1,453 research outputs found
NOBODY LIED / (When they said that I cried over you.) / Words by / KARYL NORMAN / & HYATT BERRY. / Music by / EDWIN J. WEBER:
No full textBox no. 1This item has been bound together with items gma-doc-00524 and gma-doc-00034.Edwin J. Weber: Nobody Lied; music printItem type: book | Content type: music and text | Writing material: pencil | Counting of pages: page numbersvocal-instrumental score | staff notation; tonic sol-fa | voice; piano"I have wander'd my whole life through [...]
Boys of England and Edwin J. Brett, 1866-99
No full textBoys of England was a Victorian boys' periodical. It was published weekly by Edwin J. Brett from 1866 to 1899, initially from the Fleet Street offices of the Newsagents'
Publishing Company, and later from Brett's own `Boys of England Office'. It was the first periodical of its kind, and achieved a large sale amongst eager youngsters.
The purpose of this thesis is to provide a general history of BOE and Brett, neither of which has yet been attempted. More specifically, the thesis is intended to address
misconceptions regarding Brett and his work. Historians of boys' periodical literature have tended to portray Brett's papers as largely supportive of middle class hegemony. They
argue that they failed to connect with the lives of their upper working and lower middle class readers. However, this thesis contends that in actual fact BOE engaged closely with
the lives of its readership, comprised mainly of boys from the `respectable' working classes. Therefore, BOE should rightly be considered an important, indigenous component
of working class society and culture in mid to late Victorian Britain.
To provide as comprehensive an analysis as possible, the thesis is divided into three sections: `Paper and Proprietor'; `Content'; `Response'. These sections are divided into further chapters, each exploring a salient facet of BOE and Brett. Some of these engage with, and challenge, the existing historiography of boys' periodical literature. Others introduce historiographies previously remote from the study of boys' papers, widening the
remit of this relatively self-contained field. Some examine entirely unstudied, or largely understudied, subject matter.
Ultimately, this thesis is intended to make a valuable contribution not only to the historiography of boys' papers specifically, and children's literature in general, but also to the wider historiographies of Victorian social and cultural history and the Victorian working class
Higher dimensional theories in physics, following the Kaluza model of unification
No full textThis thesis traces the origins and evolution of higher dimensional models in physics, with particular reference to the five-dimensional Kaluza-Klein unification. It includes the motivation needed, and the increasing status and significance of the multidimensional description of reality for the 1990's. The differing conceptualisations are analysed, from the mathematical, via Kasner's embedding dimensions and Schrodinger's waves, to the high status of Kaluza-Klein dimensions in physics today. This includes the use of models, and the metaphysical interpretations needed to translate the mathematics. The main area of original research is the unpublished manuscripts and letters of Theodor Kaiuza, some Einstein letters, further memoirs from his son Theodor Kaiuza Junior and from some of his original students. Unpublished material from Helsinki concerns the Finnish physicist Nordstrom, the real originator of the idea that 'forces' in 4-dimensional spacetime might arise from gravity in higher dimensions. The work of the Swedish physicist Oskar Klein and the reactions of de Broglie and Einstein initiated the Kaluza-Klein connection which is traced through fifty years of neglect to its re-entry into mainstream physics. The cosmological significance and conceptualisation through analogue models is charted by personal correspondence with key scientists across a range of theoretical physics, involving the use of aesthetic criteria where there is no direct physical verification. Qualitative models implicitly indicating multidimensions are identified in the paradoxes and enigmas of existing physics, in Quantum Mechanics and the singularities in General Relativity. The Kaluza-Klein philosophy brings this wide range of models together in the late 1980's via supergravity, superstrings and supermanifolds. This new multidimensional paradigm wave is seen to produce a coherent and consistent metaphysics, a new perspective on reality. It may also have immense potential significance for philosophy and theology. The thesis concludes with the reality question, "Are we a four-dimensional projection of a deeper reality of many, even infinite, dimensions?
Edwin and John: A personal history of the American South
No full textIn Edwin and John, award-winning author James T. Sears interweaves diaries, letters and poems to craft an innovative first-person narrative history that details the hard realities of growing up gay in the South during the early decades of the 20th century. Set against the backdrop of World War II and the post-war South, Edwin and John, provides a unique and intimate approach to queer history by following the 50 year relationship between John Zeigler and Edwin Peacocke that carried them both from their roots in the conservative South, through service in World War II, and into a placid and loving literary life where they opened a bookshop in what was then the small town of Charleston, South Carolina. Edwin and John is a revealing look at queer history, detailing how these two men and their remarkable circle of close friends--which included some of the greatest writers and artists of their era including Prentiss Taylor, Carson McCullers, and John Bennett--endured war, intolerance, and jealousies, while living proud and public lives in far more conservative times
Contributions to Dynamic Behaviour of Materials Professor John Edwin Field, FRS 1936–2020
No full textProfessor John Edwin Field passed away on October 21st, 2020 at the age of 84. Professor Field was widely regarded as a leader in high-strain rate physics and explosives. During his career in the Physics and Chemistry of Solids (PCS) Group of the Cavendish Laboratory at Cambridge University, John made major contributions into our understanding of friction and erosion, brittle fracture, explosives, impact and high strain-rate effects in solids, impact in liquids, and shock physics. The contributions made by the PCS group are recognized globally and the impact of John’s work is a lasting addition to our knowledge of the dynamic effects in materials. John graduated 84 Ph.D. students and collaborated broadly in the field. Many who knew him attribute their success to the excellent grounding in research and teaching they received from John Field.Green Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Novel Aerospace Material
BHAM to Oxford, Miss., 29 September 1962
No full textRegarding O. J.\u27s message to General Edwin Walkerhttps://egrove.olemiss.edu/west_union_tel/1105/thumbnail.jp
Academic authorship: who, why and in what order?
