1,720,997 research outputs found

    The Minstrel Kara Musa; treasure of oral culture

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    Kültür, insanoğlunun maddi ve manevi olarak ürettiği her şeydir. Kültürün sözlü ortamda icra edilip, sözlü ortamda aktarılmasıyla da sözlü kültür oluşur. Sözlü kültür, yazılı kültürün temelini oluşturur. Geleneksel kültür sözlü ortamda yaratılır, sonra yazıya dökülür. Bu yönüyle yazılı kültür, sözlü kültürün çok daha sonra yazıya dökülmüş halidir. Sözlü kültür aktarımında sözlü kültürü taşıyan özel şahsiyetler olmuştur. Aşıklar bu özel şahsiyetlerin başta gelenlerindendir. Aşıklar, tarihsel süreçte birtakım değişikliklere uğrayarak günümüzde son halini almıştır. Türk kültüründe önceleri hem şiir söyleyen hem de dini lider görevini yürüten İaman; İslamiyet‟in kabulünden sonra dinî vasıfları azaltılarak şaman-ozana, daha sonra ise ozana dönüşmüştür. Türklerin Müslümanlaşması, dergâhlarda eğitim almalarıyla dervişlerin etkinliğinin artmasıyla ozanlar dervişe, bu dervişler de zamanla aşığa dönüşmüşlerdir. Bu âşıklardan biri de Çorum‟un merkez köylerinden Acıpınar köyünde yaşayan, yörede Âşık Kara Musa olarak bilinen Musa Yıldız‟dır. Kara Musa, sözlü kültür kaynağıdır. Çok güçlü bir hafızaya sahip olup yüzlerce şiiri ezbere bilmektedir. Derlemeyi yaptığımızda Seksen dört yaşında olmasına rağmen birçok şiir açıklamasıyla birlikte derlenmiştir. Kara Musa sadece şiir değil Kur‟an-ı Kerim‟i ve Hurufiliği de bilmektedir. Bu yönüyle söylediği dini içerikli şiirlerin açıklamalarını da yapmaktadır. Çalışmamızda Kara Musa‟nın hayatı, dünya görüşünü ve onun gözünden Fuzuli, Hatayi, Kul Himmet, Nesimi, Pir Sultan Abdal, Virani, Yemini‟nin şiirleri incelenmiştir. Çalışmamızda derleme ve ortam özellikleri göz önüne alınarak, Kara Musa‟nın ezberindeki yedi ulu ozana ait şiirler ve menkıbeler kayda aktarılıp analiz edilmiştir.Culture is all that mankind produced such as materially and spiritually. Oral culture forme with being transferred orally there by performe orally. Oral culture constitutes the base of written culture. Traditional culture is created orally after that it is put down on paper. From this aspect the written culture is shaped then by oral culture is put down on paper. Personages play significant role in oral culture transmission. Minstrels are the first of these specifical men. Minstrels took there final form that changed in historical process. Previously, shaman who was both a poet and a religious leader at Turkish culture; after acceptance of Islam, shaman‟s religious qualitie was abatingly to shaman-ozan after that it changed just ozan and it was from ozan to dervishes as soon as Islamization of Turks, they got training in dervish lodges and increased effectiveness of dervishess. These dervishes changed to minstrel in time. On of these minstrel Musa Yıldız lives in Acıpınar village of Çorum who is caled “ Minstrel Kara Musa”. Kara Musa is resource of oral culture. He was a very strong memory and know by heart hundres of poems. Althought he was eighty four years old when we complied many poems were edited with their explanation. Kara Musa knows not only poetry but also the Qur‟an and Hurufism. He also explains that religious poems. In our works are examined that the life and World view of Kara Musa, poems of Fuzuli, Hatayi, Kul Himmet, Nesimi, Pir Sultan, Virani, Yemini from vision of him. In our works is analyzed and registered poems and epics belong to seven exalted bards into memories of Kara Musa who is word perfect

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Polarities - Summer Rethymno

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    The Contemporary Art Museum of Crete presents: POLARITIES SUMMER RETHYMNO 9th AUGUST 2024, 20:00 – 22:00 KARA MUSA PASHA MOSQUE EXPANDED CINEMA+SOUND PERFORMANCE Jorge Cabieses-Valdes, Maria Glyka, Jim Hobbs, Maria Karantzi, Andrew Knight-Hill, Emma Margetson, Brona Martin, Vassilis Vlastaras This event is specifically designed for the Kara Musa Pasha Mosque, which was kindly provided by the Ephorate of Antiquities of Rethymnon, where the artists will explore the performative nature of their own individual works and also create a new collaborative piece that responds artistically to the Kara Musa Pasha Mosque, Rethymno and its environment. Polarities events have recently been presented at the Museum of Contemporary Art in Santiago (Chile), the Sound/Image 2023 Festival at the University of Greenwich in London and the “Irida” Theatre in Athens. This event is presented in the city of Rethymnon organized and supported by the Contemporary Art Museum of Crete – “L. Kanakakis” Municipal Gallery, under the auspices of the Municipality of Rethymnon
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