1,720,958 research outputs found
Introduction
This introduction to A World of Possibilities: The Undivine Legacy situates Teodolinda Barolini’s The Undivine Comedy (1992) as a transformative intervention in Dante Studies that reoriented the field toward narratological and historicized readings of the Commedia. Reflecting personally on her own intellectual formation under Barolini and Joan Ferrante, Kristina M. Olson redefines Barolini’s concept of ‘detheologizing’ not as a negation of theology but as a methodological recalibration that liberates Dante’s poem from inherited interpretive frameworks. The introduction traces the organization of the essays collected in this volume — across narrative, historical, theological, visual, and theoretical axes — demonstrating the broad reach of Barolini’s scholarship and its capacity to generate new critical perspectives
A World of Possibilities:The Legacy of <i>The Undivine Comedy</i>
Published in 1992, Teodolinda Barolini’s The Undivine Comedy: Detheologizing Dante was a clarion call for a paradigmatic shift in reading Dante’s Commedia. Bringing together an international cadre of scholars, A World of Possibilities: The Legacy of ‘The Undivine Comedy’ illustrates the generative influence that Barolini’s approach has exerted across continents, disciplines, and generations. It testifies to the variety of interpretations that originate in her method, and opens new perspectives on Dante’s oeuvre and the significance of literature.Introduction | KRISTINA M. OLSON | 1-11ON METHODPossible Worlds and Reading Dante’s Commedia: Suspension of Disbelief (Coleridge, Horace, Tolkien, Cecco d’Ascoli) and the Solvents of Narrative and History | TEODOLINDA BAROLINI | 15-47I. DETHEOLOGIZE TO NARRATIVIZEThe Intricate Weaving of The Undivine Comedy | H. WAYNE STOREY | 51-63The Undivine Comedy: Dante One and Multiple | ROBERTO ANTONELLI | 65-98Reasoning between Possibility, Fictional Reality, and Actuality: A Case Study in Detheologizing the Commedia’s Conditionals | LAURA DINARDO | 99-122II. DETHEOLOGIZE TO HISTORICIZEDetheologize to Historicize | NASSIME CHIDA | 125-133Teodolinda Barolini and the Signs of Newness in The Undivine Comedy | ALBERTO CASADEI | 135-148Dante’s War: Exiles, carestia, and Conflict in the Florentine Countryside, 1301–1304 | GEORGE DAMERON | 149-179III. DETHEOLOGIZE TO RETHEOLOGIZEDante’s Lucy in the Canon Law of Consent | GRACE DELMOLINO | 183-208Prophetic Models and Structures in an Undivine Comedy | GIUSEPPE LEDDA | 209-221Divining The Undivine Comedy: Reflections and Recollections | ZYGMUNT G. BARAŃSKI | 223-242IV. DETHEOLOGIZE TO DRAMATIZEDante and ‘visibile parlare’ | LINA BOLZONI | 245-259Ovidio senza Dio: Ovidian Myth and Sexual Violence in the Commedia | JULIE VAN PETEGHEM | 261-283In Praise of Detheologizing | ELENA LOMBARDI | 285-298Heavenly Paradoxes and Their Pleasures | MANUELE GRAGNOLATI | 299-314V. DETHEOLOGIZE TO MODERNIZEThe Role of the Reader in Actualizing the Commedia | F. REGINA PSAKI | 317-337From Detheologizing to Decolonizing: Toward a Reading of Dante and Alterity | AKASH KUMAR | 339-347Translating The Undivine Comedy | ROBERTA ANTOGNINI | 349-366EPILOGUEOn Reading The Undivine Comedy Thirty Years Later | JOAN FERRANTE | 369-370ReferencesNotes on the ContributorsInde
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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