1,252 research outputs found
Sevgi Duygu ile sözlü tarih görüşmesi
No full textBu görüşme, Genç Hayat Vakfı tarafından, Sokağımdan Tarih Yazıyorum başlığı altında gerçekleştirilmiştir. Görüşmeler, İstanbul'un, Beyoğlu, Fatih, Eyüp, Kağıthane, Şişli, Maltepe, Üsküdar, Tuzla, Beykoz ve Sarıyer ilçelerinde yaşayan ve bu ilçelerdeki ortaöğretim kurumlarında eğitim gören lise öğrencileri tarafından yapılmıştır. Bu proje kapsamında, Fatih ilçesinde yapılan görüşmelerin sayısı 12'dir.1942 yılında İstanbul’un Fatih ilçesinde doğan Sevgi Duygu’nun tüm hayatı Fatih’te geçer. Çocukluk dönemini anlatırken özellikle oyuncakların neredeyse hiç olmadığı o dönemlerde kendi oyunlarını nasıl yarattıklarından bahseder. Yaz mevsiminde Samatya sahilinde denize girebildiklerini ve yazlık sinemaya gittiklerini anlatır. Gülhane Parkı’nın bir şenlik alanı gibi kullanıldığı zamanlarda, parkta, sinema, tiyatro, kukla oyuncaklar, dönme dolap gibi eğlencelerin bulunduğunui; düğün ve kına gecesi gibi eğlencelerin de genelde hamamlarda yapıldığını söyler. Komşularının çoğu Rumlardan oluşan Sevgi Hanım'ın ailesi, 6-7 Eylül Olayları’nın yaşandığı gece Rum komşularına yardım ederek evlerinde saklar.Genç Hayat VakfıDoğan, C., Keskin, M., Disanlı, F. B., Aslan, A.. "Samatya Sahili cıvıl cıvıl olurdu". Sokağımdan Tarih Yazıyorum. 02 Fatih
Türkiye’de gemoloji
No full textAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2015.This work is a student project of the The Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.by Pamuk, Fatih
Polygonum rurivagum Boreau
No full textPolygonum rurivagum Jord. ex Boreau ≡ P. aviculare subsp. rurivagum (Jord. ex Boreau) Berher ≡ P. heterophyllum subsp. rurivagum (Jord. ex Boreau) Lindm. Type: not designated. Description:― Annuals. Stems 5–30 cm long, prostrate, striate, main branch longer than others. Ochrea 5–12 mm long, brown at the tube, prominently veined, later divided into linear strands. Nods slightly swollen. Petioles 1–8 mm, longer than ochrea at middle and included in ochrea at the upper side. Leaves 5–12 × 1–3 mm, elliptic to lanceolate, obtuse at apex, rarely acute; veins prominent and branched at the bottom. Inflorescences 1–3-flowered fascicles. Pedicel shorter than ochrea. Tepal 2.0– 3.5 mm, pink or whitish. Styles 3 with shorter stigma. Stamens 7–8. Achenes trigonous, 2.2–3.0 mm, roughly veined and tuberculate, dark brown; achenes somewhat large and long, pyriform in late season. Vernacular name:― The authors propose “Delice madımak” as a vernacular name for P. buxiforme according to the guidelines of Menemen et al. (2016). Note:― It is very similar to Polygonum neglectum but easily differentiated by shape and size of leaves; ochrea shape and size. P. rurivagum is often found in urban areas due to its higher adaptability (Table 2). Examined specimens:― TURKEY. İstanbul: Beykoz, Riva creek edge, slopes, forest–bush span, meadow, 20 m, 13 October 2019, Keskin 7869 (MUFE!). İstanbul: Beykoz, Riva, near center, roadside, openings, 5 m, 13 October 2019, Keskin 7872 (MUFE!). İstanbul: Adalar, Kınalıada, above part, slopes overlooking the sea, 10 m, 3 November 2019, Keskin 7878 (MUFE!). İstanbul: Adalar, Burgazada, above parts, 15 m, 16 November 2019, Keskin 7885 and 7887 (MUFE!). İstanbul: Adalar, Kınalı ada, 23 November 2019, Keskin 7891 and 7893 (MUFE!). İstanbul: Kadıköy, Marmara University Göztepe campus, 28 November 2019, Keskin 7896 (MUFE!). İstanbul: Kartal, Yakacık, roadside, 6 July 2019, Keskin 7898 (MUFE!). İstanbul: Þile, Hacıllı village, roadside, 04 January 2020, Keskin 7905 (MUFE!). İstanbul: Þile, Hacıllı village, valley, 04 January 2020, Keskin 7906 (MUFE!). İstanbul: Maltepe, Baþıbüyük district, center area, near to small mosque, empty area, 31 January 2020, Keskin 7917 (MUFE!). İstanbul: Fatih, Beyazıd, garden of İstanbul Üniversitesi, 15 November 1964, Avcıgil (ISTE 7865! and MUFE!). İstanbul: Pendik, Akfırat resort, Göçbeyli village, around fountain, 18 May 2020, Keskin 7955 (MUFE!). İstanbul: