127,881 research outputs found
Stern-Karten : nebst Sternfinder für Seeleute und Reisende
No full textvon Julius BortfeldtErkl. u. Sternfinder beigeb
Herr, Julius
No full textInterview with Julius E. Herr on June 25-29, 1979 in Wishek, North Dakota. Conducted by Dwight L. Herr.Interview with Julius E. Herr on June 25-29, 1979 in Wishek, North Dakota. Conducted by Dwight L. Herr
Winter, Julius L, Austrian
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/426746Surname: WINTER. Given Name(s) or Initials: JULIUS L. Military Service Number or Last Known Location: AUSTRIAN. Missing, Wounded and Prisoner of War Enquiry Card Index Number: F-151 58857.248606
Item: [2016.0049.59007] "Winter, Julius L, Austrian
The role of the Globe theatre in shaping Shakespeare's Tragedy of Julius Caesar
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2012Abstract : This study assesses the impact of a specific theatre space on Shakespeare's work along two broad lines of inquiry. The sociopolitical environment and the structural features and resources of the Globe theatre are examined in turn, in an effort to ascertain the extent to which they may have shaped the conception and enactment of Julius Caesar in 1599. The social, religious, and political concerns of contemporary London are elucidated by the identification of relevant evidence from the play text. Likewise, discussions of the Globe's structure and staging conditions are informed by the analysis of several key scenes from the play. The study relates the attributes of the Globe theatre and the Shakespearean stage in general to the concepts of Holy and Rough Theatre found in Peter Brook's The Empty Space, and employs Andrew Gurr's notion of the "Shakespearean Mindset" as well as J. L. Styan's theories concerning the imaginative neutrality of the stage space and the creative collaboration of the audience, to apprehend the connection between the language of Julius Caesar and the specific theatre space in which it was first enacted. The metaphorical potential of the stage space and theatre structure as a whole are discussed with reference to discernable metatheatrical moments in the play. The study verifies a complex connection between Julius Caesar and the Globe theatre and its surroundings, allowing for an improved understanding of the play's layered contextual significance, as well as informing of staging practices at the Globe that brought Shakespeare's words to life.Este trabalho avalia o impacto de um espaço de teatro específico sobre a obra de Shakespeare ao longo de duas amplas linhas de investigação. O ambiente sócio-político e as características estruturais e recursos do teatro Globe são analisados sucessivamente, em um esforço para determinar a medida em que eles podem ter formado a concepção e encenação de Julius Caesar em 1599. As questões sociais, religiosas e políticas da Londres contemporânea são elucidadas pela identificação de evidências relevantes no texto. Da mesma forma, as discussões sobre a estrutura do Globe e as condições de encenação são esclarecidas pela análise de várias cenas-chave da peça. O estudo relaciona os atributos do teatro Globe e do teatro Shakespeareano em geral aos conceitos de "Holy and Rough Theatre" de Peter Brook, e utiliza a concepção de Andrew Gurr chamada "Shakespearean Mindset", assim como as teorias de J. L. Styan relativas à neutralidade imaginativa do espaço do palco e à colaboração criativa do público, para compreender a conexão entre a linguagem de Julius Caesar e do espaço teatral em que foi inicialmente encenada. O potencial metafórico do espaço do palco e da estrutura do teatro como um todo é discutido no que tange a momentos metateatrais discerníveis na peça. O estudo verifica uma relação complexa entre Julius Caesar e o teatro Globe e os seus arredores, permitindo uma melhor compreensão da significância contextual multifacetada da peça, bem como registro de práticas de encenação no Globe que trouxeram as palavras de Shakespeare à vida
Julius L. Straus' New York Bazaar
No full textReverse stamped JULIUS L. STRAUS' NEW YORK BAZAAR HEAD-QUARTERS FOR Ladies' & Children' Hosiery, Furnishings & Fancy Goods. Picture Frames, Holiday Gifts &c. 41 Lake St., OWEGO, N. Y. POPULAR PRICES Reverse: a wheelbarrow full of pansies and ivy.Digital imagedigitize
Isaac Julius. — British post-war Migration
No full textL. X. Isaac Julius. — British post-war Migration. In: Population, 10ᵉ année, n°1, 1955. pp. 174-175
... Perlenschnüre aramäischer Gnomen und Lieder, oder aramäische Chrestomathie : mit Erläuterungen und Glossar ; Zu des Verfassers aramäischem Lehrgebäude als Uebungsbuch gehörig / von Julius Fürst
No full textAramäischer Titelanfang nicht transliteriertÜbungsbuch zu: Fürst, Julius: Lehrgebäude der aramäischen Idiome mit Bezug auf die Indo-Germanischen Sprachen : Chaldäische Grammatik (Leipzig, Tauchnitz, 1835)Vorlageform der Veröffentlichungsangabe: Leipzig, Verlag von L. FortTeilw. in aramäischer Schr. - Text teilw. aramäisch, teilw. d
Bericht über die Excursion der Bauschule nach Ober-Italien und Tessin (Juni 1880)
No full textausgeführt unter der Leitung von Julius Stadler; Text von K. Mose
Perception of musical intervals : evidence for the central origin of the pitch of complex tones
No full textBased on a Ph.D. thesis in the Dept. of Electrical Engineering, 1971, by A.J.M. Houtsma.Bibliography: p. 71-75.[by] Adrianus J.M. Houtsma and Julius L. Goldstein
- …
