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Associate Professor Randy J. Kozel, Diploma Ceremony Address
Full text linkAssociate Professor Randy J. Kozel, the Law School Distinguished Teacher, delivered the commencement address to the Class of 2014 on May 17, 2014
Professor Kozel Examines How Precedent Can Bring Consistency to the Court
No full textRandy Kozel, Professor of Law at Notre Dame Law School comments on his forthcoming book—“Settled Versus Right: A Theory of Precedent”—that will be published by Cambridge University Press in 2017
Programm des Festspiels zur Feier des Fünfundzwanzigjährigen Bestehens des Kunstgewerbemuseums zu Leipzig / [Ludwig von Hofmann; F. A. Kaulbach; von Kozel]
Full text linkPROGRAMM DES FESTSPIELS ZUR FEIER DES FÜNFUNDZWANZIGJÄHRIGEN BESTEHENS DES KUNSTGEWERBEMUSEUMS ZU LEIPZIG / [LUDWIG VON HOFMANN; F. A. KAULBACH; VON KOZEL]
Programm des Festspiels zur Feier des Fünfundzwanzigjährigen Bestehens des Kunstgewerbemuseums zu Leipzig / [Ludwig von Hofmann; F. A. Kaulbach; von Kozel] (1)
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Associate Dean Randy Kozel develops a theory of precedent in new book
No full textProfessor Randy Kozel presents a theory of precedent that is designed to enhance the stability and impersonality of constitutional law.
He argues that deference to precedent promotes the rule of law.
“Deference to precedent advances the valuable ideal that it takes something more than a group of nine (or, in a split decision, five) individuals to revise what the Constitution requires,” he writes. “Under a system of stare decisis, the potential vacillation of constitutional law following changes in judicial personnel is replaced by an abiding sense of stability and impersonality.
La Utopía salvaje de Darcy Ribeiro
Full text linkLa revisión de Utopía salvaje ayuda a comprender el sentido de los deslizamientos entre los futuros correspondientes al Darcy Ribeiro de la «revolución necesaria» y el de la «pequeña utopía». La distopía catártica de 1982 fue una de las vías gracias a las cuales el antropólogo y escritor brasileño consiguió atravesar la tremenda crisis del tiempo a la que lo fueron conduciendo las sucesivas derrotas políticas que, para mediados de la década de 1970, lo habían dejado acorralado y casi sin opciones.Fil: Kozel, Gabriel Andrés. Universidad Nacional de San Martín. Escuela de Humanidades. Laboratorio de Investigación en Ciencias Humanas - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Laboratorio de Investigación en Ciencias Humanas; Argentin
“Hay dos Américas porque hay dos historias”: Sobre la tesis de Edmundo O’Gorman
No full textEl capítulo constituye un estudio pormenorizado de la tesis del historiador mexicano Edmundo O'Gorman (1906-1995) sobre las dos Américas, la cual se originó en un contrapunteo polémico con The epic of the Greater America (1932) del historiador estadounidense Herbert E. Bolton. La primera manifestación textual de la discrepancia o'gormaniana se encuentra en un breve ensayo de 1939 "Hegel y el moderno panamericanismo", para prolongarse en una ponencia leída en 1941 y publicada en 1942 "¿Tienen las Américas una historia común?" Lo más interesante del caso es que las valoraciones o'gormanianas sobre las Américas sufrieron importantes transformaciones en los años sucesivos, permaneciendo "invariable", sin embargo, su tesis, de raigambre historicista y heideggeriana, según la cual "hay dos Américas porque hay dos historias": en suma, O'Gorman nunca dejó de pensar que había dos Américas porque había dos historias, aunque no siempre valoró del mismo modo lo que esas dos historias encerraban. El estudio se cierra con una serie de reflexiones sobre la significación de la obra de O'Gorman desde un punto de vista latinoamericanista.Fil: Kozel, Gabriel Andrés. Universidad Nacional de San Martin. Escuela de Humanidades. Centro de Estudios Latinoamericanos; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
THE THEME OF VIOLENCE IN SELECTED PROSE OF NELI KODRIČ FILIPIĆ