Maltepe, Yalı District, seaside, port, E 40.929936 and B 29.113378, 3 June 2020, Keskin 7958 (MUFE!). İstanbul: Çekmeköy, Ömerli District, Ilgın street, forest, openings, N 41 o 01’ 31,5’’ and E 29 o 16’ 21.0’’, 19 m, 11 July 2020, Keskin 8028 (MUFE!). İstanbul: Çekmeköy, output of Hüseyinli village, 11 m, N 41 o 07’ 07.4’’ and E 29 o 17’ 58.8’’, 11 July 2020, Keskin 8037 (MUFE!). İstanbul: Büyükçekmece, Celaliye village, roadside, 13 September 2020, Keskin 8085 (MUFE!).Published as part of Keskin, Mustafa & Severoğlu, Zeki, 2022, Novelties in the genus Polygonum (Polygonaceae) in Turkey, pp. 113-123 in Phytotaxa 538 (2) on pages 119-120, DOI: 10.11646/phytotaxa.538.2.3, http://zenodo.org/record/633368
Thematic analysis on fatih Emirhan’s povests (Fethulla hazret, hayat, şefigulla agay)
No full textBu tez çalışmasının amacı Fatih Emirhan’ın “Fethulla Hazret”, “Hayat”, “Şefigulla Agay” uzun hikâyelerinin tematik yönden incelenmesidir. Fatih Emirhan, Tatar edebiyatının önemli yazarlarından biridir. Tatar edebiyatına hikâyeleri ve drama eserleri ile katkıda bulunmuştur. Yazarın eserlerini incelemeden önce “Tatar Türkleri ve Tarihi”, “20. Yüzyıl Tatar Edebiyatı”, “Tatar Edebiyatında Hikâye ve Uzun Hikâye” hakkında bilgiler verilecektir. Devamında “Fatih Emirhan’ın Hayatı, Edebi Kişiliği ve Eserleri” ele alınacaktır. Ayrıca bu bölümde “Fatih Emirhan’ın Eserlerinde Kadınların Özgürlüğü” başlığı altında bilgiler verilecektir. Son bölümde Fatih Emirhan’ın uzun hikâyelerinin özetlerine yer verilecek ve bahsi geçen bu eserlerin tema incelemesi yapılacaktır. Bu çalışmayı diğerlerinden ayırannokta, Fatih Emirhan’ın hayatı ve eserleri üzerinde böyle bir çalışmanın daha önce ayrıntılı yapılmamış olmasıdır. Bu çalışma ile Fatih Emirhan’ın duygu ve düşünceleri dile getirilmeye çalışılacaktır.The aim of this thesis is to examine Fatih Emirhan's “Fethulla Hazret”, “Hayat”, and “Şefigulla Agay” povests **thematically. Fatih Emirhan is one of the important writers of Tatar Literature. He contributed to Tatar Literature with his stories and drama works. Before examining the works of the author, firstly “Tatar Turks and History,” “20th Century Tatar Literature,” and “Story and Povest in Tatar Literature” will be given. Afterwards, “Fatih Emirhan’s Life, Literary Personality, and Works” will be discussed. In addition, in this section, information will be given under the title of “The Freedom of Women in the Works of Fatih Emirhan”. In the last section, summaries of Fatih Emirhan's long stories will be given and thematic analysis of these works will be made. The point that distinguishes this study from others is that such a study on Fatih Emirhan's life and works has not been done in detail before. With this study, Fatih Emirhan's feelings and thoughts will be tried to be expressed
Maintaining mixed neighbourhoods. Fatih plateau: The completed nucleus. A generative strategy for historical Istanbul
No full textThe project is the result of a combination of operations performed on the site adjacent to Fatih mosque. It aims to programmatically complete the area’s nucleus to adequately provide for a pluralistic society in conjunction with Fatih mosque that currently dominates the area with its singular religious program. The essential objective is to repair and revitalize the area in the heart of the historical part of the city that apart from the mosque is in a very bad state, by bringing additional public program in, to accommodate for every facet of life in this metropolitan city. The project marries the old fabric below with a new public space above that facilitates virtually all kinds of public program. It consists of three stacked interpretations of universal space. A plinth that negates the hierarchy caused by the topography that does not rely on program to give it its form but rather, inspired by the permanence of monuments, is capable of housing any kind of program for any period of time. On top of the plinth on grade with Fatih mosque the possibility is created for large public programs to take shape as a multitude of expressive buildings that, together with the mosque, form a unity in diversity. The new public space is the interface between, vertically, the existing city and the intensified public program and horizontally, the collective space around the mosque and the new square while at the same time providing all the services for the large public programs on top to allow them to be as autonomous as they can be.Capital Region - IstanbulPublic BuildingArchitecture and The Built Environmen
