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Resentimiento, memoria y duelo
No full textIn this article, the author examines the relationship between resentment, time-perception and the mourning process. The rancunous subject (who experiences rancor and remorse) is described as a pitiless mnemonist. He cannot forgive others nor forgive himself. Overtaken by his vindictive recollections, he is unable to forget and he remains overwhelmed by the memory of a past which he cannot hold at bay and from which he cannot disentangle himself. Following the author, there are two types of memory: the one of rancor and the one of pain. The memory of rancor feeds on the hope of a forthcoming time for revenge, while the memory of pain prolonges itself through the time of resignation. It accepts the past, not to be considered as ballast, but as experience, without requiring to delete the pain concerning past events nor the corresponding awareness. It operates as a forcewhich structures non-forgetfulness and it organizes –via the life pulsion– an alarm signal which operates as a protecting factor, preventing the repetition of bad experiences and giving way to new ones. Through repetition instead, the memory of rancor reinstalls –via the death pulsion– the repetitive and unquenchable compulsion of a revengeful power.The author underlines the crucial relevance of resentment –to be distinguished from hate– in the process of normal or pathological mourning. An intense ambivalence between love and hatred may disturb the mourning process, but when hate is replacedby rancor, what follows is the paralysis of the mourning process. Finally, a clinical case illustrates the distinction between mourning about origins and mourning caused by origins in an adopted child.El autor estudia las relaciones entre el resentimiento, la temporalidad y el proceso del duelo. Señala que el sujeto rencoroso (resentido y remordido), es un mnemonista implacable. No puede perdonar ni perdonarse. Se halla poseído por reminiscencias vindicativas. No puede olvidar. Está abrumado por la memoria de un pasado que no puede separar y mantener a distancia del consciente. Diferencia dos categorías de la memoria: la memoria del rencor de la memoria del dolor. La memoria del rencor se nutre de la esperanza del poder de un tiempo de revancha a venir, mientras que la del dolor se continúa con el tiempo de la resignación. La memoria del dolor admite al pasado como experiencia y no como lastre, no exige la renuncia al dolor de lo ocurrido y sabido. Opera como un no olvidar estructurante y organizador-pulsión de vida mediante-como una señal de alarma que protege y previene la repetición de lo malo y da paso a una nueva construcción. En cambio la repetición en la memoria del rencor reinstala -pulsión de muerte mediante- la compulsión repetitiva y hasta insaciable de un poder vengativo. Destaca la importancia fundamental del resentimiento, a diferencia del odio, en el procesamiento en el duelo normal y patológico. Subraya que una intensa ambivalencia entre el amor y el odio perturba el proceso del duelo, pero cuando el odio es reemplazado por el rencor se paraliza el duelar. Luego ilustra, en un caso clínico acerca de un hijo adoptivo, la distinción entre el duelo de los orígenes y el duelo por los orígenes
La relación pre edípica padre-hijo en la obra de Jorge Luis Borges
Get PDFShakespeare’s memory is a story of the late Borges. Taking this text as a starting point the author studies the different ideasof the father in the mental map of Borges’ characters. In his work prevails as the central figure that of a father-child symbiosis.He calls it a centauric, fusing, ambiguous relation. This is a necessary phase, structuring of the human development whichenables the loosening of the first symbiosis with the mother and the access to the shaping and elaboration of the oedipicsituation. Nevertheless we also find in his work other dynamic, inter-generation fields, marked by less narcissistic relations inwhich parents who in certain measure have been able to process their own feelings of mourning towards omnipotence,immortality and specularity in the parent-son dimension, prevail.La memoria de Shakespeare es un cuento del último Borges. A partir de este texto el autor estudia en la cartografía mentalde los personajes borgeanos los diferentes lugares del padre. Si bien prevalece en su obra la figura central de la simbiosis padrehijo que denomina como relación centáurica, fusional y ambigua; fase necesaria y estructurante en el desarrollo humano, para queel hijo logre el desasimiento de la primera simbiosis con la madre y acceda a la configuración y elaboración de la situaciónedípica, también hallamos en ella otros campos dinámicos intergeneracionales signados por relaciones menos narcisistasen las que prevalecen padres que han alcanzado a procesar, en cierta medida, sus propios duelos de omnipotencia, inmortalidady especularidad en la dimensión parento–filial
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
La memoria del rencor y la memoria del dolor
No full textEl objetivo de este trabajo es, por un lado considerar —a través de un caso clínico— la necesidad de detectar y cualificar detalladamente los afectos y sus relaciones con las dimensiones temporales en los procesos analíticos. Por otro lado, me interesa poner de relieve la distinción entre la memoria del rencor y la memoria del dolor. Su discriminación resulta extremadamente fecunda, porque el sujeto que permanece atascado en la memoria del rencor no puede, a su pesar, procesar un duelo normal; se halla imposibilitado de quebrar la sentencia de un destino inmutable de sufrimientos; presenta una severa dificultad de acceder a una diferente dimensión temporal, espacial y afectiva que le permita liberarse de la compulsión a la repetición
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Esperanza terminable e interminable en la situación analítica
No full textIn this panel entitled: �Hope in the times of rage�, I undertake the specifi c study of hope in
resentment, as a key affect that makes possible, through its complex psycho-dynamisms, to put
in evidence the articulation of terminable and interminable hope with that of the disavowal and
idealization in the analytical cure. Therefore I develop the following subjects:
a) �To request pears to the elm tree�, or the vain hope of the resentment.
b) Hope and balance of disavowal and idealization.
c) The kafkian bastion and necropolis of analysts.
d) Hope and desperation in the memories of rancour, terror and pain.En este panel intitulado: �La esperanza en los tiempos de cólera� se aborda el estudio específi
co de la esperanza en el resentimiento, como un afecto clave que posibilita, a través de sus
complejos psico-dinamismos, poner en evidencia la articulación de la esperanza terminable e
interminable con la desmentida e idealización en la cura analítica.
Para ello se desarrollan los siguientes temas:
a)�Pedir peras al olmo�3, o la esperanza vana del resentimiento.
b) Esperanza y báscula de la desmentida y de la idealización.
c) El baluarte kafkiano y la necrópolis de analistas.
d) Esperanza y desesperanza en las memorias del rencor, del pavor y del dolor
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