38,442 research outputs found
Faculty recital, 1976, 02/21 : Joyce Zastrow, soprano; Thomas Hardie, baritone
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, February 21, 1976, program no. 163 of the Department of Music's 1975-1976 season.Joyce Zastrow, soprano ; Mary Jane Rupert, piano (1st-5th works). Thomas Hardie, baritone ; Phiroze Mehta, piano (6th work, Samuel Barber's op. 45 & 9th work, Gerald Finzi's Let us garlands bring). Joyce Zastrow, soprano ; Charles Osborne, flute (7th-8th works). Joyce Zastrow, soprano ; Thomas Hardie, baritone ; Mary Jane Rupert, piano (10th-11th works).All works sung in English.Information from performance program.Reel 1: To a wild rose: [from Woodland sketches] op. 51, no. 1 (text by Herman Hagedorn) ; A maid sings light: op. 56, no. 3 (text by the composer) / Edward MacDowell -- (4:04) Beyond the rim of day. March moon ; Troubled woman To a little lover-lass, dead (text by Langston Hughes) / Hale Smith -- (13:05) Charlie Ruttage [i.e. Rutlage] (words from Cowboy songs and other frontier ballads, collected by J.A. Lomax) ; The greatest man (text by Anne Collins) / Charles Ives -- (18:27) [Three songs]: op. 45. Now, have I fed and eaten up the rose (text by James Joyce) ; A green lowland of pianos (text by Czeslaw Milosz) ; O boundless, boundless evening (text by Christopher Middleton) / Samuel Barber -- (27:44) Three songs on Elizabethan texts. A modest love (text by Sir Edward Dyer) ; Elegy (text by Chidiock Tichborne) ; The fly (text by William Oldep [i.e. Oldys]) / William Sydeman -- (36:02) Toccata / Harry Freedman.Reel 2: Let us garlands bring: five Shakespeare songs. Come away, come away, death ; Who is Silvia? ; Fear now more the heat o' the sun ; O mistress mine ; It was a lover and his lass / Gerald Finzi -- (15:24) Heloise and Abelard (text by Louis Phillips) / Thomas Pasatieri -- (33:42) Wilt thou be gone love? / Stephen Foster -- (38:12) My heart stood still: from Connecticut Yankee ; (41:27) It's a grand night for singing: from State fair / Richard Rodgers
Thomas Joyce Oral History Interview
No full textTom Joyce discusses helping to develop, and later run, the Learning in Retirement program that started shortly after his own retirement in 1994. He currently serves as the Chair of the program
South American archaeology, Thomas A. Joyce.
No full textVignaud Henry. South American archaeology, Thomas A. Joyce. In: Journal de la Société des Américanistes. Tome 10 n°1, 1913. pp. 233-236
Dataset: Shifting Ideals of Tone in Grand Pianos (1880-1904) and their Implications on Performance Practice
No full textThis dataset supports the Joyce Tang (2021), Shifting Ideals of Tone in Grand Pianos (1880-1904) and their Implications for Performance Practice, University of Southampton, Doctoral Thesis.
The dataset contains:
Supporting materials for Chapter Three: Piano Tones in Concert. A spreadsheet titled 'Appendix C_Pops Concerts (Nov 1880-Apr 1901) solo repertoire.xlsx', which detailed dates, pianists, solo repertoire played, and pianos used at the 819 Monday and Saturday popular concerts at St. James' Hall.
Supporting materials for Chapter Four: Piano Tones in Sound. Selected audio recordings (47) on late nineteenth-century pianos; pianist: Joyce Tang.</span
Thomas Grisell letter to Thomas Rotch, 2nd mo 19th 1823
No full textThomas Grisell's letter reached the Rotch household several months before the unexpected death of Thomas Rotch in August, 1823. This is the last letter of the series and presumably the author learned of his friend's death before another letter was penned. 7.95" x 10" (20.2 by 25.5 cm
Series 1: 22 - Mazurka (Inscribed 'For Joyce Thomas')
No full text2 pages ink MS pencil (23-24 September 1970) For Joyce Thomas
The treatment of family life and relationships in the works of James Joyce from Dubliners to Ulysses
No full textPhDJoyce's treatment of family life and relationships reveals
both a continuing concern with many of the same themes and a
distinctive development from Dubliners to Ulysses. Throughout
the works he is concerned with such matters as the nature of
blood links, the tension between the needs of the individual
and the needs of the family, and the quality of human affection,
filial, parental, and sexual. While the early works, Dubliners,
Stephen Hero, and A Portrait of the Artist as a Young Man,
present the family as a social institution of some importance,
Ulysses shows it to be associated with universal principles of
prime importance. Moreover, while the first three works present
a largely unfavourable and somewhat restricted view of family
life, Exiles and Ulysses develop extensively both the fundamental
value of family relationships and the complexities of
emotion and motive inherent in them.
