359 research outputs found
24 Tümöre Benzeyen Spina İliaka Anterior Superior Avulsiyon Kırığı Vakası: Olgu Sunumu
No full textYalçın, Mehmet Burak (Arel Author)Spina iliaka anterior superior avulsiyon kırıkları nadirdir ve genellikle adölesan dönemde görülür. Avulsiyon kırıklarına çoğunlukla kırık hematomu, kırık sonrası osteoliz ve kallus oluşumu eşlik eder. Radyolojik incelemede bu tablo Ewing sarkomu yada osteosarkom gibi malign bir süreçle karıştırılabilir. Tedavisi genellikle konservatiftir, ancak ciddi deplasman olduğunda cerrahi tedavi uygulanır
Sevim Burak Edebiyatı’nda “Kültürel Özne” ve “Öteki” Kavramının Tezahürlerinin İncelenmesi ve Bir Örnek Eserde Reji Uygulaması
No full textIn this art study report, the colourful world of Sevim Burak, one of the notable figures of
the Republican Period of Turkish Literature between 1950-1970 with her individual stories
with social background and innovative art perspective, has been mirrored, and the play
“İşte Baş İşte Gövde İşte Kanatlar” was chosen for the stage application. The way we draw
on ourselves through this study has been to follow the apparent manifestations of the
concept "other" and the culturalization of subject in Burak's implicit narration. The
unheard voices of the excluded, alienated characters in Burak`s texts are become visible
and felt in her works by breaking and fracturing of the language. Burak, who has produced
such works in which fact cannot be distinguished from dream, time and space are
obscured, and future and past are intertwined, criticizes the order in which she lives and
represents the "other" through her works. Considering the characteristics of Burak's art in
all this essence and form, we can say that understanding the language created by the author
with a free flow of consciousness is only possible through analysing the cultural metaphors
she uses in her plays and evaluating all of her works together which are reflections of her
own life. Throughout the course of our study, we aimed to bring the ignored voice of the
“other” out into the open through the author's extraordinary language and to reflect this
visibility into our performance. We have tried to analyse the author` s world which does
not reveal itself easily, working on the play “İşte Baş İşte Gövde İşte Kanatlar”, which is
the focus of our art study report, both theoretically and practically. The psychoanalytic
approach that we have adopted as a starting point in this way has helped us to find our way
through every time we are lost and supported our creativity in terms of both essence and
form.Bu sanat çalışması raporunda, yazdığı toplumsal arka planlı bireysel öyküleriyle ve
yenilikçi sanat anlayışıyla 1950-1970 yılları arasında Cumhuriyet Dönemi Türk
Edebiyatı’nın dikkat çeken isimlerinden biri olan Sevim Burak’ın renkli dünyasına ayna
tutulmuş, “İşte Baş İşte Gövde İşte Kanatlar” adlı oyunu seçilerek reji uygulaması
yapılmıştır. Bu inceleme boyunca kendimize çizdiğimiz yol ise “kültürel özne” ve “öteki”
kavramlarının Burak’ın örtük anlatımında kendini gösteren tezahürlerini takip etmek
olmuştur. Burak’ın metinlerinde yer alan dışlanmış, ötekileşmiş karakterlerin duyulmayan
sesleri, dilin kırılmasıyla, parçalanmasıyla eserlerinde görünürleşip hissedilmektedir.
