peran kunci dalam membangun ingatan bersama. Lengsernya Suharto dari kekuasaan rupanya tidak lantas merubah cara “sejarah” dipandang. Sebagai sebuah sistem pikir, Orde Baru telah dengan ketat memistifikasi cara manusia Indonesia membaca, dan mendudukkan “sejarah”. Proyek seni “Memoar Tanah Runcuk” merupakan sebuah upaya untuk menantang cara pembacaan “sejarah” yang terlanjur (di)mapan(kan) dan menjadi versi tunggal. Sebagai sebuah karya seni, proyek yang meleburkan narasi fiksi dengan ingatan historis ini berupaya mendemistifikasi kekakuan cara pandang atas “sejarah”, sekaligus mendudukannya dalam perspektif pascakolonial. Tulisan ini membongkar segenap proses penciptaan, pendekatan, metodologi, maupun bangunan fiksi dan segenap studi yang mendasari karya seni Memoar Tanah Runcuk yang dikembangkan oleh penulis
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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