49,110 research outputs found
Xinjiang (China), folk dancing of Uyghurs
No full textFolk-dance of UighursImage is part of research conducted by Chang Chih-Yi for the article: Land Utilization and Settlement Possibilities in Sinkiang
Author(s): Chang Chih-Yi
Source: Geographical Review, Vol. 39, No. 1 (Jan., 1949), pp. 57-75
Published by: American Geographical Society
Stable URL: http://www.jstor.org/stable/211157http://www.jstor.org/stable/211157Grayscal
Conquer and govern: early Chinese military texts from the Yi Zhou shu by Robin McNeal [Book review]
No full textReview of Conquer and Govern: Early Chinese Military Texts from the Yi Zhou shu. By Robin
McNeal. (Honolulu: University of Hawai’i Press, 2012. Pp. viii, 246. $48.00.
Yi fen zi dong li mo ni yan jiu cha er tong yi gou mei de xuan ze xing
No full textTung, Chun Fai = 以分子動力模擬研究查耳酮異構酶的選擇性 / 董俊暉.Thesis M.Phil. Chinese University of Hong Kong 2015.Includes bibliographical references (leaves 57-59).Abstracts also in Chinese.Title from PDF title page (viewed on 29, September, 2016).Tung, Chun Fai = Yi fen zi dong li mo ni yan jiu cha er tong yi gou mei de xuan ze xing / Dong Junhui
Yi-Fang Lin Piano Recital Program Notes
No full textThis report is Yi-Fang Lin Piano Recital Program Notes on April., 23, 2019. The two pieces on the program include Piano Sonata in C minor, K.457 by W.A. Mozart, and Piano Concerto No.1 in F-Sharp minor, Op.1 by S. Rachmaninoff. The note will introduce the life of two composers, the compositional background of individual work, and the analysis of the structure, including tonal design and thematic material in each work
Zhongyi Li and Fenglian Yi Memoir
No full textBook - A memoir detailing the story of Zhongyi Li and Fenglian Yi in China (48 pages
Profesor Yi Lijun
No full textThe article presents Yi Lijun’s translation and academic activity. Yi Lijun is a professor at the Polish Philology Faculty at Beijing Foreign Studies University and a translator of Polish literature into Chinese. She began her scholarly pursuit in this area in 1962 after graduating a university in Poland. During 50 years of this work she educated close to 200 graduates of Polish Philology Faculty. An important contribution of Professor Lijun is promoting among Chinese readers the canon of Polish literature as well as some important contemporary works. Yi Lijun has translated into Chinese works of Mickiewicz, Sienkiewicz, Gombrowicz. She is also an author of numerous critical works concerning Polish literature. Professor Yi Lijun’s merits have been highly appreciated by Chinese and Polish governments.The article presents Yi Lijun’s translation and academic activity. Yi Lijun is a professor at the Polish Philology Faculty at Beijing Foreign Studies University and a translator of Polish literature into Chinese. She began her scholarly pursuit in this area in 1962 after graduating a university in Poland. During 50 years of this work she educated close to 200 graduates of Polish Philology Faculty. An important contribution of Professor Lijun is promoting among Chinese readers the canon of Polish literature as well as some important contemporary works. Yi Lijun has translated into Chinese works of Mickiewicz, Sienkiewicz, Gombrowicz. She is also an author of numerous critical works concerning Polish literature. Professor Yi Lijun’s merits have been highly appreciated by Chinese and Polish governments
Zao nian hui yi
No full textSelected paragraphs from 早年回憶 by 趙元任.1. Date of birth, 看月食, interest in astonomy.[趙元任].Live recording.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.[Zhao Yuanren].Selected paragraphs from Zao nian hui yi by Zhao Yuanren.Detailed contents in vernacular field only
A study on Yi-Hui's Ci poetry
No full textThe purpose of this thesis, which is based on Yi-Hui\ue2s Ci poetry \ue2Xie Chun Jing She Ci\ue2 and \ue2Nan Gu Qiao Chang\ue2 written by Yi-Hui (1799-1838), a royal member, during Jia Qing and Dao Guang period of Qing Dynasty, is to investigate the central idea and writing style of Yi-Hui\ue2s Ci.
The research is divided into following eight chapters.
Chapter one : Introducing and describing the motivation, purpose, scope and methods of the research, and reviewing Yi-Hui's Ci poetry.
Chapter two : Discussing author\ue2s writing motivation at each stage of life according to author\ue2s background.
Chapter three : Discussing the themes and content of \ue2Xie Chun Jing She Ci.\ue2
Chapter four : Discussing the themes and content of \ue2Nan Gu Qiao Chang.\ue2
Chapter five : Analyzing Yi-Hui and Gu Tai-Qing's Responsorial Ci poetry, and discussing the responsorial interaction between Yi-Hui and his wife, Gu Tai-Qing.
Chapter six : Discussing the idea and literary characteristics of Yi-Hui's Ci poetry, and the influence of Quanzhen Taoism and Buddhism on Yi-Hui and his literature.
Chapter seven : Investigating the writing style of Yi-Hui's Ci poetry.
Chapter eight : Concluding the key points of previous chapters and descripting the literature value and meaning of Yi-Hui's Ci poetry in the Qing Dynasty
Programmatic and performance observations for Two Chamber Works by Chen Yi
No full textAs a Chinese-American composer who was born and reared in China, then studied and settled in the United States, Chen Yi’s success is widely recognized around the world. However, this success is not coincidental and is closely related to her fusion of the Chinese and Western cultures in her works. At the time of this writing, Chen Yi has composed more than forty chamber works, from which the author researched two with the same instrumentation—flute, clarinet, violin, cello, and piano. By understanding Chen Yi’s life experiences and analyzing the theoretical aspects of these compositions, the author gives suggestions for ensemble, timbre, rhythm, pedaling, and performance techniques in these two chamber works by Chen Yi—Happy Rain on a Spring Night and … as like a raging fire
Peng Yi, violin and Jayoung Kim, piano, March 16, 2018
No full textThis is the concert program of the Peng Yi, violin and Jayoung Kim, piano performance on Friday, March 16, 2018 at 4:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Violin Concerto No. 3 in G major, K. 216 by Wolfgang Amadeus Mozart, SOnata for Solo violin in D major, Op. 115 by Sergei Prokofiev, and Violin Concerto No. 4 in D minor, Op. 31 by Henri Vieuxtemps. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
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