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Ästhetische Untersuchungen / von Josef Bayer
No full textÄSTHETISCHE UNTERSUCHUNGEN / VON JOSEF BAYER
Ästhetische Untersuchungen / von Josef Bayer (4)
Cover (4)
Titelseite (6)
Widmung (8)
Vorwort (10)
Inhalt (12)
I. Das einfach Schöne und die allgemeinen ästhetischen Fragen. (18)
II. Das Erhabene und das Gefällige, die Würde und die Anmuth. (63)
III. Das Tragische. A. Das Tragische im Allgemeinen. (107)
III. Das Tragische. B. Das Tragische der antiken Anschauung. (145)
B. Das Tragische der antiken Anschauung. Erste Stufe (147)
B. Das Tragische der antiken Anschauung. Zweite Stufe (156)
B. Das Tragische der antiken Anschauung. Dritte Stufe (174)
III. Das Tragische. C. Das Tragische der modernen Anschauung. (182)
C. Das Tragische ... I. Das Tragische des Charakters in ... (186)
C. Das Tragische ... II. Das Tragische d. inneren Verstrickung ... (217)
C. Das Tragische ... III. Das Tragische der ungeduld. schöpf. Thatkraft (238)
C. Das Tragische ... IV. Das Tragische des weltgesch. Principienkampfs (246)
C. Das Tragische ... V. Das Komische (261
Dramaturgy of the Ballet "Rund um Wien" by Josef Bayer
Get PDFOn October 13, 1894 the ballet "Rund um Wien" by Josef Bayer was performed in the Vienna Court Opera in order to celebrate the 50th anniversary of the musician life of Johann Strauss junior. After that, this work continued being performed at the Vienna Court Opera over 64 times till 1906. But the ballet may have been revised after the premiere, because of the vulnerability of the story. In fact, the Austrian National Library posesses the three handwriting scores of the ballet. By solving the genealogy of sources, the author got the proofs that the ballet was revised after the premiere. It is concluded that "Rund um Wien" was revised several times. By revisions, the whole work became shorter and the scene where Strauss's motifs were quoted was especially reduced 30 percent.departmental bulletin pape
Ist die Gender-Grammatik biologisch vorherbestimmt? Eine Antwort auf Josef Bayer
No full text[This post is in German, because it is about a topic of German grammar that is currently being hotly discussed in various circles. – Update: There is now also a reply by Josef Bayer.]] Ist es aus Gründen der Gender-Gerechtigkeit besser, im Deutschen von “Geflüchteten” und “Besuchenden” zu sprechen (statt von “Flüchtlingen” und “Besuchern”)? Soll man Gendersternchen oder andere Formen der Genus-Neutralisierung verwenden? Über diese Fragen wird seit den 1980er Jahren diskutiert, und in letzter ..
Literarisches Skizzenbuch : gesammelte Aufsätze ; Mit dem Bildnis des Verfassers / von Josef Bayer
No full textLITERARISCHES SKIZZENBUCH : GESAMMELTE AUFSÄTZE ; MIT DEM BILDNIS DES VERFASSERS / VON JOSEF BAYER
Literarisches Skizzenbuch : gesammelte Aufsätze ; Mit dem Bildnis des Verfassers / von Josef Bayer (1)
Cover (1)
Titelseite (2)
Frontispiz (4)
Titelseite (5)
Druckvermerk (6)
Vorwort (7)
Inhaltsverzeichnis (9)
Allgemeines über Sprache und Dichtung. Zur Einleitung (11)
Wie wir sprechen und schreiben (13)
Zur Technik der Dichtkunst (23)
Aus unserer klassischen Epoche (35)
Lessing als Dramaturg (37)
Zum Jubiläum der ersten Aufführung der "Räuber" von Schiller (46)
Goethes "Egmont" nach der Bearbeitung Schillers (54)
Gedanken-Nachlese zu Goethes "Faust" (63)
Faust und Mephistopheles als Rollen (87)
Das Malerische in der Szenerie des Faust (95)
Faust und Helena (104)
Aus dem Mummenschanz im zweiten Teil des Faust (123)
Eine "Faust"-Einrichtung von Eckermann (134)
Das Fragment: "Die Geheimnisse" von Goethe (146)
Charakterskizzen zur deutschen Literatur (159)
Herder in Weimar und seine italienische Reise (161)
Die deutsche Literatur und das Bürgertum (193)
Höhepunkte auswärtiger Literatur (235)
Petrarca und Cola di Rienzo (237)
Zum Gedächtnistage Calderons (249)
Die Lusiaden von Luis de Camoens (280)
"Utopia" von Thomas Morus (294)
Kleine Shakespeare-Studien: I. Naturgefühl (308)
Kleine Shakespeare-Studien: II. Die Märchenstücke (316)
Kleine Shakespeare-Studien: III. Vischer als Shakespeare-Erklärer (335)
Zur Gedächtnisfeier Voltaires (349)
Zum Gedenktag Jean Jacques Rousseaus (359
The Treatment of Johann Strauss in the Ballet "Rund um Wien" (1894) by Josef Bayer
Get PDFIn 1894 the ballet "Rund um Wien" was composed by Josef Bayer in order to celebrate the 50th anniversary of the musician life of Johann Strauss junior, and performed in the Viennese Court Opera. The 3rd scene of this ballet consists of the motifs of Strauss. On October 13 of the premiere the applause to Johann Strauss did not die down after the end of the 3rd scene. The music of the 3rd scene is contained in melodies of Johann Strauss's "Sinngedichte" op.1 and the other early works. These quotations praised the starting point of Johann Strauss. Also after that, this work continued being performed at the Viennese Court Opera over ten years. The ballet may have been revised after the premiere.departmental bulletin pape
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Über Zerreissungen des Nabelstranges und ihre Folgen für den Neugeborenen
No full textvon Josef Bayer[Umschlagt.
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