The early concern with the limitations of family life
corresponds to similar concerns in contemporary writers whom
Joyce admired, Joyce's declared intentions in writing his own
works, and his somewhat unhappy experiences with his own family.
The shift to a more favourable and more complex view of family
life in the later works corresponds to his evident maturation
and to his increased recognition of the value of his own family
life. Thus Joyce's treatment of family life and relationships
is central to his development as man and artist.
While many critics have noted that the family is indeed
important in Joyce's works, none has examined the subject systematically
or treated many of the matters considered in this
thesis
Thomas Joyce oral history interview by Andrew Huse, November 19, 2003
No full textTom Joyce discusses helping to develop, and later run, the Learning in Retirement program that started shortly after his own retirement in 1994. He currently serves as the Chair of the program
Joyce in the Hibernian metropolis: essays
No full text(print) xx, 312 p. : ill. ; 23 cmCollection of essays from the 13th International James Joyce Symposium, held in Dublin, June 1992David Norris, Preface xi -- Acknowledgments xv -- Mary Robinson, Welcome Address xvii -- Abbreviations xix -- GENERAL ESSAYS -- Robert Adams Day, "Joyce's AquaCities" 3 -- Vincent J. Cheng, "Catching the Conscience of a Race: Joyce and Celticism" 21 -- David Norris, "OndtHarriet, PoldyLeon and Shem the Conman" 44 -- Jeffrey Segall, "Czech Ulysses: Joyce and Political Correctness, East and West" 52 -- Louis Lentin, "I Don't Understand. I Fail To Say. I Dearsee You Too" 61 -- HOSTILE RESPONSES TO JOYCE -- Morris Beja, "Approaching Joyce with an Attitude" 71 -- Paul Delany, "A Would-Be-Dirty Mind' : D. H. Lawrence as an Enemy of Joyce" 76 -- Austin Briggs, "Rebecca West vs. James Joyce, Samuel Beckett, and William Carlos Williams" 83 -- MALE FEMINISMS : APPROACHING "NAUSICAA" -- Richard Pearce, "Introduction" 105 -- Richard Pearce, "'Nausicaa' : Monologue as Monologic" 106 -- Philip Weinstein, "For Gerty Had Her Dreams that No-one Knew Of" 115 -- Patrick McGee, "When Is a Man Not a Man? or, The Male Feminist Approaches 'Nausicaa'" 122 -- Jennifer Levine, "'Nausicaa' : For [Wo]men Only?" 128 -- THE SHORTER WORKS -- Zack Bowen, "All Things Come in Threes : Manage a Trois in Dubliners" 137 -- James D. LeBlanc, "Duffy's Adventure : 'A Painful Case' as Existential Text" 144 -- Ruth Bauerle, "Dancing a Pas de Deux in Exiles's Menage a Quatre; or, How Many Triangles Can You Make Out of Four Characters If You Take Them Two at a Time?" 150 -- Adriaan van der Weel and Ruud Hisgen, "The Wandering Gentile : Joyce's Emotional Odyssey in Pomes Penyeach" 164 -- "AEOLUS" WITHOUT WIND -- Derek Attridge, "Introduction" 179 -- Jennifer Levine, "A Brief Allegory of Readings : 1972-1992" 181 -- Daniel Ferrer, "Between Irwentio and Memoria : Locations of 'Aeolus'" 190 -- Maud Ellmann, "'Aeolus' : Reading Backward" 198 -- THE NOVELS -- Sheldon Brivic, "Stephen Haunted by His Gender : The Uncanny Portrait" 205 -- Sebastian D. G. Knowles, "That Form Endearing : A Performance of Siren Songs; or, 'I was only vamping, man'" 213 -- Mark Osteen, "Cribs in the Countinghouse : Plagiarism, Proliferation, and Labor in 'Oxen of the Sun'" 237 -- John S. Rickard, "The Irish Undergrounds of Joyce and Heaney" 250 -- Thomas L. Burkdall, "Cinema Fakes : Film and Joycean Fantasy" 260 -- Ralph W. Rader, "Mulligan and Molly : The Beginning and the End" 270 -- Laurent Milesi, "Finnegans Wake : The Obliquity of Trans-lations" 279 -- Derek Attridge, "Countlessness of Livestories : Narrativity in Finnegans Wake" 290 -- Contributors 297 -- Index 30
A Study of characterization and representation in James Joyce's a portrait of the artist as a young man and John barth's lost, in the funhouse
No full textDissetação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoAnálise da caracterização e da representação do artista nos romances A Portrait of the Artist as a Young Man de James Joyce e Lost in the Funhouse de John Barth. A análise destes romances quanto às diferenças existentes no modo de representação do artista, faz com que eles possam ser lidos, respectivamente, como representantes das narrativas modernista e pós-modernista
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