Green Infrastructure and Flood Resilience in Fatih, Istanbul
No full textThis thesis focuses on the challenges Istanbul faces due to extensive urbanisation and global warming. The metropole has become vulnerable to climate change, especially to the increasing threat of floods. As a result of urbanisation and poor city planning, the green spaces have decreased considerably in Istanbul, which reduced stormwater retention considerably. This is concerning, as green infrastructure provide ecosystem services that can serve as flood control. The thesis describes the context of Istanbul’s flood governance, including international, national and metropolitan flood policies and Istanbul’s flood resilience actor-network. In Istanbul’s flood risk management plans, the role that green infrastructure can play in flood control has been neglected. To meet this gap, this study aims to analyse how green infrastructure could enhance Istanbul’s flood resilience. Fatih is one of the oldest districts in Istanbul and is taken as a case study due to its high vulnerability to flash floods. The study presents a case study on Fatih with a spatial approach to monitor flood resilience and ecosystem services through green infrastructures that can foster resilience. A Geographic Information System in combination with a multi-criteria evaluation is used as a tool to identify priority areas for green infrastructure investments. Finally, the effect of three green infrastructure investments is analysed. The research finds that the indicators proposed by Li et al. (2016) are appropriate to use to analyse the priority areas for green infrastructure investment. These indicators reflect a system approach as they include technical, environmental as well as social variables. This is important for the city of Istanbul, as they provide a holistic framework with these indicators. Furthermore, using the flood map provided by ISKI, the flood sensitive areas in Fatih have been identified, and especially the infrastructures surrounding the main boulevard are subject to flooding. Molla Gürani resulted to be the neighbourhood being most flood vulnerable, and therefore the main priority is for green infrastructure development. For this neighbourhood, increased green infrastructure is modelled. The results show a significant reduction in flood vulnerability, which concludes the part green infrastructure have in flood control. The thesis concludes that there is no one-size-fits-all response to enhance flood resilience. Especially since flood resilience is not only based on flood mitigation but rather coping and transforming from floods. Green area investments prove useful to enhance resilience, as these investments provide benefits that can transform the resilience of urban flood management into a more adaptive state due to the nature of the ecosystem services. This research proposes a few recommendations for decision-makers in Istanbul to take into consideration.Industrial Ecolog
Eremogryllodes bifurcatus subsp. turcicus Gorochov & Unal 2017
No full textEremogryllodes bifurcatus turcicus Gorochov & Ünal, 2017 Distribution in Turkey: This taxon is known only from the type locality, Hakkari, Çukurca ( Tahami et al. 2017) Previous records: Hakkari, Çukurca, 37°14´32´´N, 43°36´34´´E, 1290 m, 4.VI.2013, (leg. M. Nabozhenko, S. Nabozhenko, B. Keskin & A. Pertaş) (Tahami et al. 2017). Material examined: This species was not found during the field studies.Published as part of Taylan, Mehmet Sait, Şirin, Deniz, Sevgili, Hasan & Yeşilyurt, Fatih, 2021, A preliminary research and notes on Orthoptera (Insecta) Fauna of Hakkari Province, pp. 45-70 in Zootaxa 5060 (1) on page 49, DOI: 10.11646/zootaxa.5060.1.2, http://zenodo.org/record/560675
