1,721,221 research outputs found
Rosa and Joseph Murray 1
No full textRosa Murray sitting on the left, and Joseph Murray standing on the right. Joseph Murray has his arm around Rosa and is wearing a white shirt and black pants with suspenders. Rosa has on a colorful dress. They are posing for a photo in their home on St. Helena Island.https://digitalcommons.coastal.edu/voice-of-an-island-images/1171/thumbnail.jp
Rosa and Joseph Murray 5
No full textJoseph Murray sitting on the left, and Rosa Murray standing on the right. Rosa Murray has her arm around Joseph Murray. She is wearing a colorful dress, while Joseph is wearing a white shirt and black pants with suspenders. They are posing for a photo in their home on St. Helena Island.https://digitalcommons.coastal.edu/voice-of-an-island-images/1172/thumbnail.jp
Albert Thompson and Joseph Murray
No full textPhoto of Albert Thompson and Joseph Murray, n.d..https://digitalcommons.buffalostate.edu/thompson_photos/1015/thumbnail.jp
Joseph Murray at USC Beaufort
No full textJoseph Murray singing on stage at the University of South Carolina Beaufort. Murray is wearing a black suit and is holding a microphone.https://digitalcommons.coastal.edu/voice-of-an-island-images/1297/thumbnail.jp
Telegram from Canon Joseph Murray to Hagan
No full textTelegram from Canon Joseph Murray, St. Joseph�s, Glasthule, Kingstown (D�n Laoghaire, County Dublin), to Hagan, requesting the papal blessing for the congregation on the occasion of the golden jubilee of the church on 12 October
Rosa Murray and Joseph Murray October 2013 Interview
No full textRosa Murray and Joseph Murray are interviewed by Eric Crawford in October of 2013 in the Murrays\u27 home in Beaufort as part of the Gullah: The Voice of an Island project. Rosa Murray was born on St. Helena Island, South Carolina, and Joseph Murray was born in Beaufort. Their marriage to one another is their second marriage, and they are leaders at their church. Most of the interview is with Joseph Murray, who also serves as a deacon, but the latter songs Rosa joins in with Joseph. The interview also provides a discussion of the history and procedures of the Watch Night service. Spirituals include Stand Up, I Wonder, When You Come, Kumbaya or Come by Here, Send Em On Down, Lord, Til We Meet Again, Hold the Wind, A Few More Days, Watchman, Aye Neva, In His Hands, and Guide Me.https://digitalcommons.coastal.edu/voice-of-an-island-oral-histories-and-service-recordings/1006/thumbnail.jp
Rosa Murray, Joseph Murray, and Minnie Gracie Gadson at USC Beaufort
No full textFrom left to right: Joseph Murray, Minnie Gracie Gadson, Rosa Murray. All three are singing on stage at the University of South Carolina Beaufort. Both Murray\u27s are holding microphones while Gadson is using one on a stand. Three chairs are adjacent to them.https://digitalcommons.coastal.edu/voice-of-an-island-images/1296/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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