1,720,962 research outputs found
Die Ernährungsvorschriften der Pythagoreer
No full textDepto. de Filología ClásicaFac. de FilologíaTRUEpu
„Es wehte homerische Luft“: Zur Antikenrezeption in den Werken Erhart Kästners von 1941 bis zum Kriegsende 1945
No full textDer Artikel behandelt anhand mehrerer Werke Erhart Kästners das Griechenlandbild dieses Schriftstellers. Dieses schreibt sich in die allgemeinere Geschichte der deutschen Griechenland-Rezeption ein, die im 18. Jahrhundert begann und im 19. Jahrhundert ihren Höhepunkt erreicht. Kästner versteht sich zwar als Teil dieser Tradition, aber verwirklicht mit seinem Griechenlandaufenthalt von 1941–1945 propagandistische Ziele der nationalsozialistischen Machthaber in Deutschland. Indem er sich bereit erklärt, für die Soldaten der deutschen Wehrmacht Bücher über seinen Aufenthalt zu verfassen, verschmilzt das traditionelle bildungsbürgerliche Griechenlandbild in den Beschreibungen Kästners mit rassistischen und nationalsozialistischen Elementen, sodass diese Bücher als Propaganda für den Krieg (Griechenland. Ein Buch aus dem Kriege) bzw. als Propaganda für das Bleiberecht der deutschen Besatzer in Griechenland (Kreta) wirken. Nach dem Krieg wurden die „anstößigen“ Passagen aus dem Text entfernt und die Bücher in der Weise umgearbeitet, dass sie bis heute als schöngeistige Reiseliteratur geführt werden. Dieser unkritische Umgang ist den Werken Kästners nicht angemessen; der Artikel will eine Grundlage für eine notwendige Kontextualisierung der beiden im Zweiten Weltkrieg entstandenen Werke Griechenland und Kreta leisten.Based on several of his works, this article deals with Erhart Kästner’s image of Greece. As such, it is part of the general history of the German reception of Greece, which began in the 18th century and reached its peak in the 19th century. Although Kästner sees himself as part of this tradition, his stay in Greece from 1941 to 1945 served the propaganda of the National Socialist rulers in Germany. In the books he agreed to write about his stay for the soldiers of the German Wehrmacht, the traditional bourgeois image of Greece merges with racist and National Socialist ideological elements. As a result, these books act as propaganda for the war (Griechenland. Ein Buch aus dem Krieg), or as legitimization for the right of the German occupiers to remain in Greece (Kreta). After the war, the “offensive” passages were removed from the text and the books were reworked. Today they are presented as belletristic travel literature. This uncritical approach is not appropriate to Kästner’s works. The article aims to provide a basis for an historical contextualization of the two works Griechenland. Ein Buch aus dem Krieg and Kreta, written during the Second World War
Zwischen Substanz und Symbol. Möglichkeiten und Grenzen der Interpretation antiker Nahrungsdiskurse
No full textThe Social Life of Radishes. Roman Lamp Motifs with Sportulae and Their Roots in Social Practice
No full textLajos Berkes/William G. Claytor/Maria Nowak (Hg.): Papyrologische und althistorische Studien zum 65. Geburtstag von Andrea Jördens (Philippika – Altertumswissenschaftliche Abhandlungen, 167). | Buchbesprechung Nr. 254
No full textJulian Wünsch, Großmacht gegen lokale Machthaber. Die Herrschaftspraxis der Seleukiden an den Rändern ihres Reiches. (Philippika. Altertumswissenschaftliche Abhandlungen, Bd. 164.) Wiesbaden, Harrassowitz 2022
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Touraj Daryaee/Robert Rollinger/Matthew P. Canepa (Hg.): Iran and the Transformation of Ancient Near Eastern History. The Seleucids, ca. 312 – 150 BCE (Classica et orientalia, 31). | Buchbesprechung Nr. 45
No full textVariations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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