RoCoCo: row and column compression for high-performance multiplication on FPGAs
No full textDue to copyright restrictions, the access to the full text of this article is only available via subscription.Multiplication is, in no doubt, one of the top few frequently used operations in hardware and software. In high-performance hardware design, after high-level optimizations are exhausted, component level optimizations are employed such as building fast multipliers. Most fast multiplier architectures use some form of a Carry Save Adder (CSA) Tree, which is also called Column Compression (CC). We propose a new CC method called RoCoCo (Row and Column Compression), which also compresses the tree along rows so that the final adder is small and fast. Although CC results in faster multipliers in ASIC implementations, it is an assumption by designers that they are not the wisest choice on FPGAs. On the contrary, we were able to show through Xilinx synthesis results that RoCoCo (and sometimes Dadda CC) frequently offer faster multipliers than the built-in implementation of the multiply operation in Xilinx ISE synthesis tool
REFLECTIONS OF ITALY’S OCCUPATION OF ETHIOPIA IN AKBABA JOURNAL
Get PDF1. Dünya Savaşının sonunda imzalanan anlaşmalarla sağlanan dünya barışı; Musollini liderliğindeki İtalya'nın izlediği sömürgeci politikaların giderek Faşizme doğru evrilmesi neticesinde, 2. Dünya Savaşına doğru gelişen ve ağırlıklı olarak Afrika kıtasını hedef alan askeri harekâtlarla bozulmaya başlar. İtalya'nın 1935 yılında başlattığı bir harekâtla Habeşistan'ı (Etiyopya) işgal etmesi, 2. Dünya Savaşı öncesinde gergin bir bekleyiş içinde bulunan bütün dünya ülkeleri gibi, Türkiye tarafından da yakından takip edilmiş ve bu işgal hakkındaki gelişmeler Türk diplomasisi ile eş zamanlı olarak Türk matbuatı tarafından da anlık değerlendirmelere tabi tutulmuştur. Özellikle, Türk mizah edebiyatının gelişmesinde büyük bir yer ve emek sahibi olan Akbaba dergisi, haftalar boyunca kapak karikatürlerinden içerik yazılarına kadar birçok sayfasını bu işgale ayırmış, mazlum Etiyopya halkının yanında yer almış ve Milletler Cemiyeti gibi uluslar arası kuruluşlar ile diğer Batılı devletlerin gayr-ı insani tutumlarını açıkça tenkit etmiştir. Dergide medeniyet kavramı üzerinde de çok durulmuş ve Batı'nın teknik üstünlüğünün insanlığa karşı büyük bir tehdit haline geldiğine sıkça vurgu yapılmıştır. Haftalık olarak yayımlanan derginin satirik ve mizahi yayınlar yoluyla Batı sömürgeciliğine karşı Habeşistan halkını savunması, daha çok iç meselelerle uğraşmak zorunda kalan genç Türkiye Cumhuriyeti Devletinin kendisi dışında gelişen dünya siyasetine duyarsız kalmadığının da bir göstergesidir. Biz bu çalışmamızda; Akbaba dergisinin daha çok 1935 ve 1936 yıllarındaki sayılarından yola çıkarak İtalya-Habeşistan savaşının merhalelerini tarihî süreçle mukayese etmeye ve bu savaşın Türk toplumu tarafından algılanış biçimi üzerinde durmaya çalışacağızItaly is the last country among the European states to join the race of colonialism. The first place Italy wants to conquer when it completely establishes its political unity is Tunisia just because of the reasons such as geographical proximity and that there is an Italian colony existing in the territory. But Italy can't obtain any results from this occupation request and Tunisia is be conquered by France. Italy, increasingly getting strength in term of economy and military forces, decides to invade Ethiopia in order o take part among the great colonial states. Italy that attempts to invade Ethiopia for the first time in 1896 can not succeed. In the following process, Italy that couldn't get what it wanted in