No full textWe are frequently asked by our colleagues and students for advice on authorship for scientific articles. This short paper outlines some of the issues that we have experienced and the advice we usually provide. This editorial follows on from our work on submitting a paper1 and also on writing an academic paper for publication.2 We should like to start by noting that, in our view, there exist two separate, but related issues: (a) authorship and (b) order of authors. The issue of authorship centres on the notion of who can be an author, who should be an author and who definitely should not be an author, and this is partly discipline specific. The second issue, the order of authors, is usually dictated by the academic tradition from which the work comes. One can immediately envisage disagreements within a multi-disciplinary team of researchers where members of the team may have different approaches to authorship order
AN ASYMPTOTIC METHOD IN ASYMMETRIC ROTOR THEORY: EXTENSION TO ANGULAR MOMENTUM OPERATORS OF HIGHER ORDER.
No full textSupported by the Air Force Cambridge Research Laboratories, Office of Aerospace Research. Edwin K. Gora, J. Mol, Spectry. 16, 378 (1965).Author Institution: Physics Department, Providence College Providence,An asymptotic previously used to derive explicit formulas for asymmetric rotor eigenvalues in the domain of high J and low K has been extended to the derivation of the corresponding formulas for various angular momentum operators of higher order. Such formulas should be useful in the theory of higher order centrifugal distortion effects in asymmetric rotor molecules, but might also be of interest in applications to some other problems. The method is based on the possibility of approximating matrices of the type encountered in the quantum mechanics of angular momentum by matrices generated by Mathieu-type differential equations. Asymptotic methods available in the theory of such differential equations are then used to derive asymptotic expansion formulas for the eigenvalues of the equations. These formulas approximate the desired matrix eigenvalues
Mobile Press-Register sleeve MP0062306
No full textEdwin Woodard, author / (Monroeville) / J. E. Golden's cotton warehouse / Fire aftermath / (Uriah
SCHOTT & CO'S / BLUE ALBUM / OF / TWENTY PIECES / FOR THE / ORGAN / GOUNOD. — LEMMENS. — ELGAR. — FAULKES. / GREY. — STIEHL. — EVANS. — ASCHER. / VIEUXTEMPS. — MARCHANT. — LEFEBURE-WELY. / MERKEL. — LEYBACH. — BEETHOVEN. — LISZT. / ERNST. — BAZZINI. — KLEIN. — HUMPERDINCK. / NEVIN.
No full textFor the life dates of Charles John Grey and Edwin Evans see the sources cited under dc.relation.Box no. 1Schott & Co's Blue Album of Twenty Pieces for the Organ; Vol. II; music printItem type: bound book | Content type: music | Counting of pages: page numbersinstrumental solo | staff notation | organCharles Gounod: Ave Maria [Méditation sur le 1er prélude de J. S. Bach]; Jacques-Nicolas Lemmens: Triumphal March [École d'orgue. Marche triomphale]; Edward Elgar: Sursum corda; William Faulkes: Nupitial Postlude in F; C.G. Grey: Chant Triumphal; Heinrich Stiehl: Impressions du Soir; Edwin Evans: Sunday Morning "Memento rerum Conditor" op. 49, no 1; Jospeh Ascher: Fanfare op. 40; Henri Vieuxtemps: Romance; Arthur William Marchant: Cantilene; "Venite adoremus" (Chant de Noel) and "Adeste fideles", arranged for piano by Lefébure-Wély, transcribed for the organ by Alfred Whittingham; Gustav Merkel: Idylle "Evening Rest" [Abendruhe] op. 50, no. 2; Ignaz Leybach: Pastorale and Idylle; Ludwig van Beethoven: Adagio (Moonlight Sonata) ["Adagio" from Sonaten, Klavier, op. 27. Nr. 2]; Franz Liszt: Sposalizio [Années de pèlerinage, 2e année. Sposalizio]; Heinrich Wilhelm Ernst: Élégie [Élégie, violon, orchestre, op. 10]; Antonio Bazzini: Preghiera (Military Concerto) op. 42; Aloys Klein: 2e Méditation, op. 16; Engelbert Humperdinck: Angel Scene [from Hänsel und Gretel Ir 1 1 3]; Ethelbert Nevin: Tw Slumber Songs [Pieces, piano, op. 7, no.1. Slumber song
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