1,721,099 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Significant Ages—An Introduction to Petrochronology
No full textQuestion: Why “Petrochronology”? Why add another term to an already cluttered scientific lexicon?
Answer: Because petrologists and geochronologists need a term that describes the unique, distinctive way in which they apply geochronology to the study of igneous and metamorphic processes. Other terms just won’t do.
Such evolution of language is natural and well-established. For instance, “Geochronology” was originally coined during the waning stages of the great Age-of-the-Earth debate as a means of distinguishing timescales relevant to Earth processes from timescales relevant to humans (Williams 1893). Eighty-eight years later, Berger and York (1981) coined the term “Thermochronology,” which has evolved as a branch of geochronology aimed at constraining thermal histories of rocks, where (typically) the thermally activated diffusive loss of a radiogenic daughter governs the ages we measure. Thermochronology may now be distinguished from “plain vanilla” geochronology, whose limited purpose, in the words of Reiners et al. (2005), is “…exclusively to determine a singular absolute stratigraphic or magmatic [or metamorphic] formation age, with little concern for durations or rates of processes” that give rise to these rocks.
Neither of these terms describes what petrologists do with chronologic data. A single date is virtually useless in understanding the protracted history of magma crystallization or metamorphic pressure–temperature evolution. And we are not simply interested in thermal histories, but in chemical and baric evolution as well. Rather, we petrologists and geochronologists strive to understand rock-forming processes, and the rates at which they occur, by integrating numerous ages into the petrologic evolution of a rock. It is within this context that a new discipline, termed “Petrochronology”, has emerged1. In some sense petrochronology may be considered the sister of thermochronology: petrochronology typically focuses on the processes leading up to the formation of igneous and metamorphic rocks—the minerals and textures we observe and the processes that formed them—whereas thermochronology emphasizes cooling processes in the wake of igneous, metamorphic, and tectonic events. Typically petrochronology is “hot”, thermochronology is “cold”. While each field has its unique features, and while their disciplinary boundaries overlap, each complements the other.
Any rock sample we study, whether igneous, sedimentary, or metamorphic, results from the transformation of one or more previous rocks. Petrologists and geochemists have found that such transformation rarely erases a rock’s memory completely, instead most samples contain relics from more than one stage of their evolution. Whether and how these affect an age determination is essentially a question of resolution—both spatial and chronometric—i.e., of isotopic and chemical analysis. Analytical efforts in petrochronology typically find that several stages or generations of mineral formation are evident in any single rock sample, in which case we conclude that such a rock does not have, sensu stricto, one age.
In fact, one is led to wonder what the term “age” may signify in everyday geologic usage. It might seem clear what is meant, for example, by the age of a basaltic lava flow: the time of deposition or solidification. But what is the age of a meta-basalt? Does it refer to the point on the prograde path when its mineralogy and texture would define it as “metamorphic”, and no longer igneous? The pressure peak? The maximum temperature? The point on the retrograde path where mineralogy and chemistry no longer change measurably? And by what methods can that singular metamorphic age be measured? Actually, defining “an” age of a volcanic rock presents its own problems. How do we choose among the ages of initial melting, magma movement or rejuvenation, crystallization of antecrysts and duration of residence in a magma chamber, eruption, or solidification? And what does an age mean for a clastic rock, where each grain may have a slightly different parent, and materials may be reworked. The concept of “an age” really makes sense only within a defined petrogenetic context.
This recognition leads us to a practical definition: Petrochronology is the branch of Earth science that is based on the study of rock samples and that links time (i.e., ages or duration) with specific rock-forming processes and their physical conditions. Petrochronology is founded in petrology and geochemistry, which define a petrogenetic context or delimit a specific process, to which chronometric data are then linked.
1 Several parts of this introduction are taken from a discussion that took place in the forum GEO-METAMORPHISM in June, 2013
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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