1,721,144 research outputs found
Importance of nanosensors: Feynman's vision and the birth of nanotechnology
In his visionary 1959 lecture at Caltech, Richard P. Feynman foresaw the potential of the ability to manipulate matter at the atomic scale. In this article, adapted from Integrated Nanosensors, MRS Symposium Proceedings Volume 952E, edited by I.K. Schuller, Y. Bruynseraede, L.M. Lechuga, and E. Johnson (2007), Jozef T. Devreese (University of Antwerp) discusses implementations of Feynman's vision in the field of nanosensors and perspectives of its further development and applications.Nanoparticles are unique tools as sensors. Particles with sizes at the nanoscale reveal physical properties that do not exist in bulk materials; these properties can operate well inside living cells. Nanosensors possess unique physical characteristics. Their sensitivity can be orders of magnitude better than that of conventional devices. Nanosensors possess such performance advantages as fast response and portability. State-of-the-art nanosensors are based on various advanced materials (quantum dots, nanoshells, nanopores, carbon nanotubes, etc.). Nanosensors furthermore allow for building an entirely new class of integrated devices that provide the elemental base for “intelligent sensors” capable of data processing, storage, and analysis. Advances can open unprecedented perspectives for the application of nanosensors in various fields, for example, as molecular-level diagnostic and treatment instruments in medicine and as networks of nanorobots for real-time monitoring of physiological parameters of a human body.</jats:p
Lectures on the Physics of Strongly Correlated Systems VII
Polarons
J. T. Devreese
Multielectron bubbles in liquid helium: a spherical two‐dimensional electron system
Jacques Tempere , Isaac F. Silvera and Jozef T. Devreese
The numerical approach to the correlated electron problem: quantum Monte Carlo methods
F. F. Assaad
Basic Models in the Quantum Theory of Magnetism
Yu. A. Izyumo
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Importance of Nanosensors: Feynman's Vision and the Birth of Nanotechnology
ABSTRACTIn his visionary 1959 lecture at Caltech, Feynman envisaged the potential of the ability to manipulate matter at the atomic scale. I discuss implementations of Feynman's vision in the field of nanosensors and perspectives of its further development and applications.</jats:p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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