the World War 1 begins to wait the suitable ground and conditions to put their plans about invading Ethiopia into practice again. The world peace provided by the agreements signed at the end of the World War I starts to deteriorate with the military operations mainly aiming the African continent and developing towards the World War II as a result of the fact that the colonial policies that Italy follows under the leadership of Mussolini gradually evolve into fascism. Meanwhile, Ethiopia tries to defend itself by some political maneuvers such as being a member to the League of Nations and signing a adjudicator treaty with Italy. However, Italy led by Mussolini doesn't fail to watch for an opportunity in order to reach its colonial ambitions. In the Laval Pact Treaty signed in 1935, Italy's plans to invade Ethiopia are adopted by the European states as the non-formal agenda item. Subsequently, Italy's attack on Ethiopia begins in October, 1935. The fact that Italy invades Ethiopia with the operation launched in 1935 was also closely followed by Turkey like all the world countries that were in a tense wait just before the World War II and the developments about this occupation were instantaneously assessed by the Turkish media in sync with the Turkish diplomacy. In particular, the Akbaba Magazine that had a great place and labor in the development of Turkish humor literature set place to this occupation for weeks in the magazine from the cover page to the text contexts; was on the side of aggrieved Ethiopian people; and clearly criticized the inhuman attitudes of the organizations such as the League of Nations and other Western states. The concept of civilization was mainly dwelled on in the magazine and the fact that the technical superiority of the West had been a major threat to humanity was frequently emphasized. One of the main emphasis on the cover cartons of the Akbaba Magazine in this process is the power imbalance between Italy and Ethiopia. Italy that has colonial intentions over Ethiopia tries to camouflage these intentions with the propogandas that they bring civilization to Ethiopia. The fact that Italy that attacks Ethiopia with a disproportionate force promises peace and civilization for the Ethiopian people creates a paradoxical situation. This paradoxical situation provides material for the Akbaba Magazine fin terms of humor and İtalya’nın Habeşistan’ı İşgalinin Akbaba Dergisindeki Yansımaları 661 Turkish Studies International Periodical For the Languages, Literature and History of Turkish or Turkic Volume 10/4 Winter 2015 satire. The magazine undertakes a broadcast operation against Italy and their colonial mentality by dealing with these materials in a satirical mode. The League of Nations also gets its share from the criticism of Akbaba Magazine alongside the Western civilization. The ineffective intervention attempts and the passive position of The League of Nations both before the invasion and during the invasion disappoints the world public opinion that has expectations from them in accordance with its purpose of foundation and the mission it undertakes. This invasion in one way gains a feature of political move in which the efficiency and authority of the League f Nations over the world states. Some writings and cartoons which emphasize the fact that the League of Nations doesn't fulfill its task take place in the Akbaba Magazine. The fact the Ethiopia achieves to resist for a while against the Italian attacks causes the extension of the time of the war. But after a while, the Ethiopians can not withstand the modern Italian weapons. After seven months of fighting, the Emperor Selassie is obliged to leave his country with a British ship and to refuge in the British on May 2, 1936. The Italian forces that completely capture Ethiopia after the escape of the emperor of Ethiopia bring blood and tear with them to the Ethiopian people instead of the civilization and prosperity they promised them. Many