901 research outputs found

    F. Hopfel , W. Platzer et K. Spindler Der Mann im Eis, Bd. I.

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    Millotte Jacques Pierre. F. Hopfel , W. Platzer et K. Spindler Der Mann im Eis, Bd. I. . In: Bulletin de la Société préhistorique française, tome 90, n°6, 1993. pp. 387-388

    F. Hopfel , W. Platzer et K. Spindler Der Mann im Eis, Bd. I.

    No full text
    Millotte Jacques Pierre. F. Hopfel , W. Platzer et K. Spindler Der Mann im Eis, Bd. I. . In: Bulletin de la Société préhistorique française, tome 90, n°6, 1993. pp. 387-388

    ON THE DISPUTE BETWEEN PUBLISHER JOSIP (JOSEPH) V. PLATZER AND FRANZ ANTON WERNER, AUTHOR

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    Analizirajući zanimljivi arhivski predmet broj 99 iz 1845. iz fonda Poglavarstvo grada Varaždina, 11 stranica dugo pismo pisca F. A. Wernera upućeno varaždinskom magistratu kao odgovor na tužbu tiskara J. pl. Platzera, i k tomu 26 dodanih priloga, opisuju se brojne povijesne činjenice o kulturnom životu Varaždina u razdoblju 1842. do 1850. Istraživanjem spomenutog arhivskog gradiva, na svjetlo dana izlaze manje poznate pojedinosti o brojnim izdavačkim pothvatima („Etape putovanja po Njemačkoj i pograničnim zemljama“, „Abecedni prirodoslovni muzej sa slikama“) tiskara J. pl. Platzera i došljaka F. A. Wernera, Pražanina, pisca najmanje osam kazališnih komada. U radu se posebno opisuju ugovori iz 1843. i 1844. između tiskara Platzera i autora više projekata F. A. Wernera, te idejni prijedlog za izdavanje varaždinskoga tjednika (koriste se tri različita imena) s prilogom za kulturu na njemačkom jeziku. Ukazujući na zapis da je skladatelj Ivan Padovec u srpnju 1844. potpisao ugovor s Franzom Wernerom o prepuštanju autorskih prava za tiskanje udžbenika za sviranje deseterostrune gitare na tri godine po cijeni od 400 fl., iznose se činjenice o Padovčevim višegodišnjim pokušajima ostvarivanja prava poslije isteka tog roka. Iz brojnih pisama i koncepata iz magistratske pismohrane vidi se da je u Leipzigu - u trgovca muzikalijama F. Hofmeistera - na pohrani bilo više Padovčevih i Udlovih skladbi. Autorica ukazuje na činjenicu da Padovčeve skladbe jesu one br. 49, i od 57 do 62, osim broja 50, koji je tiskao Platzer (na naslovnici ima sitan zapis imena litografa nepoznatog podrijetla), a sve ostale u nakladi Werner & Comp. tiskane su na nepoznatom mjestu. Isto vrijedi i za Udlov rad broj 3 u nakladi Werner & Comp.After analyzing the interesting archive file number 99 dating from 1845 found in the Varaždin City Government, page 11, second letter of writer F.A.Werner addressed to the Varaždin magistrate as the reply to the complaint of publisher J. Pl. Platzer, and also the 26 attachments, we can observe that many historical facts are discussed linked with Varaždin’s cultural life in the period from 1842 till 1850. By studying the described archive matter, less known data on the numerous publishing endeavors come to light such as editions „Etape putovanja po Njemačkoj i pograničnim zemljama“, „Abecedni prirodoslovni muzej sa slikama“ (Segments of the journey through Germany and bordering countries“, Alphabet Natural Museum with Pictures) published by J.pl. Platzer and the newcomer F.A.Werner, Prague city dweller, writer of at least eight theatre plays. Special attention in the paper is paid to describing contracts dating from 1843 and 1844 between the publisher Platzer and F.A. Werner, the author of several projects, and also the author of the initial proposition for publishing a Varaždin weekly (three different names are used) with a supplement on culture in German. By pointing out to the record which evidences that the composer Ivan Padovec had signed a contract in 1844 with Franz Werner on handing over author’s rights for publishing a manual on playing the ten-string guitar with rights lasting for a period of three years and at a price of 400 fl., facts are put forward showing Padovec’s efforts during several years to acquire such rights after the contracted period had expired. On basis of many letters and drafts from the magistrate record office, it may be observed that there had been a number of Padovec’s and Udl’s compositions stored with the musical merchandise trader F. Hofmeister in Leipzig. The paper’s author points out to the fact that Padovec’s compositions are actually the ones under number 49 and those from 57 till 62, except number 50 published by Platzer (the cover page has a small record of the lithographs name, of unknown descent), and it is not known where all the others published by Werner & Comp. had been printed. The same applies to Udl’s work no. 3 published by Werner & Comp

    A Vision of Collaborative Verification-Driven Engineering of Hybrid Systems

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    Hybrid systems with both discrete and continuous dynamics are an important model for real-world physical systems. The key challenge is how to ensure their correct functioning w.r.t. safety requirements. Promising techniques to ensure safety seem to be model-driven engineering to develop hybrid systems in a well-defined and traceable manner, and formal verification to prove their correctness. Their combination forms the vision of verification-driven engineering. Despite the remarkable progress in automating formal verification of hybrid systems, the construction of proofs of complex systems often requires significant human guidance, since hybrid systems verification tools solve undecidable problems. It is thus not uncommon for verification teams to consist of many players with diverse expertise. This paper introduces a verification-driven engineering toolset that extends our previous work on hybrid and arithmetic verification with tools for (i) modeling hybrid systems, (ii) exchanging and comparing models and proofs, and (iii) managing verification tasks. This toolset makes it easier to tackle large-scale verification tasks

    Phylogeny, genetic variability and colour polymorphism of an emerging animal model: the short-lived annual Nothobranchius fishes from southern Mozambique.

