360 research outputs found
Dara Wier, 2nd Annual ODU Literary Festival
Dara Wier is the author of Blood, Hook & Eye,\u27\u27 published in 1977 by the University of Texas Press. Carnegie-Mellon Press will soon release her second collection of poetry, The 8-Step Grapevine. She teaches at Hollins ,College, is currently Visiting Poet at the University of Utah, and is a vice president of the Associated Writing Program
Patterns of corporate ownership and privatization in Visegrad countries : 1989-1996
Author's OriginalThe article analyzes merger and acquisition activities in Visegrad Countries (the Czech Republic, Poland, Hungary and Slovakia). The analysis established linkages among the FDI, Privatization and M&A activities and reports the characteristics of transactions in the region in a comparative spirit. The findings indicate that majority of activities in the region involved foreign investors from Western Europe and USA. The M&A activities were concentrated in manufacturing segments such as automobiles, food processing, glass and clay, service segments such as telecom, utilities and financial services. The study also revealed some pre and post transaction ownership patterns in respective countries as well as methods of acquisition.Aybar, C., Khambata, D. & Milman, C. (2000). Patterns of Corporate Ownership and
Privatization in Visegrad Countries: 1989-1996. Journal of East-West Business, 6(1), 57-80.
doi:10.1300/J097v06n01_0
DARA JINGGA
This research uses Dara Jingga (1984) playscript by Wisran Hadi as the
material object. The research is done by using the postmodern parody theory of Linda
Hutcheon. Parody theory is utilized to find the implicit and explicit meanings as a
new interpretation of the mythical and historical background of Dara Jingga script
play. In so doing, it can reveal the author criticisms as an implementation of parodies
in this act.
The result of this research points out that the playscript of Dara Jingga is a
parody of Dara Jingga or Bundo Kanduang myth and Pamalayu history text. Parody
in this script play is a media used by the author to give a critical response toward
power deviation which is done by power regime and its influence to the social system
in Minangkabau. The criticisms toward power that are being passed on among others:
criticizing authoritarian government form which prevents the freedom of expressing
opinion, criticizing the power holder that monopolizes history, and criticizing power
that is carried on with violence.
The problems of power that are commented by Wisran Hadi in this play are
also seen in its relations to social context in Minangkabau. This research sees author
criticisms to some changes happening in the social system of Minangkabau. Several
criticisms to those changes are for example: questioning the truth of Minangkabau's
history dimness, criticizing the shifting role of custom chief, the kinship system
performing and the sapping female position in Minangkabau
Evan Dara
Evan Dara appears to be a pseudonym used by an unknown US author, who has published three novels and a play since 1995. There is almost no conclusive information about Dara, aside from the fact that he is probably male, allegedly resides in France, and started a self-publishing venture, Aurora Publishers, to publish three of his works. Dara's anonymity has had both positive and negative effects on his authorial career; while it may have scared off traditional publishers, it has also fueled online literary intrigue among a cult of devoted readers. He remains best known for his first novel, The Lost Scrapbook (1995), which employs postmodern literary techniques to examine a community affected by ecological disaster
Dara Cooper to receive SFA\u27s John Egerton Prize
Join the Southern Foodways Alliance for a virtual event with the Southern Festival of Books Thursday, October 7 at 7:30 p.m. CT, when they present the 2021 John Egerton Prize to Dara Cooper, national organizer with the National Black Food & Justice Alliance. Dara will be in conversation with poet Jasmine Mans, and the event will be introduced by author Alice Randall and moderated by Zaire Love, SFA Pihakis foodways filmmaker and Southern Studies alum
Dara Horn – A New Voice in Contemporary Jewish American Fiction
This essay introduces the contemporary Jewish American novelist Dara Horn. It concentrates on her second novel The World to Come, published in 2006. In this novel, in which Horn mixes various genres, we follow the mysterious story of the Ziskind family from Russia to America. The family history is seen through the history of a Marc Chagall painting that once accompanied the life of the protagonist Benjamin Ziskind. This essay attempts to present Dara Horn as an author with a deep knowledge of the history, culture, and religion of the Jewish people
Dara Horn – A New Voice in Contemporary Jewish American Fiction
This essay introduces the contemporary Jewish American novelist Dara Horn. It concentrates on her second novel The World to Come, published in 2006. In this novel, in which Horn mixes various genres, we follow the mysterious story of the Ziskind family from Russia to America. The family history is seen through the history of a Marc Chagall painting that once accompanied the life of the protagonist Benjamin Ziskind. This essay attempts to present Dara Horn as an author with a deep knowledge of the history, culture, and religion of the Jewish people
Dara Horn – A New Voice in Contemporary Jewish American Fiction
This essay introduces the contemporary Jewish American novelist Dara Horn. It concentrates on her second novel The World to Come, published in 2006. In this novel, in which Horn mixes various genres, we follow the mysterious story of the Ziskind family from Russia to America. The family history is seen through the history of a Marc Chagall painting that once accompanied the life of the protagonist Benjamin Ziskind. This essay attempts to present Dara Horn as an author with a deep knowledge of the history, culture, and religion of the Jewish people
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