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MAX ERNST’İN RESİMLERİNDEN ÇÖZÜMLEME ÖRNEKLERİ: “SESSİZLİĞİN GÖZÜ”, “YAĞMURDAN SONRA AVRUPA II”, “ANTIPOPE”*
Full text linkIn Myths; Thev isible world is supported by an invisible world. Myths are based on there quirements of the subconsciousandv it alsphere, while it points to the depth of the imagination of a person who wants a certain worship and attachment. In this case, it shows that it is based on which is lived to get her mythological stories geography and depictions of gods with various cultural differences. Since human beings have fully developed their awareness, they have be gun tounder stand the environmentand interpret the nature in different meanings. Mythological stories dealt with as a subject in art and has found it splace in each period. Mythology, Jung and Freud, such as psychoanalysts are taking the lead in the effective foot steps. It is seen that many artists, especially Dali, dealt with this issue in the Surrealism movement. Max Ernst is one of them ostprominent of these artists. Max Ernst with “The Eye of Silence”, “Europe After Rain II”, “Antipope”; The imaginary land scapes are among the best images of the jarring beauty embodied in the crystal in the imagination of surrealists. These are objectified not from or dinary people, but from the eyes of a creature that exists in nature. The subtext of the works are very rich and encrypted like a puzzle. Them eaning of one eye is variable. On the onehand, according to the physiological position of the eye points to a different side than humanity, on the other hand in mythology, one-eyed giants in the body, brings to mind super human forces. In this study, the iconological analysis of Ernst's “Eye of Silence, Europe After Rain II, Antipope” will be analyzed in the context of myth, mythology and art.Mitlerde; Görünen dünya görünmeyen bir öte dünya ile desteklenmiştir. Mitler, bilinçaltı ve yaşamsal alanın gerekleri üzerinden kurgulanırken, daha çok belli bir tapınma ve bağlanma isteği duyan insanın hayal gücünün derinliğine işaret etmektedir. Bu durumda yaşanılan coğrafyada çeşitli kültür farklılıkları ile birlikte mitolojik hikâyeleri ve tanrıların varlığını betimleme üzerine kurgulandığını göstermektedir. Sanatta mitolojik hikâyeler konu olarak ele alınmış ve her dönemde kendine yer bulmuştur. Mitoloji, Jung ve Freud gibi Psikanalistlerin ön ayak olduğu akımlarda da etkin biçimde yer alırken; Sürrealizm akımında başta Dali olmak üzere birçok sanatçının da bu konuyu ele aldığını görülür. Bu sanatçıların en önde gelenlerden biri de Max Ernst’tir. Ernst, “Sessizliğin Gözü”, “Yağmurdan Sonra Avrupa II”, “Antipope” adlı çalışmaları; hayali manzaraları, sürrealistlerin tasavvurunda kristalde cisimleşen sarsıcı güzelliğin en iyi görüntüleri arasındadır. Bunlar sıradan insanın değil, doğada var olan bir canlının gözünden nesnelleşmektedir. Yapıtların alt metni çok zengin ve bir bulmaca gibi şifrelidir. Tek gözün manası değişkendir. Bir yandan gözün fizyolojik konumuna göre insanlıktan farklı bir tarafa işaret ederken, öte taraftan mitolojide tek gözlü devlerde vücut bulan, insan ötesi güçleri akla getirir. Bu çalışmada Ernst’in “Sessizliğin Gözü Adlı, Yağmurdan Sonra Avrupa II, Antipope” yapıtları ikonolojik analizi mit, mitoloji ve sanat bağlamında ele alınıp çözümlenecektir
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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