Gerçeğin düşten ayırt edilemediği, zaman ve uzamın belirsizleştiği, geçmiş ve geleceğin iç
içe geçtiği eserler ortaya koyan Burak, yaşadığı düzeni böyle eleştirmiş ve ortaya çıkardığı
yapıtlarla “öteki”nin temsili olmuştur. Burak’ın sanatının tüm bu öze ve biçime ilişkin
özellikleri göz önünde bulundurulduğunda şunu söyleyebiliriz ki yazarın serbest bir bilinç
akışıyla meydana getirdiği dili anlamak, oyunlarında kullandığı kültürel metaforları
çözümlemekten ve kendi yaşamının yansımaları olan eserlerinin tümünü birlikte
değerlendirmekten geçer. Biz de çalışmamız boyunca yazarın sıra dışı dili aracılığıyla
“öteki”nin görmezden gelinen sesini açığa çıkarmayı ve bu görünürlüğü reji uygulamamıza
yansıtmayı hedefledik. Sanat çalışması raporumuzun odak noktasını oluşturan “İşte Baş
İşte Gövde İşte Kanatlar” oyununun hem teorik, hem de uygulamalı çalışmasını yaparak,
yazarın kendini kolay kolay ele vermeyen dünyasını çözümlemeye çalıştık. Bu yolda
hareket noktası olarak benimsediğimiz psikanalitik yaklaşım ise bize her
kaybolduğumuzda yolumuzu buldurmuş, hem öz hem de biçim anlamında yaratıcılığımızı
desteklemiştir
AhBuNe Agent: Winner of the Eleventh International Automated Negotiating Agent Competition (ANAC 2020)
No full textThe International Automated Negotiating Agent Competition introduces a new challenge each year to facilitate the research on agent-based negotiation and provide a test benchmark. ANAC 2020 addressed the problem of designing effective agents that do not know their users’ complete preferences in addition to their opponent’s negotiation strategy. Accordingly, this paper presents the negotiation strategy of the winner agent called “AhBuNe Agent”. The proposed heuristic-based bidding strategy checks whether it has sufficient orderings to reason about its complete preferences and accordingly decides whether to sacrifice some utility in return for preference elicitation. While making an offer, it uses the most-desired known outcome as a reference and modifies the content of the bid by adopting a concession-based strategy. By analyzing the content of the given ordered bids, the importance ranking of the issues is estimated. As our agent adopts a fixed time-based concession strategy and takes the estimated issue importance ranks into account, it determines to what extent the issues are to be modified. The evaluation results of the ANAC 2020 show that our agent beats the other participating agents in terms of the received individual score.Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work publicInteractive Intelligenc
COVID-19 are dangerous to the kidneys in any situation, not only in a pandemic: LONG-COVID-19 and kidney disease
Get PDFPredictive Values of Serum Uric Acid, Mean Platelet Volume and Plateletcrit on Benign Paroxysmal Positional Vertigo
No full textAim: There are conflicting study results on correlation of serum uric acid (SUA) with benign paroxysmal positional vertigo (BPPV). In this study, it was aimed to evaluate predictive values of SUA, mean platelet volume (MPV) and plateletcrit (PTC) on BPPV. Materials and Methods: After the approval of the ethics committee, the files of all patients with BPPV who were admitted to the Emergency Department of Ufuk University between 01.01.2015 and 01.01.2016 were examined retrospectively. White blood cell, MPV, FTC and SUA levels of patients were evaluated. Results: There was no statistically significant difference between the groups in terms of gender distribution (p0.05). The mean age of the control group (31.25 +/- 11.46 years) was lower than the vertigo group (44.71 +/- 19.38 years), but this difference was not statistically significant (p>0.05). The difference between two groups in terms of MPV, PTC and SUA parameters was statistically significant (p<0.05). The sensitivity was found to be 92.1% and the specificity was 47.8%. For a FTC value of 0.224%, the sensitivity was 23.7% and the specificity was 87%. For SUA, area under curve was 71.6% indicating that SUA had a predictive value for peripheral vertigo (p<0.01). The sensitivity of SUA was 55.3% and the specificity was 21.7% for a SUA value of 4.1. The sensitivity of SUA was 15.8 and the specificity was 87% for a SUA value of 6.55. Conclusion: Analysis results were in accordance with volume ure in which SUA is suspected in idiopathic BPPV. In addition, PTC was also correlated with BPPV
Assessment of serum glucose potassium ratio as a predictor for morbidity and mortality of blunt abdominal trauma