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    Nothobranchius are a group of small, extremely short-lived killifishes living in temporary savannah pools in Eastern Africa and that survive annual desiccation of their habitat as dormant eggs encased in dry mud. One mitochondrial (COI) and three nuclear (CX32.2, GHITM, PNP) loci were used to investigate the phylogenetic relationship of Nothobranchius species from southern and central Mozambique. This group shows marked variation in captive lifespan at both the inter- and intraspecific levels; lifespan varies from a few months to over a year. As their distribution encompasses a steep gradient between semi-arid and humid habitats, resulting in contrasting selection pressures on evolution of lifespan and associated life history traits, Mozambican Nothobranchius spp. have recently become a model group in studies of ageing, age-related disorders and life history evolution. Consequently, intraspecific genetic variation and male colour morph distribution was also examined in the recovered clades. Using Bayesian species tree reconstruction and single loci analyses, three large clades were apparent and their phylogenetic substructure was revealed at the inter- and intra-specific levels within those clades. The Nothobranchius furzeri and Nothobranchius orthonotus clades were strongly geographically structured. Further, it was demonstrated that male colour has no phylogenetic signal in N. furzeri, where colour morphs are sympatric, but is associated with two reciprocally monophyletic groups in Nothobranchius rachovii clade, where colour morphs are parapatric. Finally, our analysis showed that a polymorphism in the Melanocortin1 receptor gene (which controls pigmentation in many vertebrates and was a candidate gene of male colouration in N. furzeri) is unrelated to colour phenotypes of the study species. Our results raise significant implications for future comparative studies of the species and populations analysed in the present work

    Arriving in Europe : empirical analysis of the "Platform Willkommens Kultur" (Platform Welcoming Culture) in South-East Styria

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    Die vorliegende Meisterarbeit gibt einen Überblick über die Arbeit der Plattformen „Willkommenskultur“ und „Gemeinsam in Straden“ in Mureck und Straden nach den Fluchtbewegungen im Sommer und Herbst 2015. Entstehung, Entfaltung, Wirkung und Nachhaltigkeit der beiden Initiativen werden untersucht., die Basis dafür bilden Inter-views mit den Gründern und Gründerinnen beider Plattformen, Vermietern und Betreu-ungspersonen in den Quartieren, mit Flüchtlingen selbst sowie mit Personen aus Politik, Bildungswesen und Kirche.This Master's thesis provides an overview of the work and activities of the launched platforms, "Welcoming Culture" in Mureck and "Together in Straden" in Straden, after the outbreak of the refugee crisis from the summer of 2015. This work examines the origin, development, impact, and sustainability of both initiatives. The basis of the Master's thesis are the interviews with founders of both platforms and the landlords and the caretakers of the neighborhoods, along with the refugees themselves and the people and representatives from politics, education and the church. The author hopes to gain insight into the value and benefits of both platforms through empirical research.vorgelegt von Željka Platzer-PapičAbweichender Titel laut Übersetzung des Verfassers/der VerfasserinZusammenfassungen in Deutsch und EnglischMasterarbeit Karl-Franzens-Universität Graz 201

    Arriving in Europe : empirical analysis of the "Platform Willkommens Kultur" (Platform Welcoming Culture) in South-East Styria

    No full text
    Die vorliegende Meisterarbeit gibt einen Überblick über die Arbeit der Plattformen „Willkommenskultur“ und „Gemeinsam in Straden“ in Mureck und Straden nach den Fluchtbewegungen im Sommer und Herbst 2015. Entstehung, Entfaltung, Wirkung und Nachhaltigkeit der beiden Initiativen werden untersucht., die Basis dafür bilden Inter-views mit den Gründern und Gründerinnen beider Plattformen, Vermietern und Betreu-ungspersonen in den Quartieren, mit Flüchtlingen selbst sowie mit Personen aus Politik, Bildungswesen und Kirche.This Master's thesis provides an overview of the work and activities of the launched platforms, "Welcoming Culture" in Mureck and "Together in Straden" in Straden, after the outbreak of the refugee crisis from the summer of 2015. This work examines the origin, development, impact, and sustainability of both initiatives. The basis of the Master's thesis are the interviews with founders of both platforms and the landlords and the caretakers of the neighborhoods, along with the refugees themselves and the people and representatives from politics, education and the church. The author hopes to gain insight into the value and benefits of both platforms through empirical research.vorgelegt von Željka Platzer-PapičAbweichender Titel laut Übersetzung des Verfassers/der VerfasserinZusammenfassungen in Deutsch und EnglischMasterarbeit Karl-Franzens-Universität Graz 201
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