Full text linkDiplomsko delo z naslovom Tematika nasilja v izbranih delih Neli Kodrič Filipić je nastalo na osnovi natančne analize izbranih književnih del. Diplomsko delo je teoretično. Najprej smo definirali nasilje in njegove oblike ter proučili tematiko nasilja v sodobni mladinski prozi. Predstavili smo bibliografijo mladinske pisateljice Neli Kodrič Filipić ter nagrade in nominacije, ki jih je prejela za svoja književna dela. Na podlagi literarne teorije smo analizirali štiri mladinska dela, ki ustrezajo skupnemu tematskemu sklopu. Opredelili smo pojem kratke realistične zgodbe ter značilnosti slikanice. Analizirali smo kratki realistični zgodbi v slikanici Punčka in velikan (2009) ter Ali te lahko objamem močno? (2011) in dva mladinska romana: fantastični roman Na drugi strani (2004) in realistični roman Solze so za luzerje (2013). Opredelili smo pojem mladinski roman in realistični mladinski roman s temeljnimi žanri, pri čemer smo izhajali iz teoretičnih izhodišč Dragice Haramija. Utemeljili smo problemski roman, ki ga v svoji doktorski disertaciji vpelje Gaja Kos, ter ugotovili, zakaj spadata izbrana romana v to skupino. V izbranih delih smo predstavili prevladujočo tematiko nasilja. Opozorili smo na problematiko medvrstniškega in družinskega nasilja, na posledice nasilja ter izpostavili družbeno kritično noto mladinske pisateljice Neli Kodrič Filipić.The diploma paper with the title The theme of violence in selected prose of Neli Kodrič Filipić was formed on the basis of a detailed analysis of selected literary works. The paper is theoretical. First, we defined violence and its forms and examined the topic of violence in contemporary youth prose. Further on we presented the bibliography of the youth author Neli Kodrič Filipić and awards and nominations received for her literary works. On the basis of literary theory we analyzed four youth literary works, corresponding to the common thematic context. We defined the concept of a realistic short story and the features of a picture book.
We analyzed the realistic short stories in the picture book Punčka in velikan (The little girl and the giant) (2009) and Ali te lahko objamem močno? (Can I hold you tight?) (2011) and two youth novels: the fantastic novel Na drugi strani (On the other side) (2004) and the realistic novel Solze so za luzerje (Tears are for losers) (2013). We defined the concept of a youth novel and a realistic novel with the basic genres, where we originated from the theoretical basis of Dragica Haramija. We explained the concept of the problem novel, which is introduced by Gaja Kos in her doctoral dissertation and established why the selected novels belong to this group. In the selected works we presented the prevailing theme of violence. We pointed out the issue of peer and domestic violence, the consequences of violence and highlighted the socially critical note of the youth author Neli Kodrič Filipić
Nadryby - ohrazení 1 - Kozel
No full textStav: 3Označení: 878 (DB ohrazení)Popis: Poloha Kozel, někdy též Na Kozlu. Výrazná ostrožna formovaná Berounkou a Točínským potokem. Přítomno obvodové opevnění a dva obloukovité příčné valy s příkopy
Chertomlyk and Kozel: Barrows, Horses and Crossing
Full text linkВ статье сравнивается расположение коней в курганах Козел и Чертомлык относительно переправы через Днепр. Выявленные особенности объясняются особой ролью переправы в традиционных культурах. Полученные наблюдения свидетельствуют в пользу предположения, что эта переправа учитывалась не только при сооружении курганов, но и при устройстве конских захоронений.According to Dr. Yu. Boltrik’s works the Scythian royal barrows were situated on the high places (watersheds) as well as along the roads. One of the biggest roads marked by Oguz, Solokha, Kozel, Chertomlyk and Alexandropol barrows run in meridional direction and crossed the Dnieper. The Dnieper crossing was a start point in barrow creation: the later is a barrow, the more distant from the Dnieper crossing it is placed. Kozel and Chertomlyk barrows situated across the Dnieper (Kozel on the left coast, Chertomlyk — on the right one), both dated to the second half of the 4th century BC, are similar in planigraphy, quantity of buried horses and some details of their arrangement
Chertomlyk and Kozel: Barrows, Horses and Crossing
No full textВ статье сравнивается расположение коней в курганах Козел и Чертомлык относительно переправы через Днепр. Выявленные особенности объясняются особой ролью переправы в традиционных культурах. Полученные наблюдения свидетельствуют в пользу предположения, что эта переправа учитывалась не только при сооружении курганов, но и при устройстве конских захоронений.According to Dr. Yu. Boltrik’s works the Scythian royal barrows were situated on the high places (watersheds) as well as along the roads. One of the biggest roads marked by Oguz, Solokha, Kozel, Chertomlyk and Alexandropol barrows run in meridional direction and crossed the Dnieper. The Dnieper crossing was a start point in barrow creation: the later is a barrow, the more distant from the Dnieper crossing it is placed. Kozel and Chertomlyk barrows situated across the Dnieper (Kozel on the left coast, Chertomlyk — on the right one), both dated to the second half of the 4th century BC, are similar in planigraphy, quantity of buried horses and some details of their arrangement
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