No full textBACKGROUND: Our hypothesis is that glucose-potassium (GLU/K) ratio can be used to predict morbidity and mortality in the evaluation of patients with blunt abdominal trauma in emergency departments. The aim of the study is to demonstrate the effect of changes in serum GLU/K ratio on morbidity and mortality and to ensure that patient management is performed more quickly and effectively. METHODS: The hemogram and biochemical parameters of 99 patients with isolated blunt abdominal trauma, applied to our hospital between January 2016 and January 2020, have been retrospectively reviewed. Patients were divided into two groups as non-survivors and survivors. The GLU/K ratio was calculated, and their ability to predict mortality and morbidity was statistically evaluated between the groups. RESULTS: In the non-survivor (mortal) group; blood urea nitrogen, serum creatinine, serum GLU and GLU/K ratio were statistically higher than the living group (p<0.005). Moreover, the sensitivity and specificity of the serum GLU/K ratio were found 72.7% and 84.1% respectively. CONCLUSION: We think that serum GLU/K ratio can have an important role in the follow-up and management of patients using it as a simple, quickly accessible, and easy predictor in evaluating patients with blunt abdominal trauma
Narrative and reader in flash fictions of Sevim Burak, Ferit Edgü, and Murathan Mungan
No full textÇağdaş Türk edebiyatında 1980'li yıllardan bugüne kadar okurun beklenti ufkunu karşılayan küçürek öykü, bağımsız bir alt tür olarak varlığını sürdürmektedir. Sevim Burak ve Ferit Edgü, türün öncü yazarları arasında kabul edilirken Murathan Mungan, kendine özgü üslubuyla türe yeni bir ses getirmiştir. Sevim Burak'ın Afrika Dansı ve Palyaço Ruşen'i; Edgü'nün Binbir Hece, Doğu Öyküleri, İşte Deniz, Maria, Do Sesi, Avara Kasnak, Nijinski Öyküleri ve Yolun Gittiği Yer adlı kitapları; Murathan Mungan'ın Kibrit Çöpleri türün özelliklerini yansıtan dikkate değer öykülerden oluşmaktadır. Bununla birlikte, Türk edebiyatında küçürek öykü çalışmalarına sıklıkla konu olan bu eserlerin yeterince kapsamlı bir şekilde incelenmediği gözlemlenmiştir. Bu tezin ana varsayımı, küçürek öykünün bütüncül olarak anlamlandırılabilmesi için artistik ve estetik uçların bir arada değerlendirilmesi gerekliliğidir. Bu kapsamda, tezde ilk olarak küçürek öykü üzerine kuramsal tartışmalar gözden geçirilerek hem metin çözümlemesine hem de okur yorumuna bir arada başvurulmasının gerekliliği tartışılmıştır. Ardından, anlatıcının ve okurun rolünün belirlenmesi amacıyla söz konusu yazarların tüm kitaplarında yer alan küçürek öyküler, yapısalcılık ve alımlama estetiği ekseninde çözümlenmiştir. Yapısalcılık bağlamında yapılan inceleme, anlatıcı tiplerini belirlemeye olanak sağlamış ve anlatıdaki boşlukları görünür kılmıştır. Sonra, bu boşluklar aracılığıyla yazar tarafından anlatıya dâhil edilen okurun rolü, alımlama estetiği ekseninde değerlendirilmiştir. Sonuçta Burak, Edgü ve Mungan'ın küçürek öykülerini yorumlamak için ne yazarın niyetinin ne edebî metnin sesinin ne de okurun keyfî yorumunun tek başına yeterli olduğu anlaşılmıştır. Böylece, bir küçürek öykünün ancak yazar-metin-okur üçgeninde anlam kazanacağı ortaya koyulmuştur.Flash fiction, also known as short short story, which meets Turkish readers' horizon of expectation from the 1980s onward, exists as an independent sub-genre in contemporary Turkish literature. Sevim Burak and Ferit Edgü have been accepted as the pioneering writers of the genre while Murathan Mungan has brought a new voice to it through his distinctive style. Sevim Burak's Afrika Dansı (African Dance) and Palyaço Ruşen (Ruşen, the Clown); Edgü's Binbir Hece (A Thousand and One Syllables), Doğu Öyküleri (East Stories), İşte Deniz, Maria (Here, the Sea, Maria), Do Sesi (The C Sound), Avara Kasnak (Idler), Nijinski Öyküleri (Stories of Nijinski) and Yolun Gittiği Yer (Where the Road is Headed); Murathan Mungan's Kibrit Çöpleri (Matchsticks) consist of remarkable pieces that reflect the characteristics of the genre. Although flash fiction research in Turkish literature refers amply to those works, one can observe that they are understudied in terms of theory and textual analysis. The main hypothesis of this study is that for a holistic interpretation of flash fiction it is necessary to consider the artistic and the aesthetic poles together. Within this scope, the thesis first reviews the theoretical discussions on flash fiction and argues the necessity of appealing to both textual analysis and reader's response. Secondly, in order to distinguish the roles of the narrator and the reader, it analyzes all of the stories in the aforementioned books according to the methods of structuralism and reception aesthetics. The structuralist reading has revealed the typology of the narrator and shed light on the narrative gaps. Then, the role of the reader, integrated into the narrative by the author through these gaps, has been evaluated on the axis of reception aesthetics. In conclusion, it is understood that neither the author's intention nor the voice of the text nor the arbitrary interpretation of the reader is single-handedly sufficient to interpret the stories of Burak, Edgü, and Mungan. Thus, it was determined that the meaning of a flash fiction can only be comprehended within the author-text-reader triangle
Diaphragmatic thickness in chronic obstructive lung disease and relationship with clinical severity parameters
Get PDFConclusion: Diaphragmatic dysfunction in COPD is related to mobility restriction rather than muscle thickness
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