1,720,960 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Jeanne de Laval et l’institution littéraire angevine
Plusieurs historiens voient dans le mariage de René d’Anjou avec Jeanne de Laval (1433-1498) un moment crucial de la vie littéraire du prince, allant jusqu’à considérer Jeanne comme son égérie, comme l’inspiratrice de ses œuvres et l’instigatrice de ses intérêts littéraires. Certes, ce mariage célébré au mois de septembre 1454, avec le concours des hommes de confiance de René, hauts dignitaires de sa cour – Louis et Bertrand de Beauvau, Guy de Laval-Loué – coïncide avec le début de la période..
La Salade d’Antoine de la Sale, un livre en mouvement
En 2009, la communauté scientifique a célébré le six-centenaire de la naissance de René I duc d’Anjou, roi titulaire de Sicile et de Jérusalem. Les manifestations de cette année commémorative ont permis d’importantes mises à jour dans les domaines historique, artistique et littéraire des études angevines. Malgré ce fait, quelques œuvres sont restées dans l’ombre. La Salade d’Antoine de la Sale était, malheureusement, de ce nombre. Son absence de l’horizon scientifique actuel, particulièrement..
Au-delà de la reverdie : l’oiseau amant et poète dans la lyrique du Moyen Âge tardif
J’entray pour moy deporterPleins d’amoureuse maladie,Et pour oir la melodieDes oisillons qui ens estoient,Qui si très doucement chantoientQue bouche ne le porroit dire :N’onqs home vivans n’ot tant d’ireQue s’il peust leur chant oïrQu’il ne s’en deust resjoir,Tant avoit en eulx de deliz.Et dessus une fleur de lisLe doulz rossignoles estoit,Qui renvoisiement chantoit,Et s’efforçoit si de chanter,Que pardessus tout le chanterDes autres oisillons l’oÿ ;Dont mes cuers moult se resjoy.Or quant j’e..
Les complexités hagiographiques, liturgiques et iconographiques d\u27un livre d\u27Heures régional (McGill, MS 156)
Le livre d’Heures McGill, MS 156 n’a jamais fait objet d’une étude scientifique exhaustive, hormis quelques notices plaçant son élaboration en Franche-Comté ou en Bourgogne après 1450. En effet, ce manuscrit offre plusieurs difficultés d’identification et d’interprétation. Ainsi, le caractère composite de ses textes liturgiques, tout en pointant vers l’Est de la France, rend opaque la définition de son usage ; son décor, partiellement détérioré et mutilé, ne fut jamais lié à un atelier particulier ; son hagiographie se réfère à un horizon cultuel apparemment hétéroclite. Nous tenterons de relever ces défis grâce à une analyse détaillée des dimensions codicologique, hagiographique, liturgique et artistique de ce manuscrit, laquelle mènera à de nouvelles hypothèses concernant l’usage liturgique, les circonstances de l’élaboration et la datation de ce livre d’Heures. De même, nous proposerons d’associer le décor de ce manuscrit à l’atelier d’un des enlumineurs les plus intéressants de l’Est français de la fin du Moyen Âge.
The Book of Hours McGill, MS 156 has never been the subject of an exhaustive scientific study apart from some notices placing its production in Franche-Comté or Burgundy after 1450. In fact, this manuscript includes many challenges of identification and interpretation. While pointing toward the east of France, the composite character of these liturgical texts makes it difficult to define its usage; its illumination, partially deteriorated and mutilated, was never linked to a particular workshop, and its hagiography pertains to a seemingly incongruous religious background. We will attempt to remedy these issues by means of a detailed analysis of the codicological, hagiographical, and artistic dimensions of this manuscript, which will lead to a new hypothesis concerning its liturgical usage, the circumstances of its production, and the date of this Book of Hours. Likewise, we will propose to associate the decoration of this manuscript with the workshop of one of the most interesting illuminators of eastern France during the late Middle Ages
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