1,721,020 research outputs found
IN CONVERSATION WITH - exhibition maker Judith Clark
No full textInterview published in Address - Journal for fashion Writing and Criticism (online version).Renowned exhibition maker and Professor of Fashion and Museology at London College of Fashion, Judith Clark has paved the way for new approaches and perspectives in the field of fashion curation since establishing the Judith Clark Costume Gallery (1997, London). She has curated more than 40 fashion exhibitions at major museums and, through the MA Fashion Curation, at London College of Fashion, which she directs with Professor Amy de la Haye, she continues to inspire generations of students and future curators. Address contributor Flavia Loscialpo asked Judith to reflect on her career so far
"Fashion Inside and Out, une exposition de Judith Clark", by Géraldine-Julie Sommier
No full textJudith Clark se définit comme "exhibition maker", littéralement "faiseuse d'exposition". Elle a le talent, rare, d'associer les compétences de scénographe et de commissaire d'expositions de mode. A travers celles-ci, Judith Clark se plaît à manifester son intérêt pour l'architecture (sa formation initiale), tissant des liens inédits entre les espaces intérieurs ou extérieurs d'un bâtiment et l’architecture d'un vêtement (coupe, secrets de fabrication, entoilages invisibles...). Jouer avec ..
Anna Piaggi, Aby Warburg and the Judgement of Paris, 2011
No full textJudith Clark looks at fashion exhibition-making alongside Aby Warburg’s Mnemosyne Atlas (Panel 55) for her 2011 gallery exhibition entitled The Judgement of Paris. By looking at the three goddesses’ attributes, the reproduced exhibition leaflet wonders about the styling
of mannequins and props that are intrinsic to exhibition-making but extrinsic to the exhibited object (namely dress), which is omitted from the exhibition entirely. The visual essay links Aby Warburg to Anna Piaggi’s monthly collages for Vogue Italia and their idiosyncratic act of recovery.</jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The Concise Dictionary of Dress
No full textrecesione della mostra a cura di Judith Clark e del catalogo di Judith Clark e Adam Philip
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