1,721,150 research outputs found
Glottalized stops and affricates in Eastern Mayan languages
No full textBook chapter under review: Ryan Bennett, Kevin Tang & Fenqi Wang. Under review. Glottalized
stops and affricates in Eastern Mayan languages. In Bonny Sands, Didier Demolin, Maida Percival,
and Anne-Maria Fehn (eds.), Non-pulmonic consonants. Equinox Publishing: Sheffield, UK
FOSStering Digital Humanities through Accent Diversity & Conversational Devices
No full textThis repository documents the outcome of an education project funded by the NVIDIA Academic Hardware Grant Program awarded to Kevin Tang and Akhilesh Kakolu Ramaro in 2022
Data analyses in Harris,Uruo and Tang (2023)
No full textThis repository supports the journal article in Phonology.
John Harris, Eno-Abasi Urua & Kevin Tang. To appear. A unified model
of lenition as modulation reduction: gauging consonant strength in Ibibio.
Phonology 39. (Preprint on PsyArXiv). http://dx.doi.org/10.31234/osf.
io/a25yw
It contains the data analyses of the article
Materials in Harris, Uruo and Tang (2023)
No full textThis repository supports the journal article in Phonology.
John Harris, Eno-Abasi Urua & Kevin Tang. To appear. A unified model
of lenition as modulation reduction: gauging consonant strength in Ibibio.
Phonology 39. (Preprint on PsyArXiv). http://dx.doi.org/10.31234/osf.io/a25yw
It contains the speech materials used for the article
Vocal Alchemy: Shaping Voices with Signal Processing
No full textThis repo contains the basic information about the course, co-taught by Prof. Dr. Esther Florin, Prof. Dr. Kevin Tang, and Dr. Carter Williams. The course is an introduction into Signal Processing using a dataflow programming language, Max or Pure Data, for real-time signal processing. It also connects to the project repository of the student projects
Comparison of performance of automatic recognition procedures for identifying stutters in speech trained with Event or Interval markers
No full textThis provides an open resource for the primary materials used for "Comparison of Performance of Automatic Recognition procedures for Identifying Stutters in Speech Trained with Event or Interval markers" - Barrett, Tang & Howell (2024). Liam Barrett, Kevin Tang & Peter Howell. 2024. Comparison of performance of automatic recognizers for stutters in speech trained with event or interval markers. Frontiers in Psychology 15. http://dx.doi.org/10.3389/fpsyg. 2024.115528
Language production in Parkinson's Disease
No full textKevin Tang, Seyedeh Zahra Mirkhaef, Julia Henkel, Christian Hartmann and Katja Biermann-Ruben (2023, March). Language production in Parkinson’s Disease: measuring syntactic complexity. Poster presented at the Parkinson und Bewegungsstörungen - Highlights Digital 2023, Germany. https://www.dpg-akbont-kongress.de/ doi:10.17605/OSF.IO/GCH7S
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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