people are executed. These executions are also reflected on the cover cartoons of the Akbaba Magazine. Many important results of the Italian-Ethiopian war occur. This war causing Italian-British tension in the Mediterranean greatly affects the political status of the Europe and the political balances. Rapidly changing cyclical balances causes the convergence of Italy which is in search of a powerful state in the Europe and Germany. Thus, the first step in the alliance between Hitler-Mussolini is taken. Berlin-Rome Axis is established in 1936 and the Nazi Germany and Fascist Italy sheerly approach to each other. The cooperation which will last until the World War II emerges in this process. The Akbaba Magazine that is one of the important and longlasting publications in Turkish Humor literature closely follows this process. The magazine revealing the intentions of Italians with exact analysis long before the beginning of the invasion turns out to be right about its predictions that the world peace would be deteriorated within a short time with the beginning of the invasion and that there would be a big war. Indeed, the invasion of Ethiopia by Italy is considered to be the beginning of the process leading to the World War II. It is also understood that the broadcasting policies of the Akbaba Magazine which doesn't fail to criticize the great states that chose to be silent in the international arena against the inhuman practices the Ethiopian people are exposed shows parallelism with the strategy Turkey follows in the international policy at many points. In this context, it is possible to say that Turkish public opinion and the Republic of Turkey does not remain silent against the aggrieved nations in Ethiopia in the strict sense and in Africa and Asia in the broad sense and that they take close interest in the political events occurring in these regions. In other words, the fact that the Akbaba Magazine defends Ethiopia against the Western colonialism via satirical and humorous publications is a clear 662 Fatih KESKİN – Özlem KESKİN Turkish Studies International Periodical For the Languages, Literature and History of Turkish or Turkic Volume 10/4 Winter 2015 indication that the young Republic of Turkey that mainly has to deal with the interior issues does not remain insensitive against the world politics occurring outside the countr
The music tractate presented to the Ottoman Sultan Mehmed II. (Fatih Anonym)
No full textThe work also famed as Fatih Anonym upon being dedicated to Mehmed II, sovereign of the period, is one of the most important works in the history of Turkish Music. Fatih Anonym is a work which makes considerable benefits to the construction of basis on the theories of today?s music on the fundamental issues primarily sound systems such as art and tune.Being also a historical record in terms of revealing the level the Turkish music culture has reached in the 15th century, Fatih Anonym has the quality of being a classification and annotation of the works by the major authors in the field of theories of music, as well.While writing the Fatih Anonym, the author has benefitted from the works of the authors like Farabi, İbn-i Sina, Safiyyuddîn Urmevî and Abdulkadir Meragî, previously worked in the field of theories of music. During benefitting from the previous works, the author not only made transference but also added his own thoughts and interpretations. Thus; in his work, he tried to make many issues handled also by the previous authors clear.Fatih Anonym consists of significant information on the issues of the Turkish music which makes the basis on the theories of music primarily tunes and sound systems. In the work, one of the significant sources of Turkish music history, many issues are handled elaborately, such as the numerical rates, tune, ranges, the consistence and inconsistencies of the ranges, kinds, cries, groups, arrangement of the ranges, common sounds in the verses, detection of the 17 pitches on the string, ranges of tunes, ?mücenneb? and ?bakiyye?, progresses and gamut of the modes( of the era) compositions and forms used in compositions, effects of the modes, times for the modes to be performed, transitions in the tunes, tempo, and vocalization.According to the popular opinion, the author of Fatih Anonym is Fethullah Şirvânî. Fatih Anonym, presented to Mehmed II, the sovereign of the period, is not the same as Mecelletü?n fi?l-Mûsika, by Fethullah Şirvânî, although they are similar in terms of style and content.İn terms of many subjects, Fatih Anonym, considerably similar to Şerefiyye by Safiyyuddîn, is a work written after Mecelletü?n fi?l-Mûsika. Many issues not handled in Mecelletü?n fi?l-Mûsika are elaborately dealt in Fatih Anonym. From this point of view, Fatih Anonym is more systematic and extensive in content.Fatih Anonym, gained to the history of the Turkish music through our study, has a quality of being a source needed to be consulted by the researchers on the field of music, and researched extensively.XV. yüzyılda Devrin padişahı II. Mehmed(Fatih)'e ithaf edilmesi ile Fatih Anonimi şeklinde de meşhur olan eser, Türk Mûsikîsi tarihinin en önemli eserlerinden biri olma hüviviyetine sahiptir. Fatih Anonimi, başta ses sistemleri olmak üzere usûl ve makam gibi temel konularda günümüz mûsikî nazariyatının alt yapısının oluşmasında önemli katkılar sağlayan bir eser niteliğindedir.XV. yüzyılda Türk Mûsikî kültürününün almış olduğu seviyeyi deşifre etmesi bakımından da önemli bir tarihi vesika niteliğinde olan Fatih anonimi, aynı zamanda mûsikî nazariyatı sahasında çok önemli eserler kaleme almış olan büyük müelliflerin yazdıkları eserlerin adeta yeniden tasnifi ve şerhi niteliğindedir.Fatih Anonimi'nde müellif, eserini kaleme alırken mûsikî nazariyatı alanında kendisinden önce eser veren Fârâbî, İbn Sînâ, Safiyyuddîn Urmevî ve Abdulkadir Meragî gibi müelliflerin eserlerinden önemli ölçüde yararlanmıştır. Müellif, kendinden öncekilerin eserlerinden yararlanma esnasında sadece nakilcilik yapmamış, aynı zamanda kendi düşünce ve yorumlarını da ilave etmiştir. Böylece müellif, eserinde önceki müelliflerin ele aldıkları mûsikîye ait bir çok konuyu daha anlaşılır bir hale getirmeye çalışmıştır.Fatih Anonimi, Türk Mûsikîsi'nin başta makamlar ve ses sistemleri olmak üzere günümüz mûsikî nazariyatının temellerini oluşturan konularda çok önemli bilgileri içermektedir. Türk Mûsikîsi tarihinin önemli kaynaklarından biri olan eserde sayısal oranlar, nağme(ses ), aralıklar, aralıkların uyumsuzluğu ve uyumu, cinsler, âvâzlar, şû'beler, aralıkların tertibi, dizilerdeki ortak sesler, tel üzerinde 17 perdenin tesbiti, tanînî, mücenneb ve bakiyye aralıkları, makamlar( edvâr)'ın seyir ve dizileri, beste ve beste yapımında kullanılan formlar, makamların tesirleri, makamların icra olunacakları vakitler, nağmelerde intikâl, îkâ (usûl) ve seslendirme gibi bir çok konu ele alınıp ayrıntılı bir şekilde işlenmiştir.Fatih Anonimi'nin müellifi kanaatimizce Fethullah Şirvânî'dir. Devrin padişahı II. Mehmed'e sunulan Fatih Anonimi, Fethullah Şirvânî'ye ait olan Mecelletü'n fi'l-Mûsika adlı esere üslup ve muhteva olarak çok benzese de aynı eser değildir. Her iki eser de kanaatimizce aynı müellifin iki ayrı eseri olup birbirinin muhtasarı ya da farklı redaksiyonlarıdır.Bir çok konu itibariyle Safiyyuddîn'in Şerefiyye adlı eseriyle de hatırı sayılır derecede benzerliği olan Fatih Anonimi, Mecelletü'n fi'l-Mûsika adlı eserden sonra kaleme alınan bir eserdir. Mecelletü'n fi'l-Mûsika'da yer almayan bir çok konuya Fatih Anonimi'nde ayrıntılı olarak yer verilmiştir. Bu yönüyle Fatih Anonimi, muhteva olarak Mecelletü'n fi'l-Mûsika'ya göre daha sistematik ve daha hacimlidir.Üzerinde yaptığımız çalışma ile Türk Mûsikî tarihine kazandırılan Fatih Anonimi, mûsikî sahasında çalışma yürüten araştırmacılar tarafından başvurulması ve üzerinde araştırılması gereken bir kaynak eser özelliği